• Can inscriptions help reconstruct how a kingdom expanded across a landscape?

King Citrasena (Chitrasen, later known as Mahendravarman) ruled Chenla in the late 6th to early 7th centuries, during a period when Chenla’s influence was extending across parts of what are now Cambodia, Laos and northeastern Thailand. His reign is known partly through inscriptions recording religious foundations, royal achievements and other acts of authority. 

Pailoplee and Khatshima map 21 inscriptions from at least 19 locations associated with Citrasena, and asked if people were moving between these places, which routes would they have taken? To explore this, they use Least Cost Path (LCP) modelling in a GIS. LCP calculates routes that minimise the “cost” of movement across terrain.

In archaeology, this can help identify plausible corridors shaped by features such as slopes, river valleys and mountain barriers. These models show how movement could have been structured by the landscape under the assumptions of the model.

Across several scenarios, the reconstructed paths repeatedly concentrate around major river systems—especially the Mun River—and particular passes through the Phnom Dong Rek (Dangrek) mountain range. The authors also compare the modelled network with archaeological sites attributed to Citrasena’s period, many of which fall along these reconstructed corridors.

Where river navigation would have been difficult (such as the Khone Phapheng Falls), the authors propose that Citrasena’s forces may instead have moved overland along riverbanks, using waterways as natural guides through the landscape.

The placement of several inscriptions near river confluences also suggests that these locations may have been important for controlling movement, communication and exchange, not simply access to water.

Reference
Pailoplee, S. & Khatshima, K. 2026. “The role of King Chitrasen (Mahendravarman) in the expansion of the Chenla Kingdom: A study of inscriptions and historical geography.” Social Sciences & Humanities Open 14, 103503.
10.1016/j.ssaho.2026.103503

#SoutheastAsianArchaeology #Cambodia #Thailand #Laos #Chenla
  • Sometimes the biggest archaeological questions depend on evidence we cannot see during excavation.

Microarchaeology investigates archaeological deposits at microscopic and microstratigraphic scales. In Southeast Asia, this can be especially valuable because monsoonal wetness, tropical weathering, intensive land use and complex depositional histories can affect how archaeological evidence survives. 

Researchers can examine the surrounding sediment for traces of past activity and later disturbance. Methods discussed in this new paper include sediment micromorphology, laboratory micro-excavation, high-resolution imaging, FTIR microscopy and SEM-EDS. Depending on the context, microscopic evidence can help identify burning, trampling, plant processing, sediment movement and environmental change. 

The importance of that context is illustrated by work in northern Laos. At Tam Ngu Hao 2, microstratigraphy was used alongside lithological observations and dating to establish the stratigraphic context of Denisovan fossil evidence. At Tam Pà Ling, it has shown potential for investigating environmental seasonality and possible patterns of early modern human presence. These methods help archaeologists understand what happened to a deposit before drawing conclusions from what it contains.
 
The paper also introduces the Australian Microarchaeology and Palaeosciences Facility (AusMAP) and argues for greater collaboration, training and locally based microarchaeological expertise across Southeast Asia. 

Reference:
Hernandez et al. 2026. Scaling down to look further back: Southeast Asia, deep-time science and microarchaeology. SPAFA Journal 10.
10.26721/spafajournal.651369a4y8 

#SoutheastAsianArchaeology #Archaeology #Microarchaeology #Geoarchaeology #ArchaeologicalScience
  • This week on Southeast Asian Archaeology: claims, contexts and careful reading.⠀
⠀
With Malaysia’s National Day, Vietnam’s National Day, Timor-Leste’s Popular Consultation Day, and International Literacy Day all close together, I’m thinking about literacy not just as reading words, but reading evidence: museum labels, old spellings, dates, maps, artefacts, archives, and the occasional viral post with a raised eyebrow.⠀
⠀
The catalyst this week is the recent controversy over historical claims in Malaysia, alongside a timely RSIS piece on how historians, archaeologists, archivists, librarians and curators can help push back against disinformation. Not by attacking people, but by helping everyone ask better questions of the past.⠀
⠀
Also in this week’s issue: Penang’s historical Malay spellings, Cambodia’s new artefact database grant, Singapore’s revised History Gallery, UNESCO’s maritime museum project, new research on Sundadonty, Roti Island, Chenla inscriptions, ancient Myanmar, and more.⠀
⠀
Link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #InformationLiteracy
  • How old are the rock paintings of Mainland Southeast Asia? 🎨🪨

