• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
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We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Raffles in Southeast Asia: A multilayered exploration of the man, colonialism and re-looking our past

13 February 2019
in Indonesia, Singapore
Tags: Asian Civilisations MuseumBorobudur (temple)British Museumcandi (temple)coinscolonialismexhibitionsmuseumsThomas Stamford Raffles (person)
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Raffles in Southeast Asia: A multilayered exploration of the man, colonialism and re-looking our past

Last week while I was back in Singapore I took the opportunity to visit the Raffles in Southeast Asia exhibition at the Asian Civilisations Museum. The exhibition coincided with Singapore’s bicentennial celebrations, a “celebration” that has been met with mixed reception because it commemorates the arrival of Raffles to Singapore, and hence the colonial period of Singapore.

The arrival of Raffles has traditionally been the start of beginning of the history of Singapore. This view has softened somewhat, due in no small part to Prof. John Miksic’s work on the archaeology of Singapore. With the discoveries at Fort Canning, school history books now acknowledge the Temasek period. Still, the idea of Raffles as founder of modern Singapore carries an air of preeminence and prestige, and some of the country’s top schools and institutions bear the name of Raffles.

The bicentennary, Raffles, the discourse of (de)colonisation and rejection of the ‘Big Man’ myth of Raffles all come together in this one exhibition. On one level, Singaporeans only learned about the Raffles who came to Singapore in 1819 but never knew the Raffles who was Governor of Java and his role in the rediscovery of Borobudur. Raffles never actually went to the now-Unesco world heritage site, but he commissioned the survey and is now credited for its discovery. This unearned claim to fame would be a recurrent theme in his career.

Plan of Borobudur, donated by to the British Museum by the great-grand-niece of Raffles but probably prepared by Hermann Cornelius, the Dutch engineer sent by Raffles to uncover the stupa.

The exhibition, through the lens of Raffles’ seminal History of Java and the items collected by Raffles and his contemporaries show a bias towards ancient Hindu relics but pay little attention to Muslim culture.

A collection of rare three-dimensional puppets which were owned by Raffles but not mentioned in The History of Java.
Painting of Candi Sukuh in East Java by T. C. Watson, during the time Raffles was Governor of Java. The Europeans at the time did not believe that the native Javanese were capable of building structures like these, and thought they might be related to the Egyptian civilization which is reflected in the painting.

Some of Raffles’ personal flaws also come through, now with 200 years of hindsight and other historical sources to draw upon. This story of the tapir publication is quite telling about Raffles’s conflict with his second, William Farquhar. Farquhar arguably should be credited as the actual founder of the Singapore settlement (having done the actual legwork) but even the named after him was erased in the 1990s, a victim of Singapore’s urban redevelopment. William Farquhar’s legacy was more recently redeemed in Nadia Wright’s book, William Farquhar and Singapore: Stepping out from Raffles’ Shadow

Juvenile Malayan tapir from the Lee Kong Chian Natural History Museum, National University of Singapore
I love this caption basically says Raffles was a dick.

Raffles in Southeast Asia was enjoyable in many layers. For many Singaporeans, it was an eye-opener to the influence of Raffles on the rest of the region and not just the country he ‘founded’. The exhibition can also be seen as a critique to the legacy of colonialism, and how its perspective was selective in many ways.

Raffles in Southeast Asia is on display at the Asian Civilisations Museum until 28 April 2019. Admission fees apply.

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