• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Recent Repatriations to Cambodia and Thailand

26 February 2024
in Cambodia, Thailand
Tags: Douglas Latchford (person)lootingMetropolitan Museum of Artrepatriation
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Source: The Met 20231218

Source: The Met 20231218

via Metropolitan Museum of Art, 18 December 2023: This statement by Max Hollein is dated to last year, right when the news of the Met’s return of artefacts to Cambodia and Thailand was announced, but I don’t think I posted this one.

The works of art being repatriated were made between the 9th and 14th centuries in the Angkorian period and reflect the Hindu and Buddhist religious systems prevailing at that time. Ten of the sculptures—including the bronze masterpiece The Bodhisattva Avalokiteshvara Seated in Royal Ease (late 10th–early 11th century), and the monumental stone Head of Buddha (7th century)—are temporarily on view in the Museum’s galleries for Southeast Asian art. The works are now being presented as the repatriated heritage of Cambodia and Thailand, respectively, while arrangements are made for their return to the appropriate countries.

We are grateful for the partnerships with our colleagues in the U.S. Attorney’s Office and in Cambodia and Thailand that helped bring about this landmark moment. We welcomed comments from Mr. Phnombootra Chandrajoti, Director-General of Thailand’s Fine Arts Department who stated, “We are very pleased that The Met has reached out to us and proactively proposed the return of these two objects to Thailand. This act serves as a model for ethical collecting practices and strengthens the bonds of cultural respect and collaboration between Thailand and The Met. We view this return as a significant milestone in our ongoing efforts to repatriate cultural treasures, and we hope it inspires further partnerships as we work together to foster the exchange of knowledge and to ensure the return of cultural artifacts where appropriate to their countries of origin. In Thailand, the committee for repatriation, chaired by the Cultural Minister, is actively engaged in research initiatives to identify and track down additional objects that may have been illegally removed from the country in the past, further paving the way for a future where cultural heritage is preserved and valued in its rightful place.” Additionally, the Cambodian Ministry of Culture and Fine Arts said, “We appreciate this first step in the right direction. We look forward to further returns and acknowledgments of the truth regarding our lost national treasures.”

Source: Recent Repatriations to Cambodia and Thailand | The Metropolitan Museum of Art

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