• Dynamite Doug, a podcast by Project Brazen and narrated by @ellewongster , takes a look at the looting of Cambodian cultural heritage by disgraced art dealer Douglas Latchford. Latchford facilitated the looting and sale of numerous Cambodian (and other Southeast Asian) artefacts which ended up in some of the most prestigious museums in the world, including The Met. Looking forward to the next episode!
There are a lot of news stories related to Douglas Latchford, the Pandora Papers, and cultural heritage looting on the website - link in description. #cambodia #looting #antiquitiestrade #dynamitedoug #podcast #archaeology #southeastasianarchaeology
  • It’s been a great week in Laos conducting a training workshop on rock art recording and other archaeological methods for the Department of History and Archaeology at the National University of Laos. The participants, both lecturers and students, were a great bunch to work with, and they picked up the principles really quickly. And as a bonus, we ended up finding more rock art than we originally expected! Looking forward to working with this bunch again in the future! #laos #nuol #fieldschool #xaingnabouli #paklai #rockart #archaeology #laoarchaeology #southeasgasianarchaeology
  • That’s a wrap for today! Learning how to systematically document a rock art site, from theory to practice. Some more data gathering tomorrow, and then putting all the information in the data after! #paklai #rockart #mekong #xayabouli #nuol #laosarchaeology #southeastasianarchaeology #laos
  • Last post of the year - looking back in the year that was archaeology in Southeast Asia in 2022. Check out the full post here: https://www.southeastasianarchaeology.com/2022/12/16/southeast-asian-archaeology-2022-year-in-review/

And see you in the new year! Best wishes to all for the holiday season!

#southeastasianarchaeology #southeastasianarchaeology2022 #recap
  • Last month I was at the Si Thep Historical Park in Phetchabun province - a less-known archaeological site, but an impressive one considering the ancient town has remnants dating from prehistoric times until the 13th century CE. Khao Klang Nok is a massive Buddhist stupa dating to the 8th or 9th centuries CE, located outside of the ancient town of Si Thep. I was able to get som cool shots from my drone, check out my post here: https://www.southeastasianarchaeology.com/2022/12/15/drone-flight-over-khao-klang-nok-si-thep-historical-park/

#khaoklangnok #sithephistoricalpark #phetchabun #drone #dronestagram #dvaravati #khmer #thaiarchaeology #southeastasianarchaeology #southeastasia #อุทยานประวัติศาสตร์ศรีเทพ #เพชรบูรณ์ #archaeology
  • Extended edit from Khao Klang Nok in Si Thep Historical Park, very grateful for the permission to take some shots for the @seameospafa post-#ippa2022 excursion.
  • Ending the second day of the @seameospafa #ippa2022 post-conference excursion on a high note - literally. Khao Klang Nok at the Si Thep Historical Park #southeastasianarchaeology #sithephistoricalpark #khaoklangnok
  • Terracotta elephant statue from the pre-Thang Long period, approximately 8-10th century. On display at the museum under the National Assembly Building in Hanoi. #vietnamarchaeology #southeastasianarchaeology #vietnam #hanoi #thanglong #terracotta #elephant #ceramics #ancientart
  • Earlier this week there was a news article about a Thai archaeologist’s attempt to repatriate a statue that was reportedly looted from Buriram province and now on display at the Metropolitan Museum of Art.
https://www.southeastasianarchaeology.com/2022/07/08/thai-archaeologist-on-mission-to-reclaim-ancient-khmer-sculpture-from-us/

This is the so-called Golden Boy, taken at the Met last December. The label calls it a Standing Shiva(?) and attributes it to the Cambodia, Siem Reap origin but it may be in fact a representation of Jayavarman Vi. You can see the museum info here: https://www.metmuseum.org/art/collection/search/39097?ft=khmer&offset=0&rpp=40&pos=3

#khmer #sculpture #looting #antiquitiestrade #themet #metropolitanmuseumofart #khmerarchaeology #thaiarchaeology #southeastasianarchaeology #southeastasia #museums #repatriation #angkor #cambodia #thailand #buriram
  • What’s in your field kit? Here’s what’s in mine: https://www.southeastasianarchaeology.com/2022/07/04/whats-in-my-archaeology-field-kit-june-2022/ #fieldwork #fieldgear #camera #drone #archaeology #photography #videography
Thursday, March 23, 2023
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Home » Peripheral Southeast Asia » [CFP] Self-Determination Through Digital Archaeology

[CFP] Self-Determination Through Digital Archaeology

13 June 2022
in Peripheral Southeast Asia, Southeast Asia
Tags: AustraliaAustralian Archaeological Associationcall for papersconferences
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Readers may be interested in this call for papers for the upcoming Australian Archaeology Association conference held at the end of the year. Deadline for submissions is 22 July 2022.

Building on last year’s Digital Archaeology session, beyond tools and toys, this year we focus on how technology can be used to negotiate entangled encounters to make archaeology more accessible to a broader range of people, particularly those in marginalised or remote communities. Archaeotech (technology used in archaeology) used to be prohibitively expensive and required highly specialised knowledge sets to collect, interpret, and transmit data. We propose that Digital Archaeology should aim to use archaeotech to empower communities that we work with. Data can be collected, stored, or visualised in a way that enables decision making to occur on a local level outside of traditional power domains. Archaeologists continue to adapt and advance digital archaeology from photogrammetry, laser scanning, UAS (unmanned aerial systems), GIS (geographical information systems) and other tools that further our research objectives. Availability of open-source software and decreasing need for specialised hardware can effectively democratise archaeotech. This session will discuss ongoing barriers to adoption, showcase the ways archaeotech is an opportunity for negotiating entangled encounters and explore the ways the ways it has been developed and adopted by different communities to document and preserve cultural heritage for future generations.

Convenors: Andrea Jalandoni, Griffith University and Emma Beckett, The University of Western Australia

When submitting an abstract you will need to:

  • Login https://www.conferenceonline.com/abstract/alogin/?clear=1&warehouse_id=1537Provide
  • Provide a title, author(s) and affiliation(s)
  • Nominate session theme Self-Determination Through Digital Archaeology
  • Indicate the abstract is an oral presentation (15 minutes plus 5 minutes Q&A)
  • Provide a 300-word abstract (maximum 2050 characters including spaces)
  • Agree to abide by the Association’s Code of Ethics, Sexual Harassment Policy 2012, Discrimination Policy 2012, Equal Opportunity Policy 2012 and Website and Social Media Policies.

The Conference Organisers reserve the right to reassign your paper if they feel it is more appropriate for another session theme.

Please note that an individual may be the principal author and present only ONE oral presentation and ONE poster at the conference, although they can be subsidiary co-authors on any number of other papers and posters.

Submissions for abstracts close 22 July 2022.

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