• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Profile of John Guy of the Met

2 March 2015
in Peripheral Southeast Asia, Southeast Asia
Tags: John Guy (person)Metropolitan Museum of ArtmuseumsNew York (city)South Asia
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John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214

John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214

A profile of Dr John Guy, curator of South and Southeast Asian Art at the Metropolitan Museum of Art.

John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214
John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214

A detective across centuries
The Hindu, 14 February 2015

The remarkable object on the screen is one of these clues — a yupa stone found in Eastern Borneo that dates back to the fourth century AD. The Sanskrit inscription describes the sacrifices performed by a local king called Mulawarman. “The inscription is in grammatical, perfectly good Sanskrit,” says John Guy, while delivering the Vasant J. Sheth Memorial Lecture during which he uses antiquities to offer a glimpse into the world of the intrepid Tamil traders who ruled the waves before the Gujarati merchants arrived on the scene.

“The Sanskrit inscriptions indicate that local rulers in Southeast Asia employed South Indian Brahmins as advisors and counsellors. The Brahmins were the mechanisms through which the inscriptions and objects of Vedic ritual landed up in these improbable, remote places. There was clearly an Indian presence in Southeast Asia, not just of ideas and religion but of people as well.”

John Guy should know. He is the curator of the Arts of South and South East Asia at the Metropolitan Museum of Art in New York. Besides building collections and organising blockbuster exhibitions, he acts as a detective across centuries. “I try to reconnect an object with its forgotten history,” he says, pointing out that sometimes all that remains of kingdoms and cultures are a handful of coins and seals, or a few crumbling sculptures. “We can read the past only on the basis of what has survived.”

Full story here.

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Comments 2

  1. joy Kuriakose says:
    8 years ago

    Dear Dr. John,
    Can you please send across your e-mail id to enable us to communicate with you on an academic matter?

    With regards,
    Sincerely,
    Joy Kuriakose
    Project Director (Mausam)
    Indira Gandhi National Centre for the Arts
    11,Man Singh Road
    New Delhi- 110001
    Tel. 011- 23386022
    Mob. +91-9871147583.

  2. Ken Kwok says:
    6 years ago

    Hi John

    I saw your name in one of the books in Asian Civilization Museum. I am a Singaporean and my father left me some Chinese paintings ,stones and antiques. I found out that it is valuable items and I was being cheated by few China auction companies. I do not know how to handle those painting and need your advice. My email is intellkkf@gmail.com.

    Cheers

    Ken

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