• Can inscriptions help reconstruct how a kingdom expanded across a landscape?

King Citrasena (Chitrasen, later known as Mahendravarman) ruled Chenla in the late 6th to early 7th centuries, during a period when Chenla’s influence was extending across parts of what are now Cambodia, Laos and northeastern Thailand. His reign is known partly through inscriptions recording religious foundations, royal achievements and other acts of authority. 

Pailoplee and Khatshima map 21 inscriptions from at least 19 locations associated with Citrasena, and asked if people were moving between these places, which routes would they have taken? To explore this, they use Least Cost Path (LCP) modelling in a GIS. LCP calculates routes that minimise the “cost” of movement across terrain.

In archaeology, this can help identify plausible corridors shaped by features such as slopes, river valleys and mountain barriers. These models show how movement could have been structured by the landscape under the assumptions of the model.

Across several scenarios, the reconstructed paths repeatedly concentrate around major river systems—especially the Mun River—and particular passes through the Phnom Dong Rek (Dangrek) mountain range. The authors also compare the modelled network with archaeological sites attributed to Citrasena’s period, many of which fall along these reconstructed corridors.

Where river navigation would have been difficult (such as the Khone Phapheng Falls), the authors propose that Citrasena’s forces may instead have moved overland along riverbanks, using waterways as natural guides through the landscape.

The placement of several inscriptions near river confluences also suggests that these locations may have been important for controlling movement, communication and exchange, not simply access to water.

Reference
Pailoplee, S. & Khatshima, K. 2026. “The role of King Chitrasen (Mahendravarman) in the expansion of the Chenla Kingdom: A study of inscriptions and historical geography.” Social Sciences & Humanities Open 14, 103503.
10.1016/j.ssaho.2026.103503

#SoutheastAsianArchaeology #Cambodia #Thailand #Laos #Chenla
  • Sometimes the biggest archaeological questions depend on evidence we cannot see during excavation.

Microarchaeology investigates archaeological deposits at microscopic and microstratigraphic scales. In Southeast Asia, this can be especially valuable because monsoonal wetness, tropical weathering, intensive land use and complex depositional histories can affect how archaeological evidence survives. 

Researchers can examine the surrounding sediment for traces of past activity and later disturbance. Methods discussed in this new paper include sediment micromorphology, laboratory micro-excavation, high-resolution imaging, FTIR microscopy and SEM-EDS. Depending on the context, microscopic evidence can help identify burning, trampling, plant processing, sediment movement and environmental change. 

The importance of that context is illustrated by work in northern Laos. At Tam Ngu Hao 2, microstratigraphy was used alongside lithological observations and dating to establish the stratigraphic context of Denisovan fossil evidence. At Tam Pà Ling, it has shown potential for investigating environmental seasonality and possible patterns of early modern human presence. These methods help archaeologists understand what happened to a deposit before drawing conclusions from what it contains.
 
The paper also introduces the Australian Microarchaeology and Palaeosciences Facility (AusMAP) and argues for greater collaboration, training and locally based microarchaeological expertise across Southeast Asia. 

Reference:
Hernandez et al. 2026. Scaling down to look further back: Southeast Asia, deep-time science and microarchaeology. SPAFA Journal 10.
10.26721/spafajournal.651369a4y8 

#SoutheastAsianArchaeology #Archaeology #Microarchaeology #Geoarchaeology #ArchaeologicalScience
  • This week on Southeast Asian Archaeology: claims, contexts and careful reading.⠀
⠀
With Malaysia’s National Day, Vietnam’s National Day, Timor-Leste’s Popular Consultation Day, and International Literacy Day all close together, I’m thinking about literacy not just as reading words, but reading evidence: museum labels, old spellings, dates, maps, artefacts, archives, and the occasional viral post with a raised eyebrow.⠀
⠀
The catalyst this week is the recent controversy over historical claims in Malaysia, alongside a timely RSIS piece on how historians, archaeologists, archivists, librarians and curators can help push back against disinformation. Not by attacking people, but by helping everyone ask better questions of the past.⠀
⠀
Also in this week’s issue: Penang’s historical Malay spellings, Cambodia’s new artefact database grant, Singapore’s revised History Gallery, UNESCO’s maritime museum project, new research on Sundadonty, Roti Island, Chenla inscriptions, ancient Myanmar, and more.⠀
⠀
Link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #InformationLiteracy
  • How old are the rock paintings of Mainland Southeast Asia? 🎨🪨

A new study from Mangguan in Yunnan, southwestern China, provides another important piece of the puzzle.

