I mentioned working on another web project. Over the past couple of years I’ve been thinking more and more about the craft of photography in the practice of archaeology. Mostly because I work with rock art where digital photography has become the most common (and sometimes the only) way of recording them. So I’ve set up a thinking space for archaeological photography, and thus, the Archaeograph:
This blog has a decidedly more tech and geek slant to it, talking about equipment, techniques and photographic experiments. Check it out, and if you’re so inclined, subscribe to it.
Hmmm… Eventually I’ll have to fit writing a thesis in between of all this!
![This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
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The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
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Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
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Read this week’s newsletter: [link in bio]⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
⠀
Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
⠀
Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack](https://scontent-sin6-3.cdninstagram.com/v/t51.82787-15/744214042_18361115071209510_2262608560893170251_n.jpg?stp=dst-jpg_e35_tt6&_nc_cat=110&ccb=7-5&_nc_sid=18de74&efg=eyJlZmdfdGFnIjoiRkVFRC5iZXN0X2ltYWdlX3VybGdlbi5DMyJ9&_nc_ohc=xWgcEbcGABIQ7kNvwFx63N6&_nc_oc=Adoe3NBLPcXYeu2Q4WRCzWnJf1ph4tRSl-ndybF0lr1wsJa0WKbjmjX6eHkay-SU5Dk&_nc_zt=23&_nc_ht=scontent-sin6-3.cdninstagram.com&edm=ANo9K5cEAAAA&_nc_gid=dMcRRCmLrU8vIjIWuykhnw&_nc_tpa=Q5bMBQG5vqf4e5fIO0chtZGhHMc0t4iJSvRKIjH0mUwQ4mAL0XnRhUWCa3QyBVw826n_vqBqmRNCfsRP&oh=00_AQDPeFDmCshofY_1cjAQWqyOU02u0lMfxO-CyI0CXLzMFw&oe=6A6490F1)















If you tweak it correctly, you can just use the red-channel to bring out the “faded” ochre paintings. That’s how I did it, and will do it for most of the cave-paintings in my book 🙂
Ah, we use a special software for that (NOT photoshop) and I’ll blog about that soon enough!