• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Mrauk U, the Hidden City of Myanmar

26 November 2019
in Burma (Myanmar)
Tags: Mrauk-U (site)Rakhine (state)stupa
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Mrauk U. Source: Smothsonian Mah 201912

Mrauk U. Source: Smothsonian Mah 201912

via The Smithsonian, December 2019: Feature story on Mrauk U, the ancient city in western Myanmar.

It is said that Man Pa, king of ancient Arakan for nearly 20 years, erected the temple to celebrate a naval victory over a Portuguese armada and a military campaign against cities across the Bay of Bengal. He adorned the roof with 27 bell-like stupas, or domed Buddhist shrines, enclosed the inner sanctuary in a maze of corridors, and crammed the complex with 80,000 representations of the Buddha in various incarnations. These include real and imaginary animals; bodhisattvas, human beings delaying entry to nirvana in order to alleviate the suffering of others; demigods; protective spirits; and scenes from the Jataka tales, ancient allegories from the Indian subcontinent, built around the past lives of the Buddha. Lording over the panoply is a colorful painted-stone relief of Man Pa himself, a slender, godlike figure wearing a gilded robe and three-tiered golden crown shaped like a pagoda. He stands balanced atop an elephant, surrounded by adoring members of his court. The variety and richness of the images are astonishing, and attest to both the king’s piety and ego.

With my translator and guide, Zaw Myint, a teacher of English, I go deeper into the temple, called Shitt-haung, and enter its heart: the ordination hall, consecrated for ritual ceremonies such as the upasampada, the undertaking of an ascetic life in the manner of the Buddha. Carvings of leering trolls loom on the lintel, warding off evil spirits. At the far end of the room, squeezed into an arched niche, is a ten-foot-tall seated Buddha with immense earlobes and a richly folded tunic, all encased in gold leaf. Direct sunlight pierces a narrow aperture, bathing the figure in what seems like a divine aura; a halo painted vibrant blue, green, red and yellow encircles the Buddha’s head.

Source: Mrauk U, the Hidden City of Myanmar | Travel | Smithsonian

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