• It’s been a great week in Laos conducting a training workshop on rock art recording and other archaeological methods for the Department of History and Archaeology at the National University of Laos. The participants, both lecturers and students, were a great bunch to work with, and they picked up the principles really quickly. And as a bonus, we ended up finding more rock art than we originally expected! Looking forward to working with this bunch again in the future! #laos #nuol #fieldschool #xaingnabouli #paklai #rockart #archaeology #laoarchaeology #southeasgasianarchaeology
  • That’s a wrap for today! Learning how to systematically document a rock art site, from theory to practice. Some more data gathering tomorrow, and then putting all the information in the data after! #paklai #rockart #mekong #xayabouli #nuol #laosarchaeology #southeastasianarchaeology #laos
  • Last post of the year - looking back in the year that was archaeology in Southeast Asia in 2022. Check out the full post here: https://www.southeastasianarchaeology.com/2022/12/16/southeast-asian-archaeology-2022-year-in-review/

And see you in the new year! Best wishes to all for the holiday season!

#southeastasianarchaeology #southeastasianarchaeology2022 #recap
  • Last month I was at the Si Thep Historical Park in Phetchabun province - a less-known archaeological site, but an impressive one considering the ancient town has remnants dating from prehistoric times until the 13th century CE. Khao Klang Nok is a massive Buddhist stupa dating to the 8th or 9th centuries CE, located outside of the ancient town of Si Thep. I was able to get som cool shots from my drone, check out my post here: https://www.southeastasianarchaeology.com/2022/12/15/drone-flight-over-khao-klang-nok-si-thep-historical-park/

#khaoklangnok #sithephistoricalpark #phetchabun #drone #dronestagram #dvaravati #khmer #thaiarchaeology #southeastasianarchaeology #southeastasia #อุทยานประวัติศาสตร์ศรีเทพ #เพชรบูรณ์ #archaeology
  • Extended edit from Khao Klang Nok in Si Thep Historical Park, very grateful for the permission to take some shots for the @seameospafa post-#ippa2022 excursion.
  • Ending the second day of the @seameospafa #ippa2022 post-conference excursion on a high note - literally. Khao Klang Nok at the Si Thep Historical Park #southeastasianarchaeology #sithephistoricalpark #khaoklangnok
  • Terracotta elephant statue from the pre-Thang Long period, approximately 8-10th century. On display at the museum under the National Assembly Building in Hanoi. #vietnamarchaeology #southeastasianarchaeology #vietnam #hanoi #thanglong #terracotta #elephant #ceramics #ancientart
  • Earlier this week there was a news article about a Thai archaeologist’s attempt to repatriate a statue that was reportedly looted from Buriram province and now on display at the Metropolitan Museum of Art.
https://www.southeastasianarchaeology.com/2022/07/08/thai-archaeologist-on-mission-to-reclaim-ancient-khmer-sculpture-from-us/

This is the so-called Golden Boy, taken at the Met last December. The label calls it a Standing Shiva(?) and attributes it to the Cambodia, Siem Reap origin but it may be in fact a representation of Jayavarman Vi. You can see the museum info here: https://www.metmuseum.org/art/collection/search/39097?ft=khmer&offset=0&rpp=40&pos=3

#khmer #sculpture #looting #antiquitiestrade #themet #metropolitanmuseumofart #khmerarchaeology #thaiarchaeology #southeastasianarchaeology #southeastasia #museums #repatriation #angkor #cambodia #thailand #buriram
  • What’s in your field kit? Here’s what’s in mine: https://www.southeastasianarchaeology.com/2022/07/04/whats-in-my-archaeology-field-kit-june-2022/ #fieldwork #fieldgear #camera #drone #archaeology #photography #videography
  • Last month I received the latest publication from the Getty Conservation Institute entitled Networking for Rock Art, focusing on public engagement. I have a small contribution very aptly named “Leave a Like and Subscribe” 😅 You can download a copy here: https://www.getty.edu/conservation/publications_resources/pdf_publications/networking_for_rock_art.html#:~:text=Networking%20for%20Rock%20Art&text=This%20volume%20by%20the%20Rock,are%20addressed%20through%20local%20action. #rockart #publicarchaeology #communityarchaeology #southeastasianarchaeology #freebook #book #gettyconservationinstitute
Wednesday, February 8, 2023
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Home » Singapore » Salvaging Southeast Asian history: shipwrecks and Chinese blue-and-white

Salvaging Southeast Asian history: shipwrecks and Chinese blue-and-white

26 October 2021
in Singapore, Southeast Asia
Tags: ceramicsChinamaritime trade and communicationshipwreckstrade and communication networks
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DISH WITH FLORAL LOZENGE MOTIF FROM THE BELITUNG SHIPWRECK, ARTSCIENCE MUSEUM, SINGAPORE. PHOTO BY JACKLEE ON WIKIMEDIA COMMONS (CC BY-SA 3.0).

DISH WITH FLORAL LOZENGE MOTIF FROM THE BELITUNG SHIPWRECK, ARTSCIENCE MUSEUM, SINGAPORE. PHOTO BY JACKLEE ON WIKIMEDIA COMMONS (CC BY-SA 3.0).

via New Mandala, 22 October 2021: Were Chinese ceramics traded in Southeast Asia inferior cast-offs? This piece by Dr Alex Burchmore updates our view based on new shipwreck discoveries in Southeast Asia.

The most intriguing aspect of these wrecks is the discovery, in what remains of the older vessel, of the most substantial cargo of Chinese Yuan-dynasty (1271-1368) blue-and-white ceramics ever found in Southeast Asian waters. The quantity of these pieces far exceeds earlier finds, while the similarity of celadon-glazed wares carried by the same ship with examples found at Empress Place, dated to the late 14th or early 15th century, indicates that at least part of the cargo may have been intended for local circulation. It is not only the unprecedented quantity, however, but also the astounding quality of these blue-and-white wares that renders their discovery so remarkable and potentially transformative for our understanding of the China Trade in Southeast Asia.

There has long been a persistent assumption among scholars of the China Trade that the greatest reverence for Chinese ceramics in the region, and their most receptive market, could be found among the indigenous communities of the Philippines and Indonesia. Unfamiliar with the source of these goods and the methods of their manufacture, the argument goes, indigenous collectors were unanimously captivated by the translucent fragility of porcelain and the inscrutable designs with which such wares were adorned, regarding them not merely as functional commodities but powerful talismans of cosmological significance. Imported ceramics therefore became a vehicle for cementing alliances, easing the transition to ancestral realms, healing dire spiritual sicknesses, revealing prophesy, or mediating between human and other worlds. An implicit, and sometimes explicit contrast has frequently been drawn between this context of use and that which prevailed in Europe and the Middle East, where a comparable tendency toward awestruck speculation has largely been overlooked by scholars who emphasise the ornamental uses of Chinese ceramics in the domestic interiors of the wealthy.

Source: Salvaging Southeast Asian history: shipwrecks and Chinese blue-and-white – New Mandala

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