• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Tan See Bock PhD Studentship at Northumbria University

20 March 2020
in Peripheral Southeast Asia
Tags: bronzeDali (kingdom)Nanzhao (kingdom)Northumbria Universityscholarships and educationUnited KingdomYunnan (province)
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via Louise Tythacott / Northumbria University: A PhD scholarship opportunity to study Chinese bronzes in the Woon Collection of Asian Art at the Northumbria University Gallery. Deadline for applications is 1 June 2020.

Northumbria University Gallery holds the Woon Collection of Asian Art, which includes a significant number of rare ancient Chinese bronzes including a standing and a seated Acuoye Guanyin both from the late Nanzhao Kingdom (AD 653-902) and an Amitabha Buddha and a Vairocana Buddha, both seated in Dhyanasana pose, from the Dali Kingdom (AD 937-1253). The project would further our understanding of the histories, iconographies, collecting and display of ancient Chinese bronzes in the Woon Collection and other collections around the world, as well as their composition and methods of manufacture. The successful PhD student would help shape our understanding of the best approaches to the care, interpretation and exhibition of ancient Chinese bronzes in museum collections and the influences on the technology used. Although there is research on the history of early Chinese bronzes from this area, there is little from the technological perspective.

Louise Tythacott is the Woon Tai Jee Professor of Asian Art at Northumbria University. Her research focuses on the collecting and display of Chinese and Buddhist art in museums. She was previously Professor of Curating and Museology of Asian Art at SOAS and Curator of Asian collections at National Museums Liverpool.

Jean Brown is the Director of the University Art Collection and is an experienced practicing conservator who has developed and delivered an MA in Preventive Conservation for over 14 years. She worked at the British Museum and the National Museum of Wales before joining Northumbria University where she is an Associate Professor.

Kate Nicholson is a scientist who has supervised the development of portable spectroscopic techniques and instrumentation for non-invasive analysis in situ of objects of historical and artistic interest.

Richard Mulholland is a Research Fellow at Northumbria University.

• Direct access to a small, but significant collection of Chinese bronzes
• Experienced academics and well-equipped science and conservation laboratories including: XRF, X Ray, FTIR, GCMS, Scanning Electron Microscope/EDX etc.
• Access to portable analytical equipment to study ancient Chinese bronzes in other UK collections.
• A close relationship with the Woon family in Singapore, providing access to networks across Asia.
• A unique relationship with the V&A through John Clarke, Curator of South and Southeast Asian collections and Visiting Professor at Northumbria University, providing support for the supervisory team.

Avenues that might be explored, amongst others, include:
• Interpretations of the iconographies of the bronzes
• Analysis of the histories of collecting and display
• Approaches to the care and interpretation of ancient bronzes from the Yunnan province and South West China in museum collections
• The material and structural characteristics of ancient Chinese bronzes from the Yunnan province and South West China
• A comparison of archaeological and reagent induced patinas
• Knowledge exchange in casting techniques etc. via trade routes

Source: Tan See Bock PhD Studentship FAC20/ADSS/ARTS/TYTHACOTT at Northumbria University on FindAPhD.com

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