Using uranium-thorium dating, researchers analysed tiny calcite deposits that had formed over the paintings. Because the calcite must be younger than the pigment underneath, the dates provide a minimum age for the art. One deposit covering a human figure shows that the painting was already there at least 4,220 years ago.

Mangguan is particularly interesting because it lies only about 15 km from the better-known Cangyuan rock art complex. The two have stylistic similarities and overlapping dates, suggesting they formed part of a broader regional rock art tradition, a comparison can be taken farther south.

The rock paintings at Pha Taem in Luang Prabang, Laos, have previously been compared with Cangyuan, raising intriguing questions about relationships between the rock art traditions of southwestern China and Mainland Southeast Asia.

Most rock art in Mainland Southeast Asia remains poorly dated, so dates like those from Mangguan give us increasingly useful chronological anchors for thinking about these connections.

References:
Wu, Y. et al. 2026. U-Th dating of rock paintings in southwestern China: minimum age of ~4.2 ka BP at the Mangguan site. Journal of Archaeological Science: Reports 74, 105987. DOI: 10.1016/j.jasrep.2026.105987.

Bo, X. 2020. On the relationship between the Cangyuan rock art in Yunnan, China, and the Pha Taem rock art in Laos. Rock Art Research 37(2).

Tan, N.H. 2018. The Cliff Paintings of Pha Taem, Luang Prabang, Lao PDR. Rock Art Research 35(1).

#RockArt #SoutheastAsianArchaeology #Yunnan #China
  • Extraordinary claims about the past can be exciting. But how do we tell an exciting new hypothesis from pseudoarchaeology?

Recent controversy in Malaysia over claims that ancient Malays taught the Romans shipbuilding provides a useful case study. Rather than piling on the person behind the claims, I think there is a more useful question to ask: how would we actually test an idea like this?

Archaeology gives us some simple tools.

Do the dates work? What is the primary evidence? Does the evidence actually demonstrate the connection being claimed? Are there better explanations? And perhaps most importantly: what evidence would make us reject the hypothesis?

Ancient Southeast Asians really were sophisticated seafarers. Srivijaya really was one of Asia’s great maritime powers. Sungai Batu really does preserve remarkable evidence for early iron production.

None of those achievements needs embellishment to make Southeast Asian archaeology extraordinary.

Swipe through for five questions you can use the next time you encounter an astonishing claim about the ancient past.

🚩 Remember: possibility is not evidence, similarity does not necessarily mean transmission, and extraordinary claims still have to survive ordinary archaeological scrutiny.

Read more about the archaeology behind these claims in this week’s Southeast Asian Archaeology Newsletter.

#SoutheastAsianArchaeology #Pseudoarchaeology #Malaysia #MaritimeArchaeology #MediaLiteracy
  • A 4,000-year-old painted stone from Wetar Island may change how we understand the Austronesian story.⠀
⠀
Archaeologists excavating Huknaur 1 in Southeast Indonesia found a painted plaque with a red sun-ray motif linked to the Austronesian Painting Tradition — a wider visual tradition known from eastern Indonesia and nearby islands.⠀
⠀
What makes this find so important is that the plaque appears to be older than the first pottery at the site. That means a shared symbolic tradition may have been present before the full Neolithic package usually associated with Austronesian expansion. This discovery suggests that ideas, symbols, and identity may have travelled ahead of pottery.⠀
⠀
It is a reminder that the spread of people goes beyond tools, crops, or ceramics, and may also have been about belief, belonging, and a shared visual language carried across the sea.⠀
⠀
Swipe through to see why this small object has such big implications.⠀
⠀
Reference:⠀
O’Connor, S., Kealy, S., Kaharudin, H.A.F., et al. (2026). 4000-year-old painted plaque from Southeast Indonesia reveals Austronesian Painting Tradition preceded Neolithic pottery. PNAS 123(34): e2611580123.⠀
⠀
#SoutheastAsianArchaeology #RockArt #Austronesian #Indonesia #Wetar #SoutheastAsia #IslandSoutheastAsia #AustronesianPaintingTradition
  • Plaques, Ponds and Provenance⠀
⠀
This week’s newsletter begins with a 4,000-year-old painted plaque from Wetar Island — a small object with a big story.⠀
⠀
The plaque carries a red sun-like motif linked to the Austronesian Painting Tradition, and it appears before pottery at the site. That suggests visual symbols and shared ideas may have moved through maritime Southeast Asia before some of the usual archaeological markers we associate with Austronesian expansion.⠀
⠀
Also this week: archaeology beneath Angkor’s Sras Srang, suspected Ban Chiang artefacts offered for return from Switzerland, and more heritage news from across the region.⠀
⠀
Link in bio.
  • How do you make a 3-metre stone stand upright for centuries?

