• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Postdoctoral Fellowships “Art Histories and Aesthetic Practices” (Forum Transregionale Studien, Berlin)

12 December 2017
in Uncategorised
Tags: Berlin (city)Frei Universität Berlin (university)grants and fundingscholarships and education
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The Berlin-based Forum Transregionale Studien invites scholars to apply for up to six postdoctoral fellowships within the framework of the research program Art Histories and Aesthetic Practices. Kunstgeschichte und Ästhetische Praktiken for the academic year 2018/19.

Art Histories and Aesthetic Practices is a research and fellowship program which questions and transcends traditional disciplinary boundaries of art history in a transcultural, global horizon. By creating a space of dialogue for university and museum scholars from all -regions, it aims to discuss the potentials and contours of a plural
history of art. It especially invites scholars from Islamic, Asian, African, Australian, European art histories and the art histories of the Americas, to join the program, but also addresses neighboring disciplines such as Archaeology, Anthropology, History, Aesthetics and other fields dealing with the history of visual and material cultures. Art Histories and Aesthetic Practices analyses the connectivity of larger historical spaces in a transregional perspective and investigates artistic and aesthetic practices and the history of artifacts in a comparative approach, experimenting with new methodologies, forms of collaborative research and curatorial practices. The concept of Aesthetic Practices introduced by this program, is an invitation to study artifacts with their biographies as well as processes of transfer and transformation in a transcultural, postcolonial and global perspective. The program has no chronological or geographical constraints. It collaborate with the Berlin State Museums, the Berlin universities, as well as other international and national academic partners, and aims at an intense interaction of art  historical institutions.

Its scholarly environment is designed to enable and encourage both fellows and the wider community to experiment and refine transregional approaches to the history of visual cultures and aesthetic practices.

Art Histories and Aesthetic Practices is an initiative of the Kunsthistorisches Institut in Florence (KHI), Max-Planck-Institute at the Forum Transregionale Studien, Berlin. Art Histories is directed by Hannah Baader and Gerhard Wolf and cooperates with the program Connecting Art Histories in the Museum (Berlin State Museums/ KHI Florenz).

Candidates

Applicants should have obtained their doctorate within the last seven years (before their application). We welcome applications from all regions, with various disciplinary backgrounds, such as Art Histories, Archaeologies, Anthropology, Aesthetics, History, and all relevant neighboring fields dealing with artifacts, artistic production, material culture, and aesthetic practices relating to objects, images and architectures. Applicants should be interested to engage in reflexive and transdisciplinary research. Art Histories fellows are given the opportunity to pursue their individual research projects within a transdisciplinary and transregional context. They are expected to engage in the program activities, such as regular seminars, workshops, conferences and a travelling seminar.

In the overall context of the Art Histories and Aesthetic Practices program and the framework of the Forum Transregionale Studien, the fellows will be part of a creative, intellectually stimulating and discursive environment.

Fellowships

The fellowhip starts on 1 October 2018 and ends on 31 July 2019. In particular cases, shorter fellowship terms may be considered. Postdoctoral fellows will receive a monthly stipend of EUR 2.500 plus supplements depending on their personal situation.

Organizational support regarding visas, insurances, housing, etc. will be provided. Successful applicants become fellows of the program Art Histories and Aesthetic Practices at the Forum Transregionale Studien and are expected to take up residence in Berlin.

Application Procedure

To apply, please send the following documents exclusively by e-mail as seperate word or PDF files:

– a curriculum vitae (in English)
– a project description (no longer than five pages / in English)
– a sample of scholarly work (about 20 pages of an article, conference
paper, or dissertation chapter)
– names of two referees (including their e-mail addresses)

The complete application should be submitted latest by 15 January 2018 and addressed to arthistories_application@trafo-berlin.de

Successful candidates will be notified by April 2018. Information about the current status of the evaluation process will be published on the website www.arthistories.de.

Institutional Framework

Art Histories and Aesthetic Practices is funded by the German Federal Ministry of Education and Research. The research program is integrated in the Berlin-based Forum Transregionale Studien, a research platform that connects systematic and regionspecific questions, addressing entanglements and interactions beyond national, cultural or regional frames. The Forum works in tandem with established institutions and networks, that are engaged in transregional studies and is supported by an association of directors of universities, research institutes and networks mostly based in Berlin.

The Forum Transregionale Studien cooperates with the Max Weber Stiftung and is funded by a public-private partnership.

The call for applications is depending on the provision of funding.

Art Histories and Aesthetic Practices collaborates closely with the following Berlin based institutions:
– Berlin State Museums, Prussian Cultural Heritage Foundation
– Freie Universität Berlin, Department for Art Histories
– Humboldt-Universität zu Berlin, Department of Art and Visual History
– ICI Berlin Institute for Cultural Inquiry

Contact

Art Histories and Aesthetic Practices
c/o Forum Transregionale Studien
Wallotstrasse 14
14193 Berlin
Germany
arthistories@trafo-berlin.de

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