• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Rock art and sacred sites in Mainland Southeast Asia

11 June 2012
in Laos, Personal, Thailand
Tags: Khao Chan Ngam (site)Luang Prabang (city)Luang Prabang (province)monksNakhon Ratchasima (province)Pak Ou Caves (site)Phu Phra Bat Historical Parkrock artsacred sitesUdon Thani (province)
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Starting off the week with a post about what I’ve been up to the last six weeks – I’ve been in Thailand and Laos to conduct some fieldwork at rock art sites. I was particularly interested in the connection of rock art with religious (typically Buddhist) sites.

The team at Khao Chan Ngam, in Nakhon Ratchasima province in Thailand
The team at Khao Chan Ngam, in Nakhon Ratchasima province in Thailand


The work took us to Northeast Thailand – Nakhon Ratchasima Province, and then to Udon Thani Province at the Phu Phra Bat Historical Park. We also had a look at a potential site in Laos in Luang Prabang province. The unifying factor in all these sites is that they contain (presumably prehistoric) rock art and religious shrines of later religions, and I’m wondering if these are co-appearances are coincidences or symptomatic of a long history of occupation and use. The site in the above picture, for example, is a rock shelter housing a Buddhist shrine and rock art thought to be of the prehistoric period.

A rock shelter in Phu Phra Bat Historical Park, with Buddhist offerings and rock art
A rock shelter in Phu Phra Bat Historical Park, with Buddhist offerings and rock art
The Pak Ou Caves in Luang Prabang Province in Laos, a Buddhist cave with cave paintings
The Pak Ou Caves in Luang Prabang Province in Laos, a Buddhist cave with cave paintings

Most of the work involved making detailed recordings of the rock art at these sites – using the iPad system and photography, and also trying to reconstruct life histories of the sites by talking to the local people, particularly the monks from the temples that were associated with the shrines. Part of the resulting outputs from this work is detailed recordings of each site, that will serve as baseline recordings for future conservation work. A large problem, as with all rock art studies, is the inability to directly date the pigments. But a consistent theme from all the talks with locals is that the rock art predates the existing shrines, so that’s a good sign.

Namtarn and Jane, two students from Silpakorn University who were assisting with the work
Namtarn and Jane, two students from Silpakorn University who were assisting with the work
Talking to one of the forest monks about a rock art site we recorded.
Talking to one of the forest monks about a rock art site we recorded.

Still much work to be done, quite a fair bit of fieldwork left to do!

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