• My last post of the year on the main website is a bumper issue on the highlights from this past year in Southeast Asian Archaeology. Link in the bio or here:https://www.southeastasianarchaeology.com/2020/12/29/southeast-asian-archaeology-2020-year-in-review/
#southeastasianarchaeology #yearinreview
  • Non-archaeology post, BLACK FRIDAY SALE: A couple of special deals for @adobe products and @expressvpn until 28 November. These are software that I actually use in my day-to-day work, so they might be useful to you too. 24% off for Adobe Creative Cloud (more if you’re a student or teacher!) and 3 months free for a 12-month subscription to Express VPN. Link below and in bio:
https://www.southeastasianarchaeology.com/blackfriday2020/
  • 1) Bangles from Burial 49, Ban Chiang early-middle period. 2) Bent spear tip from Burial 76. 3) The latest volumes from White and Hamilton on the archaeology of Ban Chiang, a significant Unesco World Heritage Site in Thailand. I’m looking for reviewers for the SPAFA Journal @seameospafa (ideally a Thai and/or a professional archaeologist) if you’re interested, send me a PM. #banchiang #thailand #bronzeage #udonthani #book #upenn #booksforeview #thaiarchaeology #southeastasianarchaeology #prehistory #neolithic #thaihistory #บ้านเชียง #unescoworldheritage
  • Entry to Wat Chedi Luang is not much, 40 baht for adults or $US1.30 - but when we entered there was nobody at the booth and the groundskeeper told us to go right in - the lack of tourists meant the inability to pay for ticketing staff. Heritage sites dependent on tourism are taking a beating, like the rest of the industry. We left a small donation to the temple, and at every temple we visited, to help for its upkeep. #covid19 #heritagetourism #archaeotourism #chiangmai #thailand #watchediluang
#วัดเจดีย์หลวง #thaiarchaeology #thaiarchitecture #lanna #lannaculture #southeastasianarchaeology #archaeology #archaeologytravel #oldchiangmai #southeastasia #northernthailand #ancientruins
  • Check out my story for the Night at the Museum event at the Bangkok National Museum - in conjunction with Thai Museums Day on September 19. The museum hosted a tea party with musical and dance performances, followed by guided tours at the galleries. It was a good opportunity to catch the new exhibition ‘San Somdet’ - an exploration of Thai history, archaeology and culture through the correspondence of two princes. #bangkok #thailand #nationalmuseum #nationalmuseumbangkok #nightatthemuseum #sansomdet #thaimuseumday #thaihistory #thaiarchaeology #southeastasianarchaeology
  • In Chiangmai yesterday and today and most of my trip was concentrated in the old city of Chiangmai. Wat Chedi Luang, located close to the centre of the city, is easily the largest stupa in the area despite it incomplete state. Built at the end of the 14th century and damaged by earthquake in the 15th century, the chedi once housed the Emerald Buddha that had previously resided in Luang Prabang and is now in Bangkok. H/T to @pathsunwritten for his guides to Chiangmai. The history and archaeology of northern Thailand is unfamiliar to me, what else should I visit, during my next trip to Chiangmai?
#chiangmai #thailand #watchediluang
#วัดเจดีย์หลวง #thaiarchaeology #thaiarchitecture #lanna #lannaculture #southeastasianarchaeology #archaeology #archaeologytravel #oldchiangmai #southeastasia #northernthailand #ancientruins #emeraldbuddha
  • Chedi Chiang Lom, the oldest building in Wat Chiang Man วัดเชียงมั่น, itself the oldest temple in the old city of Chiangmai. The temple was built in 1297, while King Mengrai was building his new city of Chiangmai. The Chedi is similar to Wat Chang Lom in Sukhothai. #วัดเชียงมั่น #chiangmai #chedi #stupa #elephant #thailand #thaiarchaeology #southeastasianarchaeology #lanna #buddhism #oldcity #ancientarchitecture
  • The Big Bad Wolf book sale might sound familiar if you live in Southeast Asia (especially Malaysia and Thailand), and this year due to the pandemic they
  • Gold leaf relic from the 11-12th century, found inside one of the Khmer temples in Northeast Thailand (I
  • Wat Phra Si Sanphet was one of the most significant temples of Ayutthaya, being located in the grounds of the royal palace. The three chedis here house the remains of three 15th-century kings, Trailok, Ramathibodi II and Borommarachathirat III. The Ayutthaya Historical Park is now reopen to the public, with safe distancing measures in place! #watphrasisanphet #วัดพระศรีสรรเพชญ์ #ayutthaya #royalpalace #ayutthayahistoricalpark #thailand #ruins #chedi #unescoworldheritage #tourismthailand #travelthailand #thaiarchaeology #southeastasianarchaeology
Monday, January 18, 2021
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Home » Peripheral Southeast Asia » [CFP] The Materiality of Sino-Foreign Maritime Cultural Exchange

