• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Art Institute of Chicago Returns Ancient Pilaster to Thailand

19 June 2024
in Thailand
Tags: Art Institute of ChicagoKrishna (deity)Phanom Rung Historical Parkrelief (sculpture)repatriationUnited States of America (USA)
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Krishna lifting Mount Govardhana pilaster. Source: Art Institute of Chicago 20240618

Krishna lifting Mount Govardhana pilaster. Source: Art Institute of Chicago 20240618

via Art Institute of Chicago, 18 June 2024: The Art Institute of Chicago has returned a 12th-century pilaster fragment to Thailand’s Phanom Rung temple after provenance research confirmed its origins.

The Art Institute of Chicago, in collaboration with the Kingdom of Thailand, announced today that it has initiated the return of an object—a fragment of a pilaster with Krishna lifting Mount Govardhana—to its place of origin in Thailand. The museum is committed to ongoing provenance research of our collection, and after conducting new research on this object, the museum proactively reached out to the Thai government to initiate the process to return it.

The object is a 12th-century fragment of a pilaster, which is a rectangular architectural column in the side of a doorframe. The pilaster was previously attributed to Cambodia, and new research identified that it originated at the Phanom Rung temple in northeast Thailand, a temple that the museum had previously returned an object to in the 1980s. With the confirmation of the pilaster’s origins, the museum reached out to the government of Thailand to share these new findings; this collaboration has led to today’s return.

“We are grateful for our close collaboration with the Fine Arts Department in Thailand and are honored to take this step in what I hope is a long and productive partnership,” said James Rondeau, President and Eloise W. Martin Director of the Art Institute of Chicago. “We are deeply committed to fostering an ongoing relationship and continuing to learn from each other.”

Source: Art Institute of Chicago Returns Pilaster to Phanom Rung Temple in Thailand | The Art Institute of Chicago

See also:

  • THAILAND WELCOMES RETURN OF PHANOM RUNG TEMPLE PILASTER FROM CHICAGO MUSEUM | Khaosod, 18 Jun 2024
  • สถาบันศิลปะชิคาโก แจ้งส่งคืน ‘เสาติดผนังสลักรูปพระกฤษณะ’ จากปราสาทหินพนมรุ้งกลับไทย… | Matichon, 18 Jun 2024
  • US to return 900-year-old ancient artefact to Thailand | The Nation, 19 Jun 2024
  • Chicago museum to return 900-year-old artefact to Thailand | The Thaiger, 20 Jun 2024
  • Chicago art institute to return Khmer ruin relic | Bangkok Post, 20 Jun 2024
  • ART INSTITUTE OF CHICAGO REPATRIATES 12TH-CENTURY TEMPLE COLUMN TO THAILAND | Art Forum, 20 Jun 2024

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