• Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
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Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
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Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
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Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
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Link in bio / read here: https://bit.ly/4ePHSpL ⠀
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#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
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https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
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https://bit.ly/3QomnlM
Friday, June 5, 2026
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Should the Australian Museum return Papuan artefacts?: The call for the return of sacred objects stolen from Papua by Frank Hurley poses uncomfortable questions for Australia’s museums

7 November 2022
in Peripheral Southeast Asia
Tags: AustraliamuseumsPapua New Guinearepatriation
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Source: The Monthly 202211

Source: The Monthly 202211

via The Monthly, November 2022: The repatriation debate around Papuan objects in Australian museums

Museums in Germany, France and England are now returning artefacts pillaged from former colonial possessions, notably the famous Benin Bronzes of West Africa. In Australia, campaigns have been mounted for the return of Aboriginal artefacts taken by explorers and Aboriginal human remains collected as ethnological specimens by 19th-century scientists, and lodged in museums overseas. Less publicised are the extensive collections of Indigenous and Oceanic artefacts and human remains – mostly in the form of trophy skulls and preserved heads – that are lodged in Australian museums.

As well as the Hurley-McCulloch collection, the Australian Museum holds some 1300 images taken by Hurley in Papua, plus a dazzling assembly of Australasian and Oceanic art assembled from other expeditions, donations and acquisitions.

During his tenure, lieutenant-governor Murray built up what is now called the Official Papuan collection. He ordered his patrol officers to bring back samples offered voluntarily and forbade personal collecting, to record native culture before it was changed by European contact, or the people themselves died out. The collection is now at Canberra’s National Museum of Australia, but has only been exhibited in part from time to time.

The MacGregor Collection, named for an earlier governor when Papua was under British rule, is in the Queensland Museum. Both these collections are now essentially held in trust for the successor state, Papua New Guinea, as both MacGregor and Murray had stipulated.

Has the moment arrived for the Australian Museum to restore the stolen items? And if so, how? If brought back to Usakof, how would they be secured and preserved? Lodge them in Port Moresby at the PNG National Museum and Art Gallery? Or could they be given some special recognition at the Australian Museum?

Source: Should the Australian Museum return Papuan artefacts?: The call for the return of sacred objects stolen from Papua by Frank Hurley poses uncomfortable questions for Australia’s museums | The Monthly

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Comments 1

  1. Mark Woodward says:
    4 years ago

    Is the word stolen appropriate? That would appear to be debatable if, as indicated, the artifacts were “samples offered voluntarily.” The fact that they are “held in trust” would also also indicate that the term stolen may not be appropriate. That being said, it is reasonable that artifacts be transfered to the Papuan government and arrangements for curating and preserving the collections made. Human remains should be returned when appropriate arrangements can be made.

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