• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Public Lecture: Dvaravati: What Was It Then, What Is It to Us Now

24 August 2009
in Thailand
Tags: Bangkok (city)Dvaravati (culture)Siam Societytalks / presentations
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In conjunction with the Dvaravati exhibition at the Bangkok National Museum, John Toomey will give a lecture at the Siam Society on October 1 and conduct a special tour of the collection on October 3.

Dvaravati: What Was It Then, What Is It to Us Now
Date: 01 October 2009
Venue: The Siam Society, 131 Asoke Montri Rd, Sukhumvit 21

The 24 National Museums of Thailand hold the world’s largest collection of the art of the ancient Indianized Dvaravati culture. Earlier this year the Fine Arts Department of Thailand lent a large number of the most important pieces in the collections for a special exhibit at the Muse? Guimet in Paris, France, this last spring. After an extended stay there, all of the Dvaravati works have returned and are now shown at the Issaravinitchai Throne Hall at the National Museum Bangkok, under the title DVARAVATI ART The Early Buddhist Art of Thailand, organized by the French Embassy as part of this year’s La Fete.

But what was Dvaravati and what are the hallmarks of the especially joyful and earthy style of this pre-Thai culture’s art? In this presentation Siam Society member John Toomey, who has had a long-time passion for Dvaravati art and culture and has researched this topic in recent years, will help us toward an understanding of Dvaravati’s role in the history of Thailand and how to appreciate its unique artistic expression. This talk will focus on the pieces in the current special Dvaravati exhibit at the National Museum Bangkok. Further, on October 3, Mr. Toomey, on behalf of the Siam Society will guide a special free tour of the exhibit at the National Museum.

After taking degrees from Roosevelt U. (MAT), and DePaul U. (MA Eng) while teaching in Chicago, Mr. Toomey taught world history, arts and humanities for the US Department of Defense Overseas Dependents Schools in Japan, Korea and Germany. After studying Far Eastern Art at Sophia U. in Tokyo, he studied Japanese and Korean languages and took teacher’s certificates in Japanese and Korean tea and Japanese traditional music. In 2005 he retired from teaching to make a modest tea complex and tea garden near Bangkok, and devote himself to the study of Far Eastern and South East Asian arts.

For more information, please telephone Khun Arunsri at

(02) 661 6470-7, fax (02) 258 3491, or e-mail: info@siam-society.org

Non-Members expect to contribute Bt200 each. Siam Society members, members’ spouses and children, and all students showing valid student I.D. cards are admitted free of charge.

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