• Twenty-two small beads can preserve the traces of a much larger world of movement and exchange.

A new archaeometric study examines beads excavated in 2023 at Khok Phithak, within the ancient city of Khu Bua in Ratchaburi, central Thailand. Khu Bua was an important urban centre associated with the Dvaravatī cultural sphere, enclosed by earthen ramparts and moats and situated within the Mae Klong river system. 

The researchers analysed 21 glass beads and one chalcedony/agate bead, combining microscopic observations with VP-SEM-EDS, LA-ICP-MS and micro-Raman spectroscopy. Manufacturing traces—including axial colour streaks and elongated bubbles—indicate that most of the glass beads were made by drawing glass into tubes or canes before cutting them into individual beads. 

Their chemistry indicates that nineteen beads belong to the m-Na-Al-1 glass subgroup, consistent with glassmaking traditions documented in South Asia, particularly the wider technological sphere of southern India and Sri Lanka. Together with their manufacturing technique, the authors associate these beads with the large-scale Indo-Pacific beadmaking tradition. 

However, one blue bead, B014, is made from plant-ash soda–lime glass with a broad western Asian affinity—although the study cannot identify a specific production centre. Another remarkable bead, B007, appears to have been wound from recycled iron-smelting slag, suggesting an entirely different production history.

Rather than evidence for primary glassmaking at Khu Bua itself, the authors interpret the assemblage as reflecting an inland centre of consumption and possibly redistribution, connected through maritime and riverine networks to much wider systems of Indian Ocean exchange. 

Reference
Risteka et al. 2026. “Production Technology and Provenance of Dvaravatī Glass Beads from Khu Bua, Central Thailand: An Archaeometric Study.” Heritage 9, 347.
10.3390/heritage9090347

#SoutheastAsianArchaeology #ThailandArchaeology #Dvaravati #KhuBua #ancienttrade
  • Small finds, big stories this week.⠀
⠀
The latest Southeast Asian Archaeology newsletter focuses on Thailand, with newly reported rock art, worrying news of looting, and two new papers showing what archaeological science can reveal from humble materials.⠀
⠀
One study looks at prehistoric pottery from Don Up Mung in Nong Bua Lamphu, tracing differences in clay composition, firing and production choices. Another follows glass beads from Khu Bua in Ratchaburi into the wider world of South Asian glassmaking and Indian Ocean exchange.⠀
⠀
Also: a LOT of opportunities this week — jobs, scholarships, courses and calls for papers.⠀
⠀
Link in bio⠀
⠀
#SoutheastAsianArchaeology #Archaeology #CulturalHeritage #ArchaeologicalScience
  • Can inscriptions help reconstruct how a kingdom expanded across a landscape?

King Citrasena (Chitrasen, later known as Mahendravarman) ruled Chenla in the late 6th to early 7th centuries, during a period when Chenla’s influence was extending across parts of what are now Cambodia, Laos and northeastern Thailand. His reign is known partly through inscriptions recording religious foundations, royal achievements and other acts of authority. 

Pailoplee and Khatshima map 21 inscriptions from at least 19 locations associated with Citrasena, and asked if people were moving between these places, which routes would they have taken? To explore this, they use Least Cost Path (LCP) modelling in a GIS. LCP calculates routes that minimise the “cost” of movement across terrain.

In archaeology, this can help identify plausible corridors shaped by features such as slopes, river valleys and mountain barriers. These models show how movement could have been structured by the landscape under the assumptions of the model.

Across several scenarios, the reconstructed paths repeatedly concentrate around major river systems—especially the Mun River—and particular passes through the Phnom Dong Rek (Dangrek) mountain range. The authors also compare the modelled network with archaeological sites attributed to Citrasena’s period, many of which fall along these reconstructed corridors.

Where river navigation would have been difficult (such as the Khone Phapheng Falls), the authors propose that Citrasena’s forces may instead have moved overland along riverbanks, using waterways as natural guides through the landscape.

The placement of several inscriptions near river confluences also suggests that these locations may have been important for controlling movement, communication and exchange, not simply access to water.

Reference
Pailoplee, S. & Khatshima, K. 2026. “The role of King Chitrasen (Mahendravarman) in the expansion of the Chenla Kingdom: A study of inscriptions and historical geography.” Social Sciences & Humanities Open 14, 103503.
10.1016/j.ssaho.2026.103503

#SoutheastAsianArchaeology #Cambodia #Thailand #Laos #Chenla
  • Sometimes the biggest archaeological questions depend on evidence we cannot see during excavation.

Microarchaeology investigates archaeological deposits at microscopic and microstratigraphic scales. In Southeast Asia, this can be especially valuable because monsoonal wetness, tropical weathering, intensive land use and complex depositional histories can affect how archaeological evidence survives. 

Researchers can examine the surrounding sediment for traces of past activity and later disturbance. Methods discussed in this new paper include sediment micromorphology, laboratory micro-excavation, high-resolution imaging, FTIR microscopy and SEM-EDS. Depending on the context, microscopic evidence can help identify burning, trampling, plant processing, sediment movement and environmental change. 

