• Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
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Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
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Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
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Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
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Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
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Link in bio / read here: https://bit.ly/4ePHSpL ⠀
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#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
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https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

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  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
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https://bit.ly/3QomnlM
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The German Wat Ratchaburana Safeguarding Project

31 March 2015
in Thailand
Tags: architectureAyutthaya (kingdom)Ayutthaya (province)Ayutthaya Historical ParkGaruda (mythic creature)German Wat Ratchaburana Safeguarding ProjectHans Leisen (person)restoration / reconstructionWat Ratchaburana (temple)
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Wat Ratchaburana, Ayutthaya, March 2015

Wat Ratchaburana, Ayutthaya, March 2015

Over the weekend I went to Ayutthaya to see the restoration works by the German team working at Wat Ratchaburana. This 15th century wat, built in Khmer style, features a lotus shaped prang (tower) that sets it apart from most of the temples in the complex, and most readers familiar with Khmer temple architecture would recognise it immediately.

Wat Ratchaburana, Ayutthaya, March 2015
Wat Ratchaburana, Ayutthaya, March 2015

The German team, led by Prof. Hans Leisen, is just wrapping up their season this week, and I had a close look and appreciation for their work. The project began after the 2012 floods, and the focus started by looking at some of the stucco reliefs found at the lower levels of the temple. Remarkably, these reliefs were relatively undamaged as it turned out.

Prof. Hans Leisen, head of the German team working on the restoration of Wat Ratchaburana
Prof. Hans Leisen, head of the German team working on the restoration of Wat Ratchaburana

 

Stucco reliefs at the base of the temple.
Stucco reliefs at the base of the temple. These were the reliefs that were exposed to flood waters in 2012, but they seem to have survived relatively well.

The stucco on the upper levels of the building was another matter, and so the project has turned their attention there. At time of writing there was a scaffold built around the northern face of the main prang which gives researchers access to the features on the outside of the building.

View from the scaffold.
View from the scaffold.

Restoration on such a building is always a patchwork process. Various restoration works have been carried out over the years, by different agencies. This means there are several layers of restoration that can be seen in different parts of the building.

The face was restored the season before. Previous restoration have used concrete, while new processes now require that surfaces be cleaned extensively before any treatment. This leads to the building looking like a bit of a patchwork.
The southwest face was restored the season before. Previous restoration have used concrete, while new processes now require that surfaces be cleaned extensively before any treatment. This leads to the building looking like a bit of a patchwork.
Identical garuda, different corner. This one is located ion the northeast corner, and still has traces of the (presumably) original stucco on it, making its stabilisation even more important.
Identical garuda, different corner. This one is located ion the northeast corner, and still has traces of the (presumably) original stucco on it, making its stabilisation even more important.

Earlier restoration efforts have relied on cement to restore some of the features, with mixed results. Concrete is much harder than the brick and lime that the temple has been originally built, so this has caused more problems as the materials expand and contract at different rates, causing more fissures in the structure. Like Angkor, plants are also a problem as they can take root between the cracks and as they grow force the cracks to widen. This Garuda in the northeast corner is one such example.

These rubber bands anchoring the base of the northeast garuda are to prevent is from toppling - the cracks are formed by plants taking root between them and it takes a fair bit of work to get rid of all the plant matter.
These rubber bands anchoring the base of the northeast garuda are to prevent is from toppling – the cracks are formed by plants taking root between them and it takes a fair bit of work to get rid of all the plant matter.

Getting up the scaffold was a really cool experience (I haven’t done so since my MA research) and it was a real treat to see some of the architectural features up close. I also too the opportunity to give my quadcopter another spin and get a quick aerial video of the site.

Standing Buddha in the northern alcove. If you look carefully, you can see some of the red and gold pigments that have survived the passing of time.
Standing Buddha in the northern alcove. If you look carefully, you can see some of the red and gold pigments that have survived the passing of time.

Ayutthaya is about an hour away from Bangkok and a great day trip if you’re ever there, although, there are more than enough temples to make it more than a day.

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Comments 1

  1. DEVI SUSANTI says:
    8 years ago

    Wow, it must be very nice.
    Thank for sharing

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