A new study from Mangguan in Yunnan, southwestern China, provides another important piece of the puzzle.

Using uranium-thorium dating, researchers analysed tiny calcite deposits that had formed over the paintings. Because the calcite must be younger than the pigment underneath, the dates provide a minimum age for the art. One deposit covering a human figure shows that the painting was already there at least 4,220 years ago.

Mangguan is particularly interesting because it lies only about 15 km from the better-known Cangyuan rock art complex. The two have stylistic similarities and overlapping dates, suggesting they formed part of a broader regional rock art tradition, a comparison can be taken farther south.

The rock paintings at Pha Taem in Luang Prabang, Laos, have previously been compared with Cangyuan, raising intriguing questions about relationships between the rock art traditions of southwestern China and Mainland Southeast Asia.

Most rock art in Mainland Southeast Asia remains poorly dated, so dates like those from Mangguan give us increasingly useful chronological anchors for thinking about these connections.

References:
Wu, Y. et al. 2026. U-Th dating of rock paintings in southwestern China: minimum age of ~4.2 ka BP at the Mangguan site. Journal of Archaeological Science: Reports 74, 105987. DOI: 10.1016/j.jasrep.2026.105987.

Bo, X. 2020. On the relationship between the Cangyuan rock art in Yunnan, China, and the Pha Taem rock art in Laos. Rock Art Research 37(2).

Tan, N.H. 2018. The Cliff Paintings of Pha Taem, Luang Prabang, Lao PDR. Rock Art Research 35(1).

#RockArt #SoutheastAsianArchaeology #Yunnan #China
  • Extraordinary claims about the past can be exciting. But how do we tell an exciting new hypothesis from pseudoarchaeology?

Recent controversy in Malaysia over claims that ancient Malays taught the Romans shipbuilding provides a useful case study. Rather than piling on the person behind the claims, I think there is a more useful question to ask: how would we actually test an idea like this?

Archaeology gives us some simple tools.

Do the dates work? What is the primary evidence? Does the evidence actually demonstrate the connection being claimed? Are there better explanations? And perhaps most importantly: what evidence would make us reject the hypothesis?

Ancient Southeast Asians really were sophisticated seafarers. Srivijaya really was one of Asia’s great maritime powers. Sungai Batu really does preserve remarkable evidence for early iron production.

None of those achievements needs embellishment to make Southeast Asian archaeology extraordinary.

Swipe through for five questions you can use the next time you encounter an astonishing claim about the ancient past.

🚩 Remember: possibility is not evidence, similarity does not necessarily mean transmission, and extraordinary claims still have to survive ordinary archaeological scrutiny.

Read more about the archaeology behind these claims in this week’s Southeast Asian Archaeology Newsletter.

