• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Explore the 36,000-year-old Chauvet Cave through virtual cinema

8 May 2020
in Indonesia
Tags: Borneo (island)Chauvet CaveFranceGetty Conservation InstitutePalaeolithicrock artSulawesi (island)videovirtual reality
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The Final Passage - Chauvet Cave

The Final Passage - Chauvet Cave

Many of you would know that I have a keen interest in rock art, and so it is with great pleasure that I direct your attention to The Final Passage – a virtual and cinematic reconstruction of the Chauvet Painted Cave. This 28-minute film is screening free online until June 7, 2020.

The Final Passage is directed by Pascal Magontier, and produced by Martin Marquet and archaeologist Jean-Michel Geneste, the latter two whom I know through the Rock Art Network, a loose association of archaeologists, cultural heritage practitioners and institutions who have an interest in fostering the principles of research, conservation and promoting rock art.

My first encounter with the Rock Art Network was at a colloquium organised by the Getty Conservation Institute in Namibia in 2017. Last year I attended another colloquium organised in France and Spain, with site visits to the famous Lascaux and Altamira caves, and of course, Chauvet. These deep caves full of rock art were such an eye-opener; it was one thing to read about them in books and see their images online, but quite another to view in person.

Inside the Grotte Chauvet 2 replica

You can’t actually visit the real Chauvet Cave – the above photo is from the excellent Grotte Chauvet 2 museum, a recreation of the actual Chauvet Cave. It is an excellent example of a replica/reproduction museum, and there were times when I forgot I was in a building instead of an actual cave. I highly recommend visiting if you ever have the chance. It is such a breathtakingly well-done museum.

Entrance to the real Chauvet Cave

The real Chauvet Cave is closed to the public and has very, very restricted access in order to protect and preserve the climate in the cave. That makes The Final Passage all the more special, since it is an immersive experience that lets you feel like you were entering the real cave. The paintings at the Chauvet Cave are dated to 36,000 years ago and for the longest time they were thought to be the oldest forms of figurative art in the world. We know now that rock art from Sulawesi and Borneo is just as old, if not older, and so if the Chauvet Caves are worthy of Unesco recognition, we should think the same for the Indonesian caves. In the end, these examples of rock art go to show that the human capacity to paint and create is very old, and appears across the world from a very long time ago.

Members of the Rock Art Network in front of the real Chauvet Cave

The Final Passage is streaming free, online, from now until June 7, 2020. It’s only 28 minutes long, so check it out before it’s too late to see this unique cave. I highly recommend dimming all the lights and watching the video with a pair of headphones for the best viewing experience. If you are interested in finding out more about the Rock Art Network, click here; you can also check out my section on the rock art of Southeast Asia to find out about the immense number of rock art in this region. Unlike the European versions, Southeast Asian rock art is rarely (if at all) located in deep caves, but most commonly found in shallow rock shelters, cliff faces and large boulders or rock formations.

Rhinoceros panel from the Chauvet Cave

View the Final Passage here.

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