• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
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We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
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The German Wat Ratchaburana Safeguarding Project

31 March 2015
in Thailand
Tags: architectureAyutthaya (kingdom)Ayutthaya (province)Ayutthaya Historical ParkGaruda (mythic creature)German Wat Ratchaburana Safeguarding ProjectHans Leisen (person)restoration / reconstructionWat Ratchaburana (temple)
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Wat Ratchaburana, Ayutthaya, March 2015

Wat Ratchaburana, Ayutthaya, March 2015

Over the weekend I went to Ayutthaya to see the restoration works by the German team working at Wat Ratchaburana. This 15th century wat, built in Khmer style, features a lotus shaped prang (tower) that sets it apart from most of the temples in the complex, and most readers familiar with Khmer temple architecture would recognise it immediately.

Wat Ratchaburana, Ayutthaya, March 2015
Wat Ratchaburana, Ayutthaya, March 2015

The German team, led by Prof. Hans Leisen, is just wrapping up their season this week, and I had a close look and appreciation for their work. The project began after the 2012 floods, and the focus started by looking at some of the stucco reliefs found at the lower levels of the temple. Remarkably, these reliefs were relatively undamaged as it turned out.

Prof. Hans Leisen, head of the German team working on the restoration of Wat Ratchaburana
Prof. Hans Leisen, head of the German team working on the restoration of Wat Ratchaburana

 

Stucco reliefs at the base of the temple.
Stucco reliefs at the base of the temple. These were the reliefs that were exposed to flood waters in 2012, but they seem to have survived relatively well.

The stucco on the upper levels of the building was another matter, and so the project has turned their attention there. At time of writing there was a scaffold built around the northern face of the main prang which gives researchers access to the features on the outside of the building.

View from the scaffold.
View from the scaffold.

Restoration on such a building is always a patchwork process. Various restoration works have been carried out over the years, by different agencies. This means there are several layers of restoration that can be seen in different parts of the building.

The face was restored the season before. Previous restoration have used concrete, while new processes now require that surfaces be cleaned extensively before any treatment. This leads to the building looking like a bit of a patchwork.
The southwest face was restored the season before. Previous restoration have used concrete, while new processes now require that surfaces be cleaned extensively before any treatment. This leads to the building looking like a bit of a patchwork.
Identical garuda, different corner. This one is located ion the northeast corner, and still has traces of the (presumably) original stucco on it, making its stabilisation even more important.
Identical garuda, different corner. This one is located ion the northeast corner, and still has traces of the (presumably) original stucco on it, making its stabilisation even more important.

Earlier restoration efforts have relied on cement to restore some of the features, with mixed results. Concrete is much harder than the brick and lime that the temple has been originally built, so this has caused more problems as the materials expand and contract at different rates, causing more fissures in the structure. Like Angkor, plants are also a problem as they can take root between the cracks and as they grow force the cracks to widen. This Garuda in the northeast corner is one such example.

These rubber bands anchoring the base of the northeast garuda are to prevent is from toppling - the cracks are formed by plants taking root between them and it takes a fair bit of work to get rid of all the plant matter.
These rubber bands anchoring the base of the northeast garuda are to prevent is from toppling – the cracks are formed by plants taking root between them and it takes a fair bit of work to get rid of all the plant matter.

Getting up the scaffold was a really cool experience (I haven’t done so since my MA research) and it was a real treat to see some of the architectural features up close. I also too the opportunity to give my quadcopter another spin and get a quick aerial video of the site.

Standing Buddha in the northern alcove. If you look carefully, you can see some of the red and gold pigments that have survived the passing of time.
Standing Buddha in the northern alcove. If you look carefully, you can see some of the red and gold pigments that have survived the passing of time.

Ayutthaya is about an hour away from Bangkok and a great day trip if you’re ever there, although, there are more than enough temples to make it more than a day.

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Comments 1

  1. DEVI SUSANTI says:
    7 years ago

    Wow, it must be very nice.
    Thank for sharing

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