• A 4,000-year-old painted stone from Wetar Island may change how we understand the Austronesian story.⠀
⠀
Archaeologists excavating Huknaur 1 in Southeast Indonesia found a painted plaque with a red sun-ray motif linked to the Austronesian Painting Tradition — a wider visual tradition known from eastern Indonesia and nearby islands.⠀
⠀
What makes this find so important is that the plaque appears to be older than the first pottery at the site. That means a shared symbolic tradition may have been present before the full Neolithic package usually associated with Austronesian expansion. This discovery suggests that ideas, symbols, and identity may have travelled ahead of pottery.⠀
⠀
It is a reminder that the spread of people goes beyond tools, crops, or ceramics, and may also have been about belief, belonging, and a shared visual language carried across the sea.⠀
⠀
Swipe through to see why this small object has such big implications.⠀
⠀
Reference:⠀
O’Connor, S., Kealy, S., Kaharudin, H.A.F., et al. (2026). 4000-year-old painted plaque from Southeast Indonesia reveals Austronesian Painting Tradition preceded Neolithic pottery. PNAS 123(34): e2611580123.⠀
⠀
#SoutheastAsianArchaeology #RockArt #Austronesian #Indonesia #Wetar #SoutheastAsia #IslandSoutheastAsia #AustronesianPaintingTradition
  • Plaques, Ponds and Provenance⠀
⠀
This week’s newsletter begins with a 4,000-year-old painted plaque from Wetar Island — a small object with a big story.⠀
⠀
The plaque carries a red sun-like motif linked to the Austronesian Painting Tradition, and it appears before pottery at the site. That suggests visual symbols and shared ideas may have moved through maritime Southeast Asia before some of the usual archaeological markers we associate with Austronesian expansion.⠀
⠀
Also this week: archaeology beneath Angkor’s Sras Srang, suspected Ban Chiang artefacts offered for return from Switzerland, and more heritage news from across the region.⠀
⠀
Link in bio.
  • How do you make a 3-metre stone stand upright for centuries?

At Hintang in northern Laos, archaeologists are beginning to answer that question.

In 2025, a Lao-Australian team excavated Site 7A — the first excavation at a Hintang standing-stone site in around 90 years. Beneath the surface, they found that the stones had been set deeply into pits, with smaller rocks packed around their bases to stabilise them. Roughly one-third of each standing stone was buried underground.

One big question remains, though — how old are the Hintang stones?

Samples were collected for dating, but those results are still being analysed. So, for now, we understand a little more about how these monuments were built.

📖 Shewan, L., O’Reilly, D., Armstrong, B. & Butphachit, A. (2026). “Surveys of Hintang standing stone sites and excavations at Site 7A, Houaphanh, Lao PDR.” Antiquity.
doi: 10.15184/aqy.2026.10408

