• Dynamite Doug, a podcast by Project Brazen and narrated by @ellewongster , takes a look at the looting of Cambodian cultural heritage by disgraced art dealer Douglas Latchford. Latchford facilitated the looting and sale of numerous Cambodian (and other Southeast Asian) artefacts which ended up in some of the most prestigious museums in the world, including The Met. Looking forward to the next episode!
There are a lot of news stories related to Douglas Latchford, the Pandora Papers, and cultural heritage looting on the website - link in description. #cambodia #looting #antiquitiestrade #dynamitedoug #podcast #archaeology #southeastasianarchaeology
  • It’s been a great week in Laos conducting a training workshop on rock art recording and other archaeological methods for the Department of History and Archaeology at the National University of Laos. The participants, both lecturers and students, were a great bunch to work with, and they picked up the principles really quickly. And as a bonus, we ended up finding more rock art than we originally expected! Looking forward to working with this bunch again in the future! #laos #nuol #fieldschool #xaingnabouli #paklai #rockart #archaeology #laoarchaeology #southeasgasianarchaeology
  • That’s a wrap for today! Learning how to systematically document a rock art site, from theory to practice. Some more data gathering tomorrow, and then putting all the information in the data after! #paklai #rockart #mekong #xayabouli #nuol #laosarchaeology #southeastasianarchaeology #laos
  • Last post of the year - looking back in the year that was archaeology in Southeast Asia in 2022. Check out the full post here: https://www.southeastasianarchaeology.com/2022/12/16/southeast-asian-archaeology-2022-year-in-review/

And see you in the new year! Best wishes to all for the holiday season!

#southeastasianarchaeology #southeastasianarchaeology2022 #recap
  • Last month I was at the Si Thep Historical Park in Phetchabun province - a less-known archaeological site, but an impressive one considering the ancient town has remnants dating from prehistoric times until the 13th century CE. Khao Klang Nok is a massive Buddhist stupa dating to the 8th or 9th centuries CE, located outside of the ancient town of Si Thep. I was able to get som cool shots from my drone, check out my post here: https://www.southeastasianarchaeology.com/2022/12/15/drone-flight-over-khao-klang-nok-si-thep-historical-park/

#khaoklangnok #sithephistoricalpark #phetchabun #drone #dronestagram #dvaravati #khmer #thaiarchaeology #southeastasianarchaeology #southeastasia #อุทยานประวัติศาสตร์ศรีเทพ #เพชรบูรณ์ #archaeology
  • Extended edit from Khao Klang Nok in Si Thep Historical Park, very grateful for the permission to take some shots for the @seameospafa post-#ippa2022 excursion.
  • Ending the second day of the @seameospafa #ippa2022 post-conference excursion on a high note - literally. Khao Klang Nok at the Si Thep Historical Park #southeastasianarchaeology #sithephistoricalpark #khaoklangnok
  • Terracotta elephant statue from the pre-Thang Long period, approximately 8-10th century. On display at the museum under the National Assembly Building in Hanoi. #vietnamarchaeology #southeastasianarchaeology #vietnam #hanoi #thanglong #terracotta #elephant #ceramics #ancientart
  • Earlier this week there was a news article about a Thai archaeologist’s attempt to repatriate a statue that was reportedly looted from Buriram province and now on display at the Metropolitan Museum of Art.
https://www.southeastasianarchaeology.com/2022/07/08/thai-archaeologist-on-mission-to-reclaim-ancient-khmer-sculpture-from-us/

This is the so-called Golden Boy, taken at the Met last December. The label calls it a Standing Shiva(?) and attributes it to the Cambodia, Siem Reap origin but it may be in fact a representation of Jayavarman Vi. You can see the museum info here: https://www.metmuseum.org/art/collection/search/39097?ft=khmer&offset=0&rpp=40&pos=3

#khmer #sculpture #looting #antiquitiestrade #themet #metropolitanmuseumofart #khmerarchaeology #thaiarchaeology #southeastasianarchaeology #southeastasia #museums #repatriation #angkor #cambodia #thailand #buriram
  • What’s in your field kit? Here’s what’s in mine: https://www.southeastasianarchaeology.com/2022/07/04/whats-in-my-archaeology-field-kit-june-2022/ #fieldwork #fieldgear #camera #drone #archaeology #photography #videography
Monday, March 20, 2023
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Home » Philippines » [Paper] Qur’an manuscripts from Mindanao: collecting histories, art and materiality

[Paper] Qur’an manuscripts from Mindanao: collecting histories, art and materiality

6 April 2021
in Philippines
Tags: documentary heritageIslamMindanao (island)research papers
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via South East Asia Research, 01 Apil 2021: A paper by Annabel Teh Gallop examining Qur’an manuscripts from the Mindanao region.

The study of the writing traditions of the Malay world of maritime South East Asia has been both shaped and distorted by the differing colonial experiences within the region. In particular, a chasmic disconnect can be discerned between the western swathe occupied by the modern nations of Indonesia, Malaysia, Brunei and Singapore, long under essentially British and Dutch hegemony, and the southern islands of the present-day Philippines, for centuries located within the sphere of Spanish domination followed by a brief American occupation. This article aims to explore the particular impact of these varying colonial legacies on the collecting histories of Qur’an manuscripts from the Malay world, with special reference to the ‘Moro’ regions of Mindanao and the Sulu archipelago. To date, twenty-six Qur’an manuscripts from the Philippines have been documented, held in collections worldwide, which on further scrutiny can all be identified as originating from Mindanao. Their artistic and codicological profile is discussed within the broader context of Qur’an manuscripts from other parts of South East Asia, teasing out both commonalities with the rest of the Malay world as well as distinctive regional features.

Source: Qur’an manuscripts from Mindanao: collecting histories, art and materiality: South East Asia Research: Vol 0, No 0

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