#SoutheastAsianArchaeology #Pseudoarchaeology #Malaysia #MaritimeArchaeology #MediaLiteracy
  • A 4,000-year-old painted stone from Wetar Island may change how we understand the Austronesian story.⠀
⠀
Archaeologists excavating Huknaur 1 in Southeast Indonesia found a painted plaque with a red sun-ray motif linked to the Austronesian Painting Tradition — a wider visual tradition known from eastern Indonesia and nearby islands.⠀
⠀
What makes this find so important is that the plaque appears to be older than the first pottery at the site. That means a shared symbolic tradition may have been present before the full Neolithic package usually associated with Austronesian expansion. This discovery suggests that ideas, symbols, and identity may have travelled ahead of pottery.⠀
⠀
It is a reminder that the spread of people goes beyond tools, crops, or ceramics, and may also have been about belief, belonging, and a shared visual language carried across the sea.⠀
⠀
Swipe through to see why this small object has such big implications.⠀
⠀
Reference:⠀
O’Connor, S., Kealy, S., Kaharudin, H.A.F., et al. (2026). 4000-year-old painted plaque from Southeast Indonesia reveals Austronesian Painting Tradition preceded Neolithic pottery. PNAS 123(34): e2611580123.⠀
⠀
#SoutheastAsianArchaeology #RockArt #Austronesian #Indonesia #Wetar #SoutheastAsia #IslandSoutheastAsia #AustronesianPaintingTradition
  • Plaques, Ponds and Provenance⠀
⠀
This week’s newsletter begins with a 4,000-year-old painted plaque from Wetar Island — a small object with a big story.⠀
⠀
The plaque carries a red sun-like motif linked to the Austronesian Painting Tradition, and it appears before pottery at the site. That suggests visual symbols and shared ideas may have moved through maritime Southeast Asia before some of the usual archaeological markers we associate with Austronesian expansion.⠀
⠀
Also this week: archaeology beneath Angkor’s Sras Srang, suspected Ban Chiang artefacts offered for return from Switzerland, and more heritage news from across the region.⠀
⠀
Link in bio.
  • How do you make a 3-metre stone stand upright for centuries?

At Hintang in northern Laos, archaeologists are beginning to answer that question.

In 2025, a Lao-Australian team excavated Site 7A — the first excavation at a Hintang standing-stone site in around 90 years. Beneath the surface, they found that the stones had been set deeply into pits, with smaller rocks packed around their bases to stabilise them. Roughly one-third of each standing stone was buried underground.

One big question remains, though — how old are the Hintang stones?

Samples were collected for dating, but those results are still being analysed. So, for now, we understand a little more about how these monuments were built.

📖 Shewan, L., O’Reilly, D., Armstrong, B. & Butphachit, A. (2026). “Surveys of Hintang standing stone sites and excavations at Site 7A, Houaphanh, Lao PDR.” Antiquity.
doi: 10.15184/aqy.2026.10408

#Archaeology #SoutheastAsianArchaeology #Laos #Megaliths #Hintang #AncientTechnology #ArchaeologicalResearch #Heritage #NewResearch
  • Angkor’s water system is famous for its scale: enormous reservoirs, long canals, and monumental engineering.⠀
⠀
New research by archaeologist Sarah Klassen highlights how Angkor’s agricultural system also depended on more than 1,000 local temple communities spread across the Greater Angkor Region. These communities helped organise labour, manage local water systems, and coordinate rice production - and suggests that Angkor’s success was built through a combination of top-down and bottom-up management.⠀
⠀
The state created the large hydraulic framework. Local communities adapted to it, expanded around it, and helped make the wider agricultural landscape function.⠀
⠀
Over time, however, this balance changed. Land and resources became increasingly concentrated, the system became more centralised, and some of the flexibility that had helped Angkor cope with earlier environmental stress may have been lost.⠀
⠀
Beyond its temples and kings, Angkor
  • New Evidence from the Southeast Asian Borderlands⠀
⠀
This week in Southeast Asian Archaeology: new dates, new methods, and some wonderfully untidy timelines.⠀
⠀
🪨 Uranium-thorium dating pushes the Mangguan rock paintings in Yunnan back to at least 4,220 years ago⠀
 🥁 AI-assisted restoration takes on damaged imagery on Guangxi bronze drums⠀
 🌾 New work at Angkor asks how infrastructure, local communities and water management shaped resilience⠀
 🗿 Lao-Australian fieldwork maps and excavates the enigmatic Hintang standing stones⠀
⠀
Plus archaeology and heritage news from across Southeast Asia, new research, opportunities, and more.⠀
⠀
I’ve also started experimenting with short visual explainers of new archaeology papers here on Instagram — so follow along if you like your archaeology with fewer footnotes and more pixels.⠀
⠀
Read the latest SEAArch newsletter via the link in bio.⠀
⠀
#Archaeology #SoutheastAsianArchaeology #SoutheastAsia #RockArt #Angkor #Laos #Yunnan #Heritage #ArchaeologicalResearch #DigitalHeritage
Sunday, September 6, 2026
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Adventures in Angkor – Angkor Thom, the Royal City

