• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
⠀
https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Contextualising the return of the Latchford collection to Cambodia

15 February 2021
in Cambodia
Tags: Angkor (kingdom)antiquities tradeAshley Thompson (person)crimelootingrepatriationsculpturesmugglingStephen Murphy (person)
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Source: CNN, 20210212

Source: CNN, 20210212

via The Guardian (13 Feb) and CNN (12 Feb), and other sources below: Two more reflective pieces about the repatriation of Khmer sculpture from indicted antiquities smuggler Douglas Latchford were published over the weekend, one in the Guardian by colleagues Ashley Thompson and Stephen Murphy and another in CNN. These pieces A couple of other earlier stories are also linked below.

At his death in August 2020, Latchford was facing federal charges in the US for the alleged key role he played since the 1960s in the looting and trafficking of Khmer antiquities from Cambodia and Thailand. The investigations had begun to lay bare the direct links between the building of south-east Asian art collections in the west – including at some of America’s most revered cultural institutions – and the brutal destruction of the Khmer cultural heritage on the ground. His daughter inherited the collection and consented to their spectacular return. Latchford, a British citizen by birth, operated out of Bangkok and London. Though the full extent of the Latchford family Khmer antiquities holdings is still unclear, it is understood that it was split between these two locations.

The return has been framed by some as a “gift” to Cambodians. But rather than celebrating a daughter extricating herself from her judicial dragnets, we should be commending those who have worked tirelessly to uncover and prevent the egregious looting of antiquities and the trafficking networks involved: Cambodian authorities, US authorities, academics and NGOs, including Chasing Aphrodite, Trafficking Culture and Heritage Watch.

…

It is time to put to rest the characterisation of Latchford as a “leading scholar of Khmer antiquities”. What are described as “foundational reference works” are seemingly self-published catalogues designed to launder his reputation and his objects. That some scholars associated with him says more about the draw of money and access than it does about Latchford’s so-called scholarship. The Cambodian government has been savvy and gracious in this enduring affair. That it offered to honour “the donor”
in labelling the objects as coming from the “Latchford collection” in Phnom Penh’s national museum says a lot about strategy, rather than an embrace of the man.

Now is the time however to turn our attention away from Latchford and to the legacy that six decades of pillaging has left around the world. Objects sold or gifted through Latchford’s networks remain with international dealers, auction houses, private collectors, galleries and museums. Meanwhile in Cambodia a new phase has just begun.

Excerpt from the CNN story, about divided opinions over the return of the sculptures:

Not everyone familiar with the case is so sanguine about the late collector’s family, however. While welcoming the objects’ restitution, the CEO of the Association for Research into Crimes Against Art (ARCA), Lynda Albertson, suggested that Kriangsak is motivated by protecting her family’s reputation, saying in a phone interview: “If she was looking to right the wrongs of her father, she would have clearly stated: ‘I am doing this because (how he acquired the items) was wrong.”

Albertson also said that other areas of Latchford’s collection — artifacts from India, in particular — should also be investigated, though Kriangsak declined to comment on the matter.

Latchford’s daughter did, however, claim that her father had indicated a willingness to return his Khmer items prior to his death. The dealer was alive when talks began three years ago, though, having been diagnosed with Parkinson’s and Alzheimer’s, his involvement was limited by his ailing health. By the time of the 2019 charges “his mind had gone,” Kriangsak added, saying that her father “was never aware of the indictment and never understood that there were specific charges, and he certainly couldn’t answer them or defend himself.

Source: Cambodia is turning the tide on looted statues, but some things cannot be returned | Ashley Thompson and Stephen Murphy | Opinion | The Guardianand Controversial art dealer’s daughter will return over 100 antiquities to Cambodia | CNN

See also:

  • Collection of Antiquities Dealer Accused of Looting Will Return to Cambodia | Cambodia Daily, 03 Feb 2021
  • Collector’s Daughter Returning Artifacts to Cambodia | VOA, 03 Feb 2021

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