• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
⠀
https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
⠀
Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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New Bangkok Museum Dedicated for King Taksin at ICONSIAM

25 February 2020
in Thailand
Tags: Chao Phraya RiverIcon SiammuseumsTaksin (person)Thonburi (area of Bangkok)Thonburi (kingdom)
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Zheng Zhao junk, Icon Siam. Source: FTN News 20200218

Zheng Zhao junk, Icon Siam. Source: FTN News 20200218

via FTN News, 18 February 2020: The floating museum at Bangkok’s newest mall, ICONSIAM has been refurbished to celebrate the legacy of King Taksin of the Thonburi kingdom.

To commemorate the 250th anniversary of the founding of Thonburi, the former capital of the Kingdom, and the legacy of its ruler King Taksin the Great, the life-size statue of King Taksinholding a sword is enshrined on the deck of the museum.

King Taskin has been a revered King among Thai-Chinese descendants and his life and works across all fields from warring combat operations, rebuilding the nation to trading skills to make Thonburi the major port city along the Chao Phraya River are exhibited in the museum that is open from Tuesday to Sunday, 11 am to 8 pm at ICONSIAM pier (pier 5) from now onwards.

The junk returns in grandeur style this year and the Si MahaSamut Junk is transformed into the Zheng Zhao Junk named after the Chinese name of King Taksin which means the King of Siam (the royal name the Chinese Qing Dynasty called him). The dock is enshrined with the life-size, standing statue of King Taksin the Great holding a sword. The statue is crafted by sculptors who spend 40 days to make the perfect statue in honor of the great warrior King in Thai history. Facial features and posture are based on the Grand Statue of King Taksin and his statue at his shrine in the Old Palace (which is under the supervision of the Royal Thai Navy). Every process from casting, carving with fine clay to molding, construction, and coloring is painstakingly crafted to make sure that the result will reflect King Taksin as the great, strong and decisive commander. The museum also celebrates the King’s vision to choose Thonburi as a new capital of Siam after the fall of Ayutthaya Kingdom as well as his all-round abilities to urgently rehabilitate the nation until it has been civilized today.

Source: New Bangkok Museum Dedicated for King Taksin at ICONSIAM

See also:

  • ICONSIAM presents Zheng Zhao Junk – a new travel experience that is the first of its kind in ASEAN | Bangkok Post, 20 Feb 2020

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