• This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
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Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
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Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
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Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
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This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
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Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
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Read the latest issue at the link in bio.⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
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The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
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Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
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Read this week’s issue: https://bit.ly/3QjsdVO ⠀
⠀
#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
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In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
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#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
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Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
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The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
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Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
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Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
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https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
Wednesday, July 22, 2026
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Ancient Drawings in Borneo’s Cave Speak of Conflict and Courage

25 August 2023
in Malaysia
Tags: Borneo (island)Gua Sireh (site)indigenous peoplesPLOS One (journal)research papersrock artSarawak (state)
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Source: Huntley et al 2023

Source: Huntley et al 2023

via PLOS One, 23 August 2023: A new paper by Huntley et al. on the Gua Sireh Cave in Sarawak, Malaysian Borneo, contains charcoal drawings dating back between 1670 to 1830 CE, depicting people engaged in various activities, shedding light on a period of conflict and Bidayuh resistance. Roundup of news stories below.

Gua Sireh, located in western Sarawak (Malaysian Borneo), is known for its rock art. The cave houses hundreds of charcoal drawings depicting people, often with headdresses, knives and other accoutrements. Here, we present direct radiocarbon dates and pigment characterizations from charcoal drawings of two large (>75 cm), unique Gua Sireh human figures (anthropomorphs). To our knowledge, these are the first chronometric ages generated for Malaysian rock art, providing insights into the social contexts of art production, as well as the opportunities and challenges of dating rock art associated with the Malay/Austronesian diasporas in Southeast Asia more generally. Previous archaeological excavations revealed that people occupied Gua Sireh from around 20,000 years ago to as recently as AD 1900. The site is within Bidayuh territory, and these local Indigenous peoples recall the cave’s use as a refuge during territorial violence in the early 1800s. The age of the drawings, dated between 280 and 120 cal BP (AD 1670 to 1830), corresponds with a period of increasing conflict when the Malay elites controlling the region exacted heavy tolls on the local hill tribes. We discuss rock art production at Gua Sireh in this context of frontier conflict and Bidayuh resistance.

Source: Rock art and frontier conflict in Southeast Asia: Insights from direct radiocarbon ages for the large human figures of Gua Sireh, Sarawak | PLOS ONE

See also:

  • This cave on Borneo has been used for 20,000 years – and we’ve now dated rock art showing colonial resistance 400 years ago | The Conversation, 23 Aug 2023
  • Borneo rock art depicts Indigenous resistance to centuries-old conflicts | Courthouse News Service, 23 Aug 2023
  • Newly-dated cave art tells a dark story in Borneo’s history | Popular Science, 23 Aug 2023
  • Malaysian Cave Art Appears to Depict Colonial-Era Conflicts | Gizmodo, 23 Aug 2023
  • Malaysian rock art found to depict elite–Indigenous conflict | Griffith University/Phys.org, 23 Aug 2023
  • Malaysian Rock Art Found To Depict Elite–Indigenous Conflict | Eurasia Review, 24 Aug 2023
  • Malaysian Cave Art May Depict Colonial-Era Violence | Hyperallergic, 24 Aug 2023
  • Radiocarbon Dating of Borneo Cave Art Tells a Hidden History of Centuries-Old Indigenous Resistance | ArtNews, 24 Aug 2023
  • This cave on Borneo has been used for 20,000 years – and we’ve now dated rock art showing colonial resistance 400 years ago | UWA News, 24 Aug 2023
  • Cave Art From the Past 350 Years Tells of Colonial Strife | Discover, 29 Aug 2023
  • These Malaysian Cave Drawings Reflect Colonial-Era Conflicts | Smithsonian, 30 Aug 2023

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