• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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[CFP] The Materiality of Sino-Foreign Maritime Cultural Exchange

11 September 2020
in Peripheral Southeast Asia
Tags: call for papersChinamaritime trade and communicationSarah Ward (person)
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The Southeast Asian Archaeology Newblog

The Southeast Asian Archaeology Newblog

via Sarah Ward, a call for papers for a volume dealing with the Maritime Trade between China and other countries, to be produced by the Dalian Maritime University and the University of Helsinki. Deadline is 30 November 2020.

To date, the earliest known evidence of Sino-Foreign Maritime Cultural Exchange remains from the Han Dynasty (206 BCE – 220 CE) voyages of Emperor Wu’s envoys to Southeast Asia in 111 BCE. In the intervening 2,000 years, the sea routes which facilitated this contact, grew into an economic architecture that extended beyond mercantile trade to social interaction, cultural conveyance, diplomatic delegacy, technological transfer, tribute trade, and a shift in geopolitical power that contributed to the development of many of the world’s great civilizations.

The Centre for Maritime History and Culture Research (CMHCR) at Dalian Maritime University in collaboration with the Department of Archaeology at Helsinki University, invites manuscripts for consideration in a unique edited volume which focuses on the Materiality of the Sino-Foreign Maritime Cultural Exchange and its theoretical underpinnings. The volume seeks to promote research that evidences, through the study of archaeology, art, history, iconography and the interdisciplinary field of material culture studies, the globalization of Sino-Foreign Maritime Cultural Exchange and the networks which facilitated this. We are particularly interested in new information regarding the manner in which Sino-Foreign social relations were constituted, reproduced, or altered through material

CMHCR welcomes manuscripts on the material aspects of:
• shipwrecks;
• dry docks and shipyards;
• ports, harbours and landing places;
• maritime cultural landscapes;
• artworks, artefacts or isolated finds;
• technological transfer, hybridization and exchange; and the
• trade and exchange of goods, knowledge, information, legal systems, languages, social practice, ritual and religion, from the earliest times to the present day.
There are no temporal or spatial limitations. Papers that provide new evidence are preferred, and only original researches will be accepted.

English is the official language of the volume. Submissions in English and Chinese are welcome; the Chinese papers will be subject to translation. Submitted articles will be reviewed on a doubleblind basis by no fewer than two reviewers drawn from DMU’s international academic community. The final decision regarding acceptance, revision, or rejection will be based on the reviews received, and at the sole discretion of the editorial team.

Abstracts of maximum 300 words, with 4-6 keywords, and author(s) name, affiliation(s), corresponding email, and a short biography of maximum 100 words, should be submitted to sarahward@dlmu.edu.cn no later than 30 November 2020, with “Sino-Foreign Call for Manuscripts” in the subject line. Submissions from early and mid-career researchers are encouraged.

CMHCR will advise successful authors no later than 30 December 2020. Full written papers of approximately 7,000 to 10,000 words in length are due no later than 30 March 2021. CMHCR will provide successful authors with submission guidelines, details of the editorial team, and the publishing program upon acceptance. Publication is expected to be 30 September 2021.

For further enquires contact:
Sarah Ward
Centre for Maritime History and Culture Research
Dalian Maritime University,
1 Linghai Road
Dalian 116026 CHINA
WeChat: @SarahWardAU
Email: sarahward@dlmu.edu.cn

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