• Cobbles, Caves and Committees 🪨⛰️📜⠀
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This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
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Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
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Read the latest issue at the link in bio.⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
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The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
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Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
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Read this week’s issue: https://bit.ly/3QjsdVO ⠀
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#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
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In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
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#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
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Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
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Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
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Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
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The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
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Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
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Link in bio / read here: https://bit.ly/4ePHSpL ⠀
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#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
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https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
Tuesday, June 30, 2026
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[Paper] The So-Called ‘Kāla Head’ Armband of Temasek: A Preliminary Report” by Natalie S.Y. Ong

25 September 2023
in Singapore
Tags: Fort Canning (site)goldISEAS-Yusof Ishak InstitutejewelleryMajapahit (kingdom)research papersTemasek History Research Centre
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Source: Temasek History Research Centre

Source: Temasek History Research Centre

via The Temasek Working Paper Series, September 2023: The article by Dr Natalie Ong challenges long-standing assumptions about the origin and symbolism of a gold armband found in 1928 in Singapore, revealing it to be connected to northwest South Asia rather than Javanese Majapahit culture.

This paper focuses on the gold armband that was unearthed in 1928 on Fort Canning Hill in Singapore as part of a cache of eleven ornaments. The initial attempt to identify the objects attributed them to East Javanese Majapahit origin, and the motif on the armband as a ‘Kāla head’. For nearly a century since, this attribution has prevailed. The present study, the first and only archaeometallurgical analysis of ancient Temasek’s gold ornaments to date, challenges this assumption through a close technical and scientific examination of the armband’s manufacture in combination with a detailed stylistic analysis. The article retraces the history of the ornaments and their archaeological context, then compares the visible cultural and technological elements on the armband with diverse archaeological remains from around Asia. On this basis, it is argued that the armband was commissioned by an extremely wealthy individual and worn by one of marriageable age. It furthermore features neither a Kāla head nor any trace of Javanese manufacture or Majapahit influence. Instead, a siṁhamukha (lion face) is shown, which, along with other indicators intrinsic to the construction and style of the ornament, all point to a connection with northwest South Asia. This study demonstrates that, far from being simply beautiful treasure, jewellery is a repository of information that can impart new perspectives from which to review ancient societies and their social practices. However, this preliminary conclusion should be viewed in conjunction with the other extant objects of the hoard, and should also be subject to further analysis such as within the broader scope of archaeometallurgical research on the metal-working industries in both Temasek and the region.

Source: Temasek Working Paper Series Archives – ISEAS-Yusof Ishak Institute

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