#Archaeology #SoutheastAsianArchaeology #Laos #Megaliths #Hintang #AncientTechnology #ArchaeologicalResearch #Heritage #NewResearch
  • Angkor’s water system is famous for its scale: enormous reservoirs, long canals, and monumental engineering.⠀
⠀
New research by archaeologist Sarah Klassen highlights how Angkor’s agricultural system also depended on more than 1,000 local temple communities spread across the Greater Angkor Region. These communities helped organise labour, manage local water systems, and coordinate rice production - and suggests that Angkor’s success was built through a combination of top-down and bottom-up management.⠀
⠀
The state created the large hydraulic framework. Local communities adapted to it, expanded around it, and helped make the wider agricultural landscape function.⠀
⠀
Over time, however, this balance changed. Land and resources became increasingly concentrated, the system became more centralised, and some of the flexibility that had helped Angkor cope with earlier environmental stress may have been lost.⠀
⠀
Beyond its temples and kings, Angkor
  • New Evidence from the Southeast Asian Borderlands⠀
⠀
This week in Southeast Asian Archaeology: new dates, new methods, and some wonderfully untidy timelines.⠀
⠀
🪨 Uranium-thorium dating pushes the Mangguan rock paintings in Yunnan back to at least 4,220 years ago⠀
 🥁 AI-assisted restoration takes on damaged imagery on Guangxi bronze drums⠀
 🌾 New work at Angkor asks how infrastructure, local communities and water management shaped resilience⠀
 🗿 Lao-Australian fieldwork maps and excavates the enigmatic Hintang standing stones⠀
⠀
Plus archaeology and heritage news from across Southeast Asia, new research, opportunities, and more.⠀
⠀
I’ve also started experimenting with short visual explainers of new archaeology papers here on Instagram — so follow along if you like your archaeology with fewer footnotes and more pixels.⠀
⠀
Read the latest SEAArch newsletter via the link in bio.⠀
⠀
#Archaeology #SoutheastAsianArchaeology #SoutheastAsia #RockArt #Angkor #Laos #Yunnan #Heritage #ArchaeologicalResearch #DigitalHeritage
  • This week on Southeast Asian Archaeology: fish traps, tidal flats and maritime memory.⠀
⠀
The main story looks at tambek, stone tidal fish weirs on Bawean Island in Indonesia. A new study records 54 of these structures and shows how they reflect local knowledge of tides, fish behaviour, construction, ownership and coastal life.⠀
⠀
Also in the highlights:⠀
⠀
Bronze and Iron Age layers beneath Korat’s historic city wall⠀
Nguyễn-era military posts at Hải Vân Pass⠀
A reminder that coastal archaeology is not always shipwrecks and trade ceramics⠀
Sometimes the quieter story is sitting in the tidal flats, waiting for the water to go out.⠀
⠀
Read the full issue: https://bit.ly/4wkInNI ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Indonesia #Bawean #MaritimeHeritage #CulturalHeritage #Thailand #Vietnam #HeritageConservation #IslandArchaeology
  • How do you catch fish without a net, hook or boat?⠀
⠀
On Bawean Island in Indonesia’s Java Sea, coastal communities developed tambek: stone walls built across the intertidal zone that use the movement of the tides to trap fish.⠀
⠀
A new study by Dwi Kurnia Sandy and colleagues documents these remarkable structures through archaeological survey, drone photography, interviews, historical sources and mapping. The researchers recorded different forms of tambek, from relatively simple U-shaped structures to more elaborate V-shaped systems directing fish into enclosed spaces. Their locations were carefully chosen around productive coastal environments, particularly extensive intertidal zones and mangroves.⠀
⠀
But tambek were more than fishing equipment. They were also part of Bawean’s social landscape. Individual structures could belong to particular families, with ownership remembered and passed down across generations. Tambek could even be traded, while customary rules governed who could fish around them at different stages of the tide.⠀
⠀
Today, new tambek are no longer being built and many surviving structures are little used or abandoned. The researchers link their decline to modern fishing technologies, damage to reefs and mangroves, and the gradual loss of knowledge about how the structures were used and maintained. Some have even been dismantled, with their stones reused for coastal infrastructure.⠀
⠀
The study highlights how archaeology can document not only things from the distant past, but also traditional technologies and knowledge systems that are disappearing within living memory.⠀
⠀
📖 Sandy, D. K., et al. 2026. “Tambek as Traditional Fish Trapping Techniques: The Role of Stone Tidal Fish Weirs in Bawean Island Indonesia’s Maritime Culture.” Journal of Island and Coastal Archaeology.⠀
 DOI: 10.1080/15564894.2026.2703955⠀
⠀
#Archaeology #SoutheastAsianArchaeology #Indonesia #Bawean #MaritimeArchaeology #UnderwaterArchaeology #FishingHeritage #MaritimeHeritage #TraditionalKnowledge
  • Tiger bones. Blood-bound pigments. Temple walls. Digital museums.⠀
⠀
This week’s newsletter leads with two fascinating studies: evidence for Ice Age tigers living on Palawan, and research into blood-bearing mineral binders used in the Huashan rock art of southern China.⠀
⠀
Also inside: UNESCO decisions, Angkor conservation, Chăm heritage digitisation and the archaeology of wartime railways.⠀
⠀
Read Blood, Big Cats and Buffer Zones at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #RockArt #Palawan #CulturalHeritage #MuseumStudies #AsianArchaeology
  • New issue out now — and it’s a bumper one.⠀
⠀
This week:⠀
Wat Phra Mahathat Woramahawihan becomes Thailand’s newest World Heritage Site; Fort Cornwallis and the Penang State Museum reopen with fresh questions about how colonial and local histories are told; and at Don Yai Thong, archaeologists continue the careful work of lifting fragile burials, gold ornaments and all.⠀
⠀
Also featuring Muna rock art, Angkor conservation, Butuan boats, Cham exhibitions, Bagan finds, and archaeology’s awkward cameo in South China Sea claims.⠀
⠀
Read via the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #WorldHeritage #Museum #CulturalHeritage #Thailand #Malaysia #Penang #Indonesia #Cambodia #Vietnam
  • This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
⠀
Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
⠀
Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
Tuesday, August 25, 2026
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[Paper] Narrative cave art in Indonesia by 51,200 years ago

3 July 2024
in Indonesia
Tags: Leang Karampuangresearch papersrock artSouth Sulawesi (province)Uranium Series Dating
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Leang Karampuang rock art. Source: Adhi Agus et al. 2024

Leang Karampuang rock art. Source: Adhi Agus et al. 2024

via Nature, 03 July 2024: Boom! I was told about these new dates some weeks ago but I couldn’t share it to anyone yet. A new paper by Adhi Agus et al. using laser-ablation U-series imaging has re-dated the cave art at Maros-Pangkep, Sulawesi, to over 51,200 years ago. This makes it the earliest known example of narrative and representational art, depicting human-animal interactions, significantly predating similar European art. Congrats to the team for this brilliant discovery!

