via SBS Indonesian, 22 September 2023: Indonesia’s historic palaces, such as Solo Palace, have struggled to maintain their influence and existence in modern times, partly due to government indifference.
Indonesia had many palaces in the past.
Unfortunately, the majority of their existence has disappeared, one of which is due to the palace’s inability to survive amidst changing times.
One that has a big role in Indonesia is the Solo Palace, which still survives today even though it has slowly lost its influence.
Source: Indonesian palaces in modern era: Are they just history? | SBS Indonesian
![This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
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The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
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Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
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Read this week’s newsletter: [link in bio]⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
⠀
Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
⠀
Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack](https://scontent-sin6-3.cdninstagram.com/v/t51.82787-15/744214042_18361115071209510_2262608560893170251_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=110&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiRkVFRC5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=xWgcEbcGABIQ7kNvwFx63N6&_nc_oc=Adoe3NBLPcXYeu2Q4WRCzWnJf1ph4tRSl-ndybF0lr1wsJa0WKbjmjX6eHkay-SU5Dk&_nc_zt=23&_nc_ht=scontent-sin6-3.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=dMcRRCmLrU8vIjIWuykhnw&_nc_tpa=Q5bMBQG5vqf4e5fIO0chtZGhHMc0t4iJSvRKIjH0mUwQ4mAL0XnRhUWCa3QyBVw826n_vqBqmRNCfsRP&oh=00_AQDPeFDmCshofY_1cjAQWqyOU02u0lMfxO-CyI0CXLzMFw&oe=6A6490F1)












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Please revisit the catalogue of the Asia Society exhibition, 1990: “Court Arts of Indonesia”.