At Hintang in northern Laos, archaeologists are beginning to answer that question.

In 2025, a Lao-Australian team excavated Site 7A — the first excavation at a Hintang standing-stone site in around 90 years. Beneath the surface, they found that the stones had been set deeply into pits, with smaller rocks packed around their bases to stabilise them. Roughly one-third of each standing stone was buried underground.

One big question remains, though — how old are the Hintang stones?

Samples were collected for dating, but those results are still being analysed. So, for now, we understand a little more about how these monuments were built.

📖 Shewan, L., O’Reilly, D., Armstrong, B. & Butphachit, A. (2026). “Surveys of Hintang standing stone sites and excavations at Site 7A, Houaphanh, Lao PDR.” Antiquity.
doi: 10.15184/aqy.2026.10408

#Archaeology #SoutheastAsianArchaeology #Laos #Megaliths #Hintang #AncientTechnology #ArchaeologicalResearch #Heritage #NewResearch
  • Angkor’s water system is famous for its scale: enormous reservoirs, long canals, and monumental engineering.⠀
⠀
New research by archaeologist Sarah Klassen highlights how Angkor’s agricultural system also depended on more than 1,000 local temple communities spread across the Greater Angkor Region. These communities helped organise labour, manage local water systems, and coordinate rice production - and suggests that Angkor’s success was built through a combination of top-down and bottom-up management.⠀
⠀
The state created the large hydraulic framework. Local communities adapted to it, expanded around it, and helped make the wider agricultural landscape function.⠀
⠀
Over time, however, this balance changed. Land and resources became increasingly concentrated, the system became more centralised, and some of the flexibility that had helped Angkor cope with earlier environmental stress may have been lost.⠀
⠀
Beyond its temples and kings, Angkor
  • New Evidence from the Southeast Asian Borderlands⠀
⠀
This week in Southeast Asian Archaeology: new dates, new methods, and some wonderfully untidy timelines.⠀
⠀
🪨 Uranium-thorium dating pushes the Mangguan rock paintings in Yunnan back to at least 4,220 years ago⠀
 🥁 AI-assisted restoration takes on damaged imagery on Guangxi bronze drums⠀
 🌾 New work at Angkor asks how infrastructure, local communities and water management shaped resilience⠀
 🗿 Lao-Australian fieldwork maps and excavates the enigmatic Hintang standing stones⠀
⠀
Plus archaeology and heritage news from across Southeast Asia, new research, opportunities, and more.⠀
⠀
I’ve also started experimenting with short visual explainers of new archaeology papers here on Instagram — so follow along if you like your archaeology with fewer footnotes and more pixels.⠀
⠀
Read the latest SEAArch newsletter via the link in bio.⠀
⠀
#Archaeology #SoutheastAsianArchaeology #SoutheastAsia #RockArt #Angkor #Laos #Yunnan #Heritage #ArchaeologicalResearch #DigitalHeritage
Sunday, September 6, 2026
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Pole photography for archaeology – Part 3: Parts List

25 November 2009
in Featured, Personal
Tags: aerial archaeologygeneral archaeologymaps and mappingNotes from the Fieldphotography
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You’ve seen the polecam in action in the last post, in this post we’ll take a closer look at the polecam rig, the parts I used and the factors I considered for each part. Hopefully this information will be useful if you need some ideas about how to make a pole camera setup.



1. A Pole
Well, you can’t do pole photography without a pole! The pole I used was a telescopic fibreglass pole by Hastings. The pole extends to 30′, and has a collapsed length of 66″. The pole weighs about 11lbs (5kg) which is not too unmanageable, especially if you attach a strap to the body and haul it over your shoulder. I even managed to carry it onto a city bus and also in to a Perodua Kancil, one of the smallest cars in Malaysia. The individual sections of the pole has little pegs that lock in place, which was one of the main reasons I got it, but on hindsight that might not have been such a good thing (you’ll see why in my next post). The other appeal for the Hastings Hotstick was the customisable heads that can turn at 30-degree angles. This allows me to tilt the camera 90 degrees to take portrait shots, as well as angle the heads to take the overhead aerial shots. The other poles I considered was the wonderpole (no head), this telescopic antenna mast (too long when collapsed), an a giant Manfrotto tripod (at 24′ it was too short for my requirements, a little heavy at 24lbs, but it had a built in tripod which would have been really useful).