19 August 2007
in Cambodia
Tags: Angkor (kingdom)Angkor Archaeological ParkAngkor Thom (temple)Baphuon (temple)Bayon (temple)Jayavarman VII (person)Phimeanakas (temple)Prasat Suor Prat (site)relief (sculpture)Terrace of Elephants (site)Terrace of the Leper King (site)Zhou Daguan (person)
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Adventures in Angkor – Angkor Thom, the Royal City

Sorry for the belated post, folks! There was just so much to write about that filtering the pictures to publish took some extra time. In previous Adventures in Angkor we’ve visited the jungle temple Ta Prohm and ,of course, the famed temple Angkor Wat. The latter has become somewhat synonymous with the entire Angkor, and in fact if you’re read closely at the whole slew of Angkor articles that came out this week you’ll notice that the less informed pieces call “Angkor Wat” being bigger than previously thought. In reality, Angkor Wat is just one section of a now much larger network of temple complexes – perhaps the most iconic, but not nearly the largest:

Angkor Thom is many times larger than Angkor Wat, which by itself is the size of six football fields. And the even huger rectangular plot that we call the Western Baray was a man-made reservoir. Although no longer in use and now only half filled, one can immediately appreciate the immensity of Angkor’s water management system that has made the news this week.

Before we start, here are the places we’ll be visiting in this section of Adventures in Angkor:
1. The Southern Gopura
2. The Bayon
3. Baphuon
4. Phimeanakas
5. The Elephant Terrace
6. The Suor Prat Towers

As you can tell, Angkor Thom is the largest of the temple complexes of Angkor, sitting in a square some 3km long on each side. It was built during the reign of Jayavarman VII in the 12th century, and continued to be in use for much longer – probably because of it’s immense size, following rulers might have found Angkor Thom hard to top! So they would’ve have assumed Angkor Thom and made it theirs through their own modifications. Something as big as Angkor Thom would have enveloped structures that were previously built there, including some pre-existing temples. Again, the complex is surrounded by a moat with gates (gopuras) on each cardinal side – but you’ll notice from the two roads on the east side the presence of two gates – one gate leads to the Bayon in the centre while the other gate would have led to the palace, traditionally built to the north of the temple.

1. The South Gopura

We entered the temple through the south gopura, traversing yet another large man-made moat, to be greeted by the face towers that is so distinctive of the Bayon style.

Hmm… a row of deities pulling on a large naga-snake. Does this motif look familiar to you? Yes, we’ve seen this motif before, previously in Angkor Wat on the relief depicting the Churning of the Milk Sea. A row of devas and asuras flank the causeway again, pulling on Vasuki the giant snake. If you compare the statues here and the bas-relief in Angkor Wat, you’ll find that they even wear the same corresponding headdress!

If the demons and demigods are pulling here, does that mean that the Bayon in the middle is the focal point?

2. The Bayon

The roads from the gopuras lead to a forbidding structure in the centre – The Bayon, most probably the state temple of Angkor Thom, judging by the lack of a wall surrounding it.

Like Angkor Wat, the Bayon is home to many series of bas-reliefs, this time depicting daily life in the ancient Khmer world:

A scene of cooking over a clay stove.

Two competitors getting ready to release their chickens for battle. Cock-fighting, still a popular sport in rural parts of Southeast Asia, and a heavily gambled-on sport.