The importance of that context is illustrated by work in northern Laos. At Tam Ngu Hao 2, microstratigraphy was used alongside lithological observations and dating to establish the stratigraphic context of Denisovan fossil evidence. At Tam Pà Ling, it has shown potential for investigating environmental seasonality and possible patterns of early modern human presence. These methods help archaeologists understand what happened to a deposit before drawing conclusions from what it contains.
 
The paper also introduces the Australian Microarchaeology and Palaeosciences Facility (AusMAP) and argues for greater collaboration, training and locally based microarchaeological expertise across Southeast Asia. 

Reference:
Hernandez et al. 2026. Scaling down to look further back: Southeast Asia, deep-time science and microarchaeology. SPAFA Journal 10.
10.26721/spafajournal.651369a4y8 

#SoutheastAsianArchaeology #Archaeology #Microarchaeology #Geoarchaeology #ArchaeologicalScience
  • This week on Southeast Asian Archaeology: claims, contexts and careful reading.⠀
⠀
With Malaysia’s National Day, Vietnam’s National Day, Timor-Leste’s Popular Consultation Day, and International Literacy Day all close together, I’m thinking about literacy not just as reading words, but reading evidence: museum labels, old spellings, dates, maps, artefacts, archives, and the occasional viral post with a raised eyebrow.⠀
⠀
The catalyst this week is the recent controversy over historical claims in Malaysia, alongside a timely RSIS piece on how historians, archaeologists, archivists, librarians and curators can help push back against disinformation. Not by attacking people, but by helping everyone ask better questions of the past.⠀
⠀
Also in this week’s issue: Penang’s historical Malay spellings, Cambodia’s new artefact database grant, Singapore’s revised History Gallery, UNESCO’s maritime museum project, new research on Sundadonty, Roti Island, Chenla inscriptions, ancient Myanmar, and more.⠀
⠀
Link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #InformationLiteracy
  • How old are the rock paintings of Mainland Southeast Asia? 🎨🪨

A new study from Mangguan in Yunnan, southwestern China, provides another important piece of the puzzle.

Using uranium-thorium dating, researchers analysed tiny calcite deposits that had formed over the paintings. Because the calcite must be younger than the pigment underneath, the dates provide a minimum age for the art. One deposit covering a human figure shows that the painting was already there at least 4,220 years ago.

Mangguan is particularly interesting because it lies only about 15 km from the better-known Cangyuan rock art complex. The two have stylistic similarities and overlapping dates, suggesting they formed part of a broader regional rock art tradition, a comparison can be taken farther south.

The rock paintings at Pha Taem in Luang Prabang, Laos, have previously been compared with Cangyuan, raising intriguing questions about relationships between the rock art traditions of southwestern China and Mainland Southeast Asia.

Most rock art in Mainland Southeast Asia remains poorly dated, so dates like those from Mangguan give us increasingly useful chronological anchors for thinking about these connections.

References:
Wu, Y. et al. 2026. U-Th dating of rock paintings in southwestern China: minimum age of ~4.2 ka BP at the Mangguan site. Journal of Archaeological Science: Reports 74, 105987. DOI: 10.1016/j.jasrep.2026.105987.

Bo, X. 2020. On the relationship between the Cangyuan rock art in Yunnan, China, and the Pha Taem rock art in Laos. Rock Art Research 37(2).

Tan, N.H. 2018. The Cliff Paintings of Pha Taem, Luang Prabang, Lao PDR. Rock Art Research 35(1).

#RockArt #SoutheastAsianArchaeology #Yunnan #China
  • Extraordinary claims about the past can be exciting. But how do we tell an exciting new hypothesis from pseudoarchaeology?

Recent controversy in Malaysia over claims that ancient Malays taught the Romans shipbuilding provides a useful case study. Rather than piling on the person behind the claims, I think there is a more useful question to ask: how would we actually test an idea like this?

Archaeology gives us some simple tools.

Do the dates work? What is the primary evidence? Does the evidence actually demonstrate the connection being claimed? Are there better explanations? And perhaps most importantly: what evidence would make us reject the hypothesis?

Ancient Southeast Asians really were sophisticated seafarers. Srivijaya really was one of Asia’s great maritime powers. Sungai Batu really does preserve remarkable evidence for early iron production.

None of those achievements needs embellishment to make Southeast Asian archaeology extraordinary.

Swipe through for five questions you can use the next time you encounter an astonishing claim about the ancient past.

🚩 Remember: possibility is not evidence, similarity does not necessarily mean transmission, and extraordinary claims still have to survive ordinary archaeological scrutiny.

Read more about the archaeology behind these claims in this week’s Southeast Asian Archaeology Newsletter.

