• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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A historical guide to one of Bangkok’s canals

30 April 2015
in Thailand
Tags: architectureAyutthaya (kingdom)Bangkok (city)BuddhismcanalmoatmuralRattanakosin (Old Bangkok)Wat Devaraj Kunchorn Worawiharn (temple)
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Wat Yuan Saphan Khao. Source: Bangkok Post 20150423

Wat Yuan Saphan Khao. Source: Bangkok Post 20150423

A Bangkok Post feature on the historic Krung Kasem canal, which is quite near my workplace, and all the notable sights along it. At the end of the canal is the 600-year-old Wat Thewarat Kunchorn, which is just outside my workplace!

Wat Yuan Saphan Khao. Source: Bangkok Post 20150423
Wat Yuan Saphan Khao. Source: Bangkok Post 20150423

Streaming with history
Bangkok Post, 23 April 2015

Khlong Phadung Krung Kasem is likely to become one of Bangkok’s major transportation routes once again due to government support, and this may also benefit tourism. Building of the canal was commissioned by King Rama IV in 1851 to serve as the outer city moat. It runs in parallel with the first and second tiers of the city moat — Khlong Khumuang Doem and Khlong Rob Krung.

Wat Thewarat Kunchorn was a civil temple built during the Ayutthaya period and called Wat Samor Khraeng, or Thamor Khraeng. The word Thamor is a Khmer word meaning stone. In the reign of King Rama IV, the temple was renamed after the name of Prince Phitakdeves, who restored it. Its ordination hall houses the principal Buddha statue, Phra Phutthadevaraj Patimakorn, which is in the posture of subduing the Mara. Made in the Dvaravati period, it consists of metal and is covered with gold lacquer. On the interior walls are beautiful murals including the gathering of the Deva (guardian spirits), the Lord Buddha’s previous life as Phra Suvarnasam and monks looking at dead bodies. Behind the principal Buddha statue is the painting of this temple in the past before this ordination hall was constructed. Phra Vihara (prayer hall) enshrines nine Buddha statues of nine periods.

“This canal was dug with the aim of expanding the city,” said Rapeepat Ketkosol, an official at Bangkok Metropolitan Administration’s (BMA) tourism division. According to him, the canal is about 6km long. It was 3m deep initially, but grew shallower over time. It is now just over 2m deep.

On April 1 this year, Prime Minister Prayut Chan-o-cha ordered the BMA to seek to develop Khlong Phadung Krung Kasem as a transportation and tourism route.

Full story here.

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