2. Camera
The other important component of the polecam of course is the camera – in this case, a Canon G11. The G11 is a prosumer compact camera that has many of the functions of a DSLR. What I was really looking for was the ability to shoot in raw (as in raw data recorded by the camera’s sensor, opposed to the JPEGs that are pre-compressed). I also appreciated greatly this model’s articulating LCD screen which in some cases stood in for an external video monitor. The movable screen was really handy especially because it was hard to move the entire camera when it was being tethered to the end of a 6-foot pole. The downside of this camera for me was the not-wide-enough angle of the lens; compared to other cameras of its class, it was relatively more heavy (13 ounces). Other cameras you might want to consider using for your polecam is the Lumix LX3 by Panasonic, which is about half the weight and apparently a favourite among pole aerial photographers, or the Pentax Optio which has the advantage of being both light and waterproof, and also the Nikon Coolpix P6000, that at 28mm is even less wide than the G11, but has the advantage of inbuilt GPS.

The camera was attached to the pole in two parts – first, I used the GPS antenna attachment for the hastings pole, which had a 5/8″ head. I the connected this attachment to the camera using this 5/8″ to 1/4″ adapter.

3. Wireless Remote
The wireless remote was a little more tricky, because the usual infra-red remotes only have a range of five metres or 15′. For a period I was toying around with the idea of a really long USB cable, but the maximum effective distance a cable can carry a signal is also about 5 metres. Fortunately, there are quite a few third-party radio-frequency wireless remotes out there, with far longer ranges than the IR ones. This remote that I used has a range of 80m – more than adequate for my 10m requirement – and can be attached to the camera’s hotshoe or another 1/4″ screw thread.

4. Video monitor
I guess the video camera and monitor is strictly optional – if you didn’t mind adjusting the camera, raising the pole, shooting, collapsing and rechecking the shot every time. I think given enough practice, it would be possible to use the pole without a visual aid. I didn’t have this luxury, so I found a baby monitor and wireless camera from an electronics store. The camera was about the size of my finger and had a narrower frame of view than the camera; so if I could see it on the monitor, I could definitely capture it on the camera. There were still a couple of drawbacks with this system; if I used the camera zoom, the accuracy of the video feed was less effective so the video cam was only good for the wide shots. The second drawback – a major one – was the battery life of the camera itself – it only lasted half an hour! With that amount of time, you might be able to get one or two different locations, maybe three if you’re experienced. I might consider powering the camera directly with batteries, but this would add extra weight onto the rig, which would make it harder to control at the higher elevations.

5. Fasteners
Finally, the glue that holds everything together – or making sure that your thousand-dollar investment doesn’t fall off and shatter to pieces! I used a number of small gadgets to fasten the entire rig to the main pole, all of which I got from the hardware store. You probably would have noticed that the video camera was attached to the main camera using nothing but blu-tack and rubber bands. I was quite surprised that it held as well as it did, but it was pretty steady throughout the whole field test. Because the hotshoe space was used up by the video camera, the receiver for the wireless remote was attached to the side of the pole using a small gorillapod and then wired to the camera. Finally, the wire and the camera strap were fastened onto the pole using a ring clamp. The ring clamp acted as an insurance policy just in case the 5/8″-1/4″ adapter ever got dislodged. In reality, nothing in the rig ever came apart during the field test, although the adapter had to be tightened every now and then.

And that’s how I assembled my polecam. In the next post, the last of the series, I end off with some evaluative notes about the operation of the polecam, how it measured up against my requirements and show off my bleeding fingers. =D

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Comments 5

  1. Ann says:
    17 years ago

    LMAO on the Gorillapod. This is the best use of it I’ve seen up to now! Good solution with the babycam though, will suggest that to my kite-flying friend.

    Ann

  2. Andrew says:
    17 years ago

    Very Nice. I do a fair amount of clambering up tree’s to get aerial shots.

    I could save a lot of twig bashing using that device.

    What was the total cost (exclusive of the digicam)

  3. noelbynature says:
    17 years ago

    Thanks. I have a cost breakdown in my fourth and final post, coming up in about an hour’s time!

  4. noelbynature says:
    17 years ago

    Thanks Jonah! Merry Christmas and Happy New Year to you too!

  5. Jim says:
    17 years ago

    Hey,

    Just ran across this and thought folks may be interested in this:

    http://lightroomers.com/the-polester/871/

    Good luck above and beyond!

    Jim

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