• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Profile of John Guy of the Met

2 March 2015
in Peripheral Southeast Asia, Southeast Asia
Tags: John Guy (person)Metropolitan Museum of ArtmuseumsNew York (city)South Asia
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John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214

John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214

A profile of Dr John Guy, curator of South and Southeast Asian Art at the Metropolitan Museum of Art.

John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214
John Guy of the Metropolitan Museum of Art in New York. Source: The Hindu 20150214

A detective across centuries
The Hindu, 14 February 2015

The remarkable object on the screen is one of these clues — a yupa stone found in Eastern Borneo that dates back to the fourth century AD. The Sanskrit inscription describes the sacrifices performed by a local king called Mulawarman. “The inscription is in grammatical, perfectly good Sanskrit,” says John Guy, while delivering the Vasant J. Sheth Memorial Lecture during which he uses antiquities to offer a glimpse into the world of the intrepid Tamil traders who ruled the waves before the Gujarati merchants arrived on the scene.

“The Sanskrit inscriptions indicate that local rulers in Southeast Asia employed South Indian Brahmins as advisors and counsellors. The Brahmins were the mechanisms through which the inscriptions and objects of Vedic ritual landed up in these improbable, remote places. There was clearly an Indian presence in Southeast Asia, not just of ideas and religion but of people as well.”

John Guy should know. He is the curator of the Arts of South and South East Asia at the Metropolitan Museum of Art in New York. Besides building collections and organising blockbuster exhibitions, he acts as a detective across centuries. “I try to reconnect an object with its forgotten history,” he says, pointing out that sometimes all that remains of kingdoms and cultures are a handful of coins and seals, or a few crumbling sculptures. “We can read the past only on the basis of what has survived.”

Full story here.

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Comments 2

  1. joy Kuriakose says:
    8 years ago

    Dear Dr. John,
    Can you please send across your e-mail id to enable us to communicate with you on an academic matter?

    With regards,
    Sincerely,
    Joy Kuriakose
    Project Director (Mausam)
    Indira Gandhi National Centre for the Arts
    11,Man Singh Road
    New Delhi- 110001
    Tel. 011- 23386022
    Mob. +91-9871147583.

  2. Ken Kwok says:
    6 years ago

    Hi John

    I saw your name in one of the books in Asian Civilization Museum. I am a Singaporean and my father left me some Chinese paintings ,stones and antiques. I found out that it is valuable items and I was being cheated by few China auction companies. I do not know how to handle those painting and need your advice. My email is intellkkf@gmail.com.

    Cheers

    Ken

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