[CFP] The Materiality of Sino-Foreign Maritime Cultural Exchange

Tags: call for papersChinamaritime trade and communicationSarah Ward (person)
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The Southeast Asian Archaeology Newblog

The Southeast Asian Archaeology Newblog

via Sarah Ward, a call for papers for a volume dealing with the Maritime Trade between China and other countries, to be produced by the Dalian Maritime University and the University of Helsinki. Deadline is 30 November 2020.

To date, the earliest known evidence of Sino-Foreign Maritime Cultural Exchange remains from the Han Dynasty (206 BCE – 220 CE) voyages of Emperor Wu’s envoys to Southeast Asia in 111 BCE. In the intervening 2,000 years, the sea routes which facilitated this contact, grew into an economic architecture that extended beyond mercantile trade to social interaction, cultural conveyance, diplomatic delegacy, technological transfer, tribute trade, and a shift in geopolitical power that contributed to the development of many of the world’s great civilizations.

The Centre for Maritime History and Culture Research (CMHCR) at Dalian Maritime University in collaboration with the Department of Archaeology at Helsinki University, invites manuscripts for consideration in a unique edited volume which focuses on the Materiality of the Sino-Foreign Maritime Cultural Exchange and its theoretical underpinnings. The volume seeks to promote research that evidences, through the study of archaeology, art, history, iconography and the interdisciplinary field of material culture studies, the globalization of Sino-Foreign Maritime Cultural Exchange and the networks which facilitated this. We are particularly interested in new information regarding the manner in which Sino-Foreign social relations were constituted, reproduced, or altered through material

CMHCR welcomes manuscripts on the material aspects of:
• shipwrecks;
• dry docks and shipyards;
• ports, harbours and landing places;
• maritime cultural landscapes;
• artworks, artefacts or isolated finds;
• technological transfer, hybridization and exchange; and the
• trade and exchange of goods, knowledge, information, legal systems, languages, social practice, ritual and religion, from the earliest times to the present day.
There are no temporal or spatial limitations. Papers that provide new evidence are preferred, and only original researches will be accepted.

English is the official language of the volume. Submissions in English and Chinese are welcome; the Chinese papers will be subject to translation. Submitted articles will be reviewed on a doubleblind basis by no fewer than two reviewers drawn from DMU’s international academic community. The final decision regarding acceptance, revision, or rejection will be based on the reviews received, and at the sole discretion of the editorial team.

Abstracts of maximum 300 words, with 4-6 keywords, and author(s) name, affiliation(s), corresponding email, and a short biography of maximum 100 words, should be submitted to sarahward@dlmu.edu.cn no later than 30 November 2020, with “Sino-Foreign Call for Manuscripts” in the subject line. Submissions from early and mid-career researchers are encouraged.

CMHCR will advise successful authors no later than 30 December 2020. Full written papers of approximately 7,000 to 10,000 words in length are due no later than 30 March 2021. CMHCR will provide successful authors with submission guidelines, details of the editorial team, and the publishing program upon acceptance. Publication is expected to be 30 September 2021.

For further enquires contact:
Sarah Ward
Centre for Maritime History and Culture Research
Dalian Maritime University,
1 Linghai Road
Dalian 116026 CHINA
WeChat: @SarahWardAU
Email: sarahward@dlmu.edu.cn

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