• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Mrauk U, the Hidden City of Myanmar

26 November 2019
in Burma (Myanmar)
Tags: Mrauk-U (site)Rakhine (state)stupa
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Mrauk U. Source: Smothsonian Mah 201912

Mrauk U. Source: Smothsonian Mah 201912

via The Smithsonian, December 2019: Feature story on Mrauk U, the ancient city in western Myanmar.

It is said that Man Pa, king of ancient Arakan for nearly 20 years, erected the temple to celebrate a naval victory over a Portuguese armada and a military campaign against cities across the Bay of Bengal. He adorned the roof with 27 bell-like stupas, or domed Buddhist shrines, enclosed the inner sanctuary in a maze of corridors, and crammed the complex with 80,000 representations of the Buddha in various incarnations. These include real and imaginary animals; bodhisattvas, human beings delaying entry to nirvana in order to alleviate the suffering of others; demigods; protective spirits; and scenes from the Jataka tales, ancient allegories from the Indian subcontinent, built around the past lives of the Buddha. Lording over the panoply is a colorful painted-stone relief of Man Pa himself, a slender, godlike figure wearing a gilded robe and three-tiered golden crown shaped like a pagoda. He stands balanced atop an elephant, surrounded by adoring members of his court. The variety and richness of the images are astonishing, and attest to both the king’s piety and ego.

With my translator and guide, Zaw Myint, a teacher of English, I go deeper into the temple, called Shitt-haung, and enter its heart: the ordination hall, consecrated for ritual ceremonies such as the upasampada, the undertaking of an ascetic life in the manner of the Buddha. Carvings of leering trolls loom on the lintel, warding off evil spirits. At the far end of the room, squeezed into an arched niche, is a ten-foot-tall seated Buddha with immense earlobes and a richly folded tunic, all encased in gold leaf. Direct sunlight pierces a narrow aperture, bathing the figure in what seems like a divine aura; a halo painted vibrant blue, green, red and yellow encircles the Buddha’s head.

Source: Mrauk U, the Hidden City of Myanmar | Travel | Smithsonian

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