• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Discover Jakarta's History

30 August 2007
in Indonesia
Tags: architecturecolonial buildingsDutch East India Company (VOC)epigraphyexhibitionsJakarta (city)Jakarta History MuseumNetherlands National Archives
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Discover Jakarta's History

29 August 2007 (Jakarta Post) – If you’re in the Indonesian capital this month, do take a stop over the Jakarta History Museum to discover the history of the city in this month-long exhibition. This article also gives a good overview on the history of Jakarta.

Museum visitors get chance to explore open history book
Mustaqim Adamrah

Most Jakartans have only a sketchy idea of the seminal events of their city’s history, which is why the Jakarta History Museum in Kota, West Jakarta, is presenting an exhibition that helps visitors “fill in the gaps” and rediscover the past.

“Many of the older people living in Jakarta come from places outside the city. They come here to work, looking for money, and go back to where they belong when they get enough,” museum head R. M. Manik said Tuesday after the exhibition opening.

“That’s why so few Jakartans have more than a fleeting impression of the capital’s history,” he said.


The monthlong exhibition, which is being housed in the temporary exhibition space in the south western part of the museum, opens to the public Wednesday.

The display boards, which communicate to the public the significance of the city’s heritage, juxtaposed with other materials of historic interest, will later become part of the museum’s permanent collection, Manik said.

“We are giving those who are interested, including students and tourists, the opportunity to explore the city’s history,” he said.

The exhibition retells the history of Jakarta from the 16th century when it was a traditional seaport city, known as Sunda Kelapa and next Jayakarta, through to the 18th century when it was transformed into a colonial city and renamed Batavia under the Dutch colonial administration, commonly known as the Verenigde Ost-Indische Compagnie (VOC) or the United of East-Indian Company.

For centuries, the Dutch administration’s office was located in the museum building.

The traditional city was born after the prince of the Central Java-based Islamic Kingdom of Demak, Falatehan — also known as Fatahilah — led Muslim troops and conquered Sunda Kelapa, which was ruled by the Bogor-based Kingdom of Sunda, on June 22, 1527.

The Kingdom of Demak also defeated the Portuguese during the battle, who had teamed up with the Kingdom of Sunda against them.

Prince Fatahilah changed the name of Sunda Kelapa to Jayakarta, which means great deed or great victory, while the date — June 22 — has become Jakarta’s birthday.

The office of the Jayakarta government was in Kali Besar, North Jakarta. Part of the old building was transformed into the Omni Batavia Hotel.

Prince Jayakarta, who took over from Prince Fatahilah in 1596, progressively shaped the city similar to those where Islamic kingdoms ruled.

As a result, the city, then called Jayakarta, soon became known as the traditional city.

Prince Jayakarta’s progressive policies, which gave traders from China, India, England, Persia, Saudi Arabia and the Netherlands the chance to open businesses here, eventually resulted in a blow.

Conflicts erupted when the prince allowed Dutch traders to trade and stay in the city to keep their belongings under guard.

Tensions grew between the prince and the VOC when it appointed in 1619 Jan Pieterszoon Coen as its representative in Jayakarta.

The prince’s lost his power to the VOC on May 30, 1619.

Coen had by then changed the city’s name to Batavia, which it was called until 1942.

According to archeologist at the city culture and museums agency Candrian Attahiyat, the then governor general shaped Batavia based on a structural concept back in the Netherlands.

“J.P. Coen placed buildings very close to one another. The building concept he applied was more appropriate for countries with cool climates,” Candrian said.

“Coen’s concept turned out to be ill-suited to the local climate and resulted in epidemics of cholera, dysentery and other contagious diseases that killed a number of local residents ahead of the 19th century.”

As a result, he said, many of the people who lived in Batavia moved south to the area where Lapangan Banteng field and National Monument park are now situated, in search of a healthier lifestyle.

“However, the number of deaths at that time has never been officially reported,” Candrian said.

According to Manik, deaths other than from diseases also occurred in 1740 when the Dutch massacred around 40,000 people of Chinese ethnicity because they protested the trading policies imposed by the VOC.

Some reports say the number of people who died in the massacre reached only 5,000.

Manik said the data used in the exhibition was developed through one year of cooperative research between historians of the University of Indonesia, the Netherlands National Archive in Den Haag and officials at the Netherlands Embassy.

“We got around 80 percent of the history from the Netherlands National Archive and compiled it with ours,” he said.

“Our version (of events) is the same as that in the Netherlands National Archive because all of Jakarta’s history was written by Dutch historians.”

Manik said he was assured the Netherlands’ version had never been engineered as the Dutch historians worked independently and the manuscripts had never been changed.

Candrian said it was hard to trace Jakarta’s history without support from the Netherlands National Archive.

“Our people don’t have a writing habit. So, we have never had Jakarta’s history written from our point of view,” he said.

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