• This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
⠀
Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
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Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
⠀
Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
⠀
This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
⠀
Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
⠀
Read the latest issue at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
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The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
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Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
⠀
Read this week’s issue: https://bit.ly/3QjsdVO ⠀
⠀
#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
⠀
#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
Wednesday, July 22, 2026
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[Job] Assistant/Associate Curator for Southeast Asian and South Asian Art and Culture

18 June 2024
in Southeast Asia
Tags: employment opportunitiesSmithsonian (museum)
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[Job] Assistant/Associate Curator for Southeast Asian and South Asian Art and Culture

The Smithsonian’s National Museum of Asian Art is seeking an Assistant/Associate Curator for Southeast Asian and South Asian Art and Culture. The position, based in Washington, DC, involves curating, researching, and promoting the museum’s extensive collections, and fostering international collaboration. Closing date is July 5.

The Smithsonian’s National Museum of Asian Art is committed to preserving, exhibiting, researching, and interpreting art in ways that deepen the public and scholarly understandings of Asia and the world. Currently responsible for some 46,000 objects, the museum stewards one of the world’s most important collections of Asian art, with works dating from antiquity to the present. The collections include works from China, Japan, Korea, South Asia, Southeast Asia, the pre-Islamic Near East, and the Islamic world (inclusive of Central Asia, the Middle East, and North Africa). The museum also stewards an important collection of nineteenth- and early twentieth-century American art. Its rich holdings bring the arts of Asia into direct dialogue with a focused American collection, providing a compelling platform for creative collaboration and cultural exchange.

Beginning with a 1906 gift that paved the way for the museum’s opening in 1923 as the Freer Gallery of Art—the United States’ first national art museum—the National Museum of Asian Art has long been a national and international resource for visitors, students, and scholars. Located on the National Mall in Washington, DC, its collections, galleries, laboratories, archives, and library form part of the world’s largest museum complex, which attracts tens of millions of visitors annually. The museum is free and open to the public 364 days a year. Its exhibitions, programs, learning opportunities, and digital initiatives are accessible to local, national, and global audiences. Each year, hundreds of students, fellows, interns, scholars, and researchers access the museum’s resources and expertise.

Comprising over two thousand objects, both secular and religious, the National Museum of Asian Art’s Southeast Asian and South Asian collections include sculpture, jewelry, paintings, and ceramics from Indonesia, Vietnam, Cambodia, Thailand, Laos, Myanmar (Burma), India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and Tibet. This exquisite group of works highlights unparalleled artistry and offers a rich means to explore the history and culture of the region.

NMAA celebrates the culture and art of Southeast Asia and South Asia through exhibitions, scholarly and public programming. As the museum enters its second century, it is growing and transforming. The candidate will join the museum at this moment of transition as it expands its engagement with Southeast Asian communities in the US and abroad and as it seeks to be a leader in ethical collecting practices.

The Assistant/Associate Curator for Southeast Asian and South Asian Art and Culture will be a member of the curatorial department, shaping the care, identification, acquisition, preservation, cataloging, exhibition, and interpretation of works of art. The candidate will be a national and international leader in the study and presentation of Southeast Asian art and culture and will support the South Asian collection at the museum. The candidate will perform scholarly research in preparation for publication and will furnish authoritative information on works in their field of specialization. They will develop original exhibitions and collaborate with curators on cross-departmental projects and research initiatives. The curator will also shape and implement engaging scholarly and public programs.

Source: Assistant/Associate Curator for Southeast Asian and South Asian Art and Culture (IS-1015-11/12) – Washington, DC | National Museum of Asian Art Careers

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