• This week on Southeast Asian Archaeology: fish traps, tidal flats and maritime memory.⠀
⠀
The main story looks at tambek, stone tidal fish weirs on Bawean Island in Indonesia. A new study records 54 of these structures and shows how they reflect local knowledge of tides, fish behaviour, construction, ownership and coastal life.⠀
⠀
Also in the highlights:⠀
⠀
Bronze and Iron Age layers beneath Korat’s historic city wall⠀
Nguyễn-era military posts at Hải Vân Pass⠀
A reminder that coastal archaeology is not always shipwrecks and trade ceramics⠀
Sometimes the quieter story is sitting in the tidal flats, waiting for the water to go out.⠀
⠀
Read the full issue: https://bit.ly/4wkInNI ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Indonesia #Bawean #MaritimeHeritage #CulturalHeritage #Thailand #Vietnam #HeritageConservation #IslandArchaeology
  • How do you catch fish without a net, hook or boat?⠀
⠀
On Bawean Island in Indonesia’s Java Sea, coastal communities developed tambek: stone walls built across the intertidal zone that use the movement of the tides to trap fish.⠀
⠀
A new study by Dwi Kurnia Sandy and colleagues documents these remarkable structures through archaeological survey, drone photography, interviews, historical sources and mapping. The researchers recorded different forms of tambek, from relatively simple U-shaped structures to more elaborate V-shaped systems directing fish into enclosed spaces. Their locations were carefully chosen around productive coastal environments, particularly extensive intertidal zones and mangroves.⠀
⠀
But tambek were more than fishing equipment. They were also part of Bawean’s social landscape. Individual structures could belong to particular families, with ownership remembered and passed down across generations. Tambek could even be traded, while customary rules governed who could fish around them at different stages of the tide.⠀
⠀
Today, new tambek are no longer being built and many surviving structures are little used or abandoned. The researchers link their decline to modern fishing technologies, damage to reefs and mangroves, and the gradual loss of knowledge about how the structures were used and maintained. Some have even been dismantled, with their stones reused for coastal infrastructure.⠀
⠀
The study highlights how archaeology can document not only things from the distant past, but also traditional technologies and knowledge systems that are disappearing within living memory.⠀
⠀
📖 Sandy, D. K., et al. 2026. “Tambek as Traditional Fish Trapping Techniques: The Role of Stone Tidal Fish Weirs in Bawean Island Indonesia’s Maritime Culture.” Journal of Island and Coastal Archaeology.⠀
 DOI: 10.1080/15564894.2026.2703955⠀
⠀
#Archaeology #SoutheastAsianArchaeology #Indonesia #Bawean #MaritimeArchaeology #UnderwaterArchaeology #FishingHeritage #MaritimeHeritage #TraditionalKnowledge
  • Tiger bones. Blood-bound pigments. Temple walls. Digital museums.⠀
⠀
This week’s newsletter leads with two fascinating studies: evidence for Ice Age tigers living on Palawan, and research into blood-bearing mineral binders used in the Huashan rock art of southern China.⠀
⠀
Also inside: UNESCO decisions, Angkor conservation, Chăm heritage digitisation and the archaeology of wartime railways.⠀
⠀
Read Blood, Big Cats and Buffer Zones at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #RockArt #Palawan #CulturalHeritage #MuseumStudies #AsianArchaeology
  • New issue out now — and it’s a bumper one.⠀
⠀
This week:⠀
Wat Phra Mahathat Woramahawihan becomes Thailand’s newest World Heritage Site; Fort Cornwallis and the Penang State Museum reopen with fresh questions about how colonial and local histories are told; and at Don Yai Thong, archaeologists continue the careful work of lifting fragile burials, gold ornaments and all.⠀
⠀
Also featuring Muna rock art, Angkor conservation, Butuan boats, Cham exhibitions, Bagan finds, and archaeology’s awkward cameo in South China Sea claims.⠀
⠀
Read via the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #WorldHeritage #Museum #CulturalHeritage #Thailand #Malaysia #Penang #Indonesia #Cambodia #Vietnam
  • This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
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Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
⠀
Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
⠀
Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
⠀
This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
⠀
Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
⠀
Read the latest issue at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
⠀
The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
⠀
Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
⠀
Read this week’s issue: https://bit.ly/3QjsdVO ⠀
⠀
#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
⠀
#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
Tuesday, August 11, 2026
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Last chance to catch Sumatra: Isle of Gold