Previous dating research indicated that the Indonesian island of Sulawesi is host to some of the oldest known rock art1,2,3. That work was based on solution uranium-series (U-series) analysis of calcite deposits overlying rock art in the limestone caves of Maros-Pangkep, South Sulawesi1,2,3. Here we use a novel application of this approach—laser-ablation U-series imaging—to re-date some of the earliest cave art in this karst area and to determine the age of stylistically similar motifs at other Maros-Pangkep sites. This method provides enhanced spatial accuracy, resulting in older minimum ages for previously dated art. We show that a hunting scene from Leang Bulu’ Sipong 4, which was originally dated using the previous approach to a minimum of 43,900 thousand years ago (ka)3, has a minimum age of 50.2 ± 2.2 ka, and so is at least 4,040 years older than thought. Using the imaging approach, we also assign a minimum age of 53.5 ± 2.3 ka to a newly described cave art scene at Leang Karampuang. Painted at least 51,200 years ago, this narrative composition, which depicts human-like figures interacting with a pig, is now the earliest known surviving example of representational art, and visual storytelling, in the world3. Our findings show that figurative portrayals of anthropomorphic figures and animals have a deeper origin in the history of modern human (Homo sapiens) image-making than recognized to date, as does their representation in composed scenes.

Source: Narrative cave art in Indonesia by 51,200 years ago

See also:

  • Dreamlike pig-hunting scene is the world’s oldest figurative art | Science, 03 Jul 2024
  • World’s oldest cave art found showing humans and pig | BBC, 03 Jul 2024
  • Found in a cave in Indonesia, we can now show the world’s oldest figurative art is 51,200 years old | The Conversation, 03 Jul 2024
  • World’s oldest cave painting in Indonesia shows a pig and people | Reuters, 03 Jul 2024
  • 50,000-year-old picture of a pig is the oldest known narrative art | New Scientist, 03 Jul 2024
  • Mysterious 52,000-year-old image unearthed inside tropical island cave | Yahoo News, 03 Jul 2024
  • A 51,200-Year-Old Cave Painting Might Be the World’s Oldest Narrative Art | Mental Floss, 03 Jul 2024
  • Oldest Narrative Rock Art Discovered With Mind-Blowing Age Of 51,200 Years | IFL Science, 03 Jul 2024
  • Cave painting in Indonesia is the oldest known ‘picture story’ | Griffith University, 04 Jul 2024
  • Oldest example of figurative art found in Indonesian cave | The Art Newspaper, 04 Jul 2024
  • 51,000-Year-Old Cave Art in Indonesia Is the World’s Oldest Figurative Art | My Modern Met, 04 Jul 2024
  • Oldest picture story found in Indonesian rock art | Cosmos, 04 Jul 2024
  • ‘Oldest such evidence’: Surprising discovery in Indonesian cave | News.com.au, 04 Jul 2024
  • World’s oldest artwork discovered in Indonesian cave | Al Jazeera, 04 Jul 2024
  • BRIN Finds 51,200-year-old Cave Paintings, The Oldest in Indonesia | Tempo, 04 Jul 2024
  • 51,000-year old cave painting oldest evidence of storytelling | Al Mayadeen, 04 Jul 2024
  • Indonesia: 51,200-year-old painting of pig, humans declared world’s oldest | Interesting Engineering, 04 Jul 2024
  • Oldest known painting discovered in Indonesian cave | Moree Champion, 04 Jul 2024
  • World record for oldest ‘picture story’ broken by discovery of Indonesian cave painting | Euro News 04 Jul 2024
  • Oldest storytelling art discovered in Indonesian cave | Borneo Bulletin, 04 Jul 2024
  • Oldest known picture story is a 51,000-year-old Indonesian cave painting | The Guardian, 04 Jul 2024
  • A cave drawing of two humans and a pig is the world’s oldest known narrative art | CNN, 04 Jul 2024
  • Indonesian Cave Painting Is Oldest-Known Visual Storytelling | The Smithsonian, 05 Jul 2024
  • World’s Oldest Known Cave Painting, Featuring a Mysterious Pig, Found in Indonesia | ArtNews, 05 Jul 2024

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