#SoutheastAsianArchaeology #Pseudoarchaeology #Malaysia #MaritimeArchaeology #MediaLiteracy
  • A 4,000-year-old painted stone from Wetar Island may change how we understand the Austronesian story.⠀
⠀
Archaeologists excavating Huknaur 1 in Southeast Indonesia found a painted plaque with a red sun-ray motif linked to the Austronesian Painting Tradition — a wider visual tradition known from eastern Indonesia and nearby islands.⠀
⠀
What makes this find so important is that the plaque appears to be older than the first pottery at the site. That means a shared symbolic tradition may have been present before the full Neolithic package usually associated with Austronesian expansion. This discovery suggests that ideas, symbols, and identity may have travelled ahead of pottery.⠀
⠀
It is a reminder that the spread of people goes beyond tools, crops, or ceramics, and may also have been about belief, belonging, and a shared visual language carried across the sea.⠀
⠀
Swipe through to see why this small object has such big implications.⠀
⠀
Reference:⠀
O’Connor, S., Kealy, S., Kaharudin, H.A.F., et al. (2026). 4000-year-old painted plaque from Southeast Indonesia reveals Austronesian Painting Tradition preceded Neolithic pottery. PNAS 123(34): e2611580123.⠀
⠀
#SoutheastAsianArchaeology #RockArt #Austronesian #Indonesia #Wetar #SoutheastAsia #IslandSoutheastAsia #AustronesianPaintingTradition
  • Plaques, Ponds and Provenance⠀
⠀
This week’s newsletter begins with a 4,000-year-old painted plaque from Wetar Island — a small object with a big story.⠀
⠀
The plaque carries a red sun-like motif linked to the Austronesian Painting Tradition, and it appears before pottery at the site. That suggests visual symbols and shared ideas may have moved through maritime Southeast Asia before some of the usual archaeological markers we associate with Austronesian expansion.⠀
⠀
Also this week: archaeology beneath Angkor’s Sras Srang, suspected Ban Chiang artefacts offered for return from Switzerland, and more heritage news from across the region.⠀
⠀
Link in bio.
  • How do you make a 3-metre stone stand upright for centuries?

At Hintang in northern Laos, archaeologists are beginning to answer that question.

In 2025, a Lao-Australian team excavated Site 7A — the first excavation at a Hintang standing-stone site in around 90 years. Beneath the surface, they found that the stones had been set deeply into pits, with smaller rocks packed around their bases to stabilise them. Roughly one-third of each standing stone was buried underground.

One big question remains, though — how old are the Hintang stones?

Samples were collected for dating, but those results are still being analysed. So, for now, we understand a little more about how these monuments were built.

📖 Shewan, L., O’Reilly, D., Armstrong, B. & Butphachit, A. (2026). “Surveys of Hintang standing stone sites and excavations at Site 7A, Houaphanh, Lao PDR.” Antiquity.
doi: 10.15184/aqy.2026.10408

#Archaeology #SoutheastAsianArchaeology #Laos #Megaliths #Hintang #AncientTechnology #ArchaeologicalResearch #Heritage #NewResearch
Friday, September 11, 2026
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[Paper] Excavations in the Parian District of Cebu City

6 November 2020
in Philippines
Tags: Cebu (city)Cebu (province)colonial buildingshistorical archaeologylandscape archaeologyresearch papersSPAFA Journalurban archaeology
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Source: SPAFA Journal

Source: SPAFA Journal

via the SPAFA Journal, 05 November 2020: A paper by Petersen et al. revealing the archaeology of Cebu through excavations at the Jesuit House. (Note: I am the editor of the SPAFA Journal as part of my day job)

The Jesuit House was built in 1730 on land reclaimed from the Tinago Marsh at the edge of the early Spanish settlement of Cebu City, Philippines, two centuries after it was first encountered by the Spanish explorer Magellan. As the city expanded from its core areas ca. 1565 around Fort San Pedro, Plaza Independencia, and the sites of Santo Nino Church and the Cebu Cathedral, waterways were drained and filled, and canals were dredged to extend the urban Spanish grid. Archaeological excavations at the Jesuit House and in the nearby Casa Gorordo Annex project document these changes in the urban landscape. Soil profiles throughout the downtown coastal plain in conjunction with chronostratigraphic data from the excavations demonstrate its submergence during the late Holocene high sea still-stand, followed by dissection by local drainages and the Guadalupe River. Relict channels and distinct interfluvial terraces are observed showing a migrating series of channels along the shoreline as well as a distinct escarpment at the back of the plain that marked the limits of marine intrusion during the high still-stand. Visayans and Spanish settlers selected higher ground for settlement in the interfluves and modified lowland areas such as the marshlands one of which became the Parian District of urban Cebu. Archaeological investigations at the Jesuit House and the Casa Gorordo Annex document the environmental history as well as the transition from native to colonial lifeways at the edge of Empire.

Source: Environmental History of an Early Spanish Settlement in the Visayas, Philippines: Excavations in the Parian District of Cebu City | Kasaysayang Pangkalikupan sa usa ka Karaang Puluy-anan Katsila sa Kabisay-an, Pilipinas: Mga Nakubkoban sa Distritong Parian

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