2 November 2010
in Indonesia, Singapore
Tags: ArtAsian Civilisations MuseumbeadsbronzeearringexhibitionsgoldjewelleryKota Kapur Inscriptionlingling-omuseumsPasemah (region)Srivijaya (kingdom)
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Sumatra Isle of Gold Exhibition

Sumatra Isle of Gold Exhibition

Sumatra: Isle of Gold has been exhibiting at the Asian Civilisations Museum in Singapore since the end of July, but I hadn’t had the chance to take a visit because of some reason or another. But finally, I had the chance to catch the exhibition this morning, and lucky thing too – the exhibition is going to close this Sunday!

Sumatra Isle of Gold Exhibition
Sumatra Isle of Gold Exhibition


Sumatra is the western gateway for the maritime journey to Southeast Asia, and given that we know of Indic influences from the early centuries CE, it’s not surprising that we see many signs of cultural exchange. It’s this theme of cultural exchange and influences from external forces that shapes the exhibition. The exhibition is the first international travelling exhibition on Sumatran culture, and features exhibits from the collections of the ACM, the National Museum of Indonesia and the National Museum of Ethnology in Leiden.

The earliest exhibits show influences from the west, north and east in the form of some carnelian beads, a bronze vessel, and bronze earrings reminiscent of ling-ling-o.

Carnelian beads from Pasemah, South Sumatra. Probably of Indian origin.
Carnelian beads from Pasemah, South Sumatra. Probably of Indian origin.

Bronze Vessel found in Kerinci, Jambi Province

Bronze earrings from Sumatra, looking very similar to linglingo found across Southeast Asia, and probably originating east and north of Sumatra.
Bronze earrings from Sumatra, looking very similar to linglingo found across Southeast Asia, and probably originating east and north of Sumatra.

The visitor is invited to view each of the cultural influences in turn; from a central hub, the visitor can enter smaller galleries featuring the Indian, Chinese, Islamic, Regional and European influences found in Sumatra.

Sumatra Isle of Gold Exhibition
Sumatra Isle of Gold Exhibition

In the Indian influences gallery, among the featured artefacts are statues and bronzes from the Srivijayan period, and the original Bangka Inscription on loan from the National Museum of Indonesia. I had featured the Bangka inscription in an earlier post.

Sculpture showing Indian influences from the Sumatra: Isle of Gold exhibition
Sculpture showing Indian influences from the Sumatra: Isle of Gold exhibition
This wall relief is described as a dancer wearing an elephant mask. Does anyone know why this is identified as a dancer and not Ganesha?
This wall relief is described as a dancer wearing an elephant mask. Does anyone know why this is identified as a dancer and not Ganesha?
Kota Kapur Incsription from Bangka Island
Kota Kapur Incsription from Bangka Island

The exhibition also features some of the royal regalia and bling from the Sultanates of Aceh, Siak and Riau-Lingga.

Royal artefacts from the Sultanate of Riau-Lingga
Royal artefacts from the Sultanate of Riau-Lingga
Gold seal from the Sultan of Aceh
Gold seal from the Sultan of Aceh

While the exhibition talks a lot about the outside influences, we mustn’t forget that Sumatra also already holds a tremendous amount of diversity within its native peoples – the home to groups such as the Bataks, the Minangkabau and the Nias islanders.

Batak carvings featuring the singa motif
Batak carvings featuring the singa motif
Ancestor figure from Toba, north Sumatra
Ancestor figure from Toba, north Sumatra

Sumatra: Isle of Gold is exhibiting at the Asian Civilisations Museum until Nov 7, which is the end of the week. If you’re in Singapore, catch it while you still can! We also remember that Sumatra was last week struck by a tsunami that had claimed hundreds of lives and destroyed as many as 10 villages. At the same time, Indonesia is also dealing with the destruction following the eruption of Mt Merapi in Java. Please consider donating to the Indonesian Red Cross to help with the aid efforts – they accept both local and US dollar donations.

Special thanks to the Asian Civilisations Museum and Binjin for permission to photograph in the gallery.

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