Two gladiators or soldiers, either sparring or training for battle. Notice their interesting armaments and shields. We know that they are not in fact enemies, because the enemy is depicted clearly in the next relief:

A Khmer warrior places the killing low on a Cham invader – in the earlier post about Angkor Wat I mentioned how the Cham were the constant enemies of the Khmer and how they wore crescent-shaped helmets. You can see the helmets clearly here.

This depiction of building is a rare insight to the construction techniques used by the Khmers. Notice the use of chisels and hammers, as well as the manual carrying of stone blocks as opposed to using elephants, which we know were well in use by the Khmers. Or maybe they didn’t have space to carve an elephant…

The Bayon has a distinctly crammed look and feel about it, and as many as 37 of the original towers vie for prominence in the skyline.

The most distinctive features of these towers are the serene faces that look towards the four cardinal directions.

3. Baphuon

Situated northwest of the Bayon is a large temple-mound of Baphuon, built in an earlier period by Udayadityavarman II in the 1th century. The Baphuon was for a long time in a state of collapse and disrepair, and it was only in last year that restorations works were sufficiently carried out that it could receive visitors once more. The dark clouds were threatening to rain, so unfortunately I gave this a miss.

4. Phimeanakas

Another early temple, dating earlier than Angkor Thom, is the stepped pyramid of Phimeanakas, north of the Baphuon. This site dates to the reign of Jayavarman V in the mid-11th century, but was incorporated into Angkor Thom and in later centuries.


As you can see, the structure is made mainly of red laterite and doesn’t have the impressive sandstone finish like the other temples we’ve seen before. The ascent to the pyramid is another steep climb, comparable to Angkor Wat, but fortunately a wooden stairway was constructed on the western side of the pyramid for easy access.

Phimeanakas was probably also part of the actual royal palace, but the palatial bits would have been constructed of perishable wood, which gives the pyramid its chaotic look today.

5. The Elephant Terrace

Running 300 metres from north to south, east of Baphuon and Phimeanakas is the Terrace of Elephants, a raised platform overlooking an expanse of field, no doubt an assembly point for troops. Why is it called the Elephant Terrace?

No prizes for guessing here – carvings of elephants line the wall of the terrace. Atop this terrace, one can imagine the king convening with his generals on the plan for war.

Some portions of the terrace are “propped” up by two sets of mystical animals, the simha (lion) and the garuda (bird, you can tell by the beak) – a symbol of the king’s divine nature, perhaps?

Hidden in one of the terraces is also a rare carving of a five-headed horse.

Nearby, a separate terrace houses a statue of the Leper King – there is an old legend that one of the Angkoran kings was a leper, which gives this terrace its name. The statue dates to the 15th century, however, while the terrace itself was built in the 13th century.

6. The Suor Prat Towers

Here’s the view of the assembly field from the Elephant Terrace. From a distance, you can see a row of 12 small towers. Zhou Daguan, a Chinese diplomat who spent a year in Angkor in the 13th century wrote about its unique use:

When two men are in dispute and the truth cannot be ascertained, each is placed in a tower for one or more days. After those days, the men emerge from the tower and the man not suffering from any illness or disease is deemed to be telling the truth. This unique judicial process is called “Celestial Judgement”!

That wraps up this week’s Adventures in Angkor – and just about covers my entire archaeological tour. Pity, I only had so many days to spend in Siem Reap and there is so much more to explore – which definitely means I’ll be returning in the future! Next week, I’ll have a little section on Siem Reap town itself for the tourist-minded planning to make a trip down.

Some books about the topics covered in this post:
– Bayon Reconsidered by V. Roveda, O. Cunin and C. Jacques
– Angkor Cities and Temples by C. Jaques
– The Armies of Angkor: Military Structure and Weaponry of the Khmers by M. Jacq-Hergoualc’h
– Ancient Angkor (River Book Guides) by C. Jaques
– The Civilization of Angkor by C. Higham
– Angkor: The Khmers in Ancient Chinese Annals by P. Y. W. Chuen and W. Weng

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