• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Contextualising the return of the Latchford collection to Cambodia

15 February 2021
in Cambodia
Tags: Angkor (kingdom)antiquities tradeAshley Thompson (person)crimelootingrepatriationsculpturesmugglingStephen Murphy (person)
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Source: CNN, 20210212

Source: CNN, 20210212

via The Guardian (13 Feb) and CNN (12 Feb), and other sources below: Two more reflective pieces about the repatriation of Khmer sculpture from indicted antiquities smuggler Douglas Latchford were published over the weekend, one in the Guardian by colleagues Ashley Thompson and Stephen Murphy and another in CNN. These pieces A couple of other earlier stories are also linked below.

At his death in August 2020, Latchford was facing federal charges in the US for the alleged key role he played since the 1960s in the looting and trafficking of Khmer antiquities from Cambodia and Thailand. The investigations had begun to lay bare the direct links between the building of south-east Asian art collections in the west – including at some of America’s most revered cultural institutions – and the brutal destruction of the Khmer cultural heritage on the ground. His daughter inherited the collection and consented to their spectacular return. Latchford, a British citizen by birth, operated out of Bangkok and London. Though the full extent of the Latchford family Khmer antiquities holdings is still unclear, it is understood that it was split between these two locations.

The return has been framed by some as a “gift” to Cambodians. But rather than celebrating a daughter extricating herself from her judicial dragnets, we should be commending those who have worked tirelessly to uncover and prevent the egregious looting of antiquities and the trafficking networks involved: Cambodian authorities, US authorities, academics and NGOs, including Chasing Aphrodite, Trafficking Culture and Heritage Watch.

…

It is time to put to rest the characterisation of Latchford as a “leading scholar of Khmer antiquities”. What are described as “foundational reference works” are seemingly self-published catalogues designed to launder his reputation and his objects. That some scholars associated with him says more about the draw of money and access than it does about Latchford’s so-called scholarship. The Cambodian government has been savvy and gracious in this enduring affair. That it offered to honour “the donor”
in labelling the objects as coming from the “Latchford collection” in Phnom Penh’s national museum says a lot about strategy, rather than an embrace of the man.

Now is the time however to turn our attention away from Latchford and to the legacy that six decades of pillaging has left around the world. Objects sold or gifted through Latchford’s networks remain with international dealers, auction houses, private collectors, galleries and museums. Meanwhile in Cambodia a new phase has just begun.

Excerpt from the CNN story, about divided opinions over the return of the sculptures:

Not everyone familiar with the case is so sanguine about the late collector’s family, however. While welcoming the objects’ restitution, the CEO of the Association for Research into Crimes Against Art (ARCA), Lynda Albertson, suggested that Kriangsak is motivated by protecting her family’s reputation, saying in a phone interview: “If she was looking to right the wrongs of her father, she would have clearly stated: ‘I am doing this because (how he acquired the items) was wrong.”

Albertson also said that other areas of Latchford’s collection — artifacts from India, in particular — should also be investigated, though Kriangsak declined to comment on the matter.

Latchford’s daughter did, however, claim that her father had indicated a willingness to return his Khmer items prior to his death. The dealer was alive when talks began three years ago, though, having been diagnosed with Parkinson’s and Alzheimer’s, his involvement was limited by his ailing health. By the time of the 2019 charges “his mind had gone,” Kriangsak added, saying that her father “was never aware of the indictment and never understood that there were specific charges, and he certainly couldn’t answer them or defend himself.

Source: Cambodia is turning the tide on looted statues, but some things cannot be returned | Ashley Thompson and Stephen Murphy | Opinion | The Guardianand Controversial art dealer’s daughter will return over 100 antiquities to Cambodia | CNN

See also:

  • Collection of Antiquities Dealer Accused of Looting Will Return to Cambodia | Cambodia Daily, 03 Feb 2021
  • Collector’s Daughter Returning Artifacts to Cambodia | VOA, 03 Feb 2021

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