• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Digitizing ancient documents for future preservation

10 July 2009
in Indonesia
Tags: archivedocumentary heritageepigraphyJava (island)Radya Pustaka Museum
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I’ve previously mentioned the plight of the ancient manuscripts kept at the Radya Pustaka Museum in Solo and how they have been literally rotting away in cupboards here. It seems that a workshop has been conducted recently to teach museum and heritage professionals how to prepare and scan/photograph these manuscripts into a digital format as a means of preservation. The work sounds pretty similar to what I’m doing with documenting rock art. Digitising data has the potential to be stored indefinitely, but maintaining digitising collections is a constant process and requires a long-term outlook to keep up with the level of technological change. I’m personally keeping four backups of my data on recordable discs and portable hard drives – but these things only have a shelf life of 5 years, by which time I will probably need to change the recording media (think about how you’ve had to evolve from CD-R to DVD-R to flash drives and portable hard drives in the last five years). Just over a decade ago there was a European effort to maintain a database of rock art that was being stored in a now-defunct Kodak photo cd digital format – I’m not sure if the effort still exists, or if the data can still be drawn from the obsolete proprietary system. In contrast, these ancient manuscripts and rock art have survived relatively well for hundreds, if not thousands of years. The moral of the story: digital collections might be a great way for facilitating mass dissemination and saving space, but we haven’t actually seen any long term solutions for storage of digital collections. The only safe recourse currently for archiving digital information is to make multiple backups and to do so in regular intervals that keeps up with the pace of technology – and I suspect that the cost will eventually outstrip the benefit in the future.

photo credit: pcardoso

Digital Age Provides Hope For Ancient Manuscripts
Jakarta Globe, 26 June 2009

Solo. The case of ancient manuscripts being found missing or damaged at the Radyapustaka Museum in Solo, Central Java, has drawn world attention and prompted efforts to digitize the collection to help preserve it.

Together with the British Library, Manusa, a nongovernmental organization working to preserve the ancient manuscripts, held a four-day workshop on document digitalization aimed at developing ways to save thousands of works that have been sitting in museums, libraries and private collections here and abroad gathering dust.

The workshop will end today.

Manusa chairman Oman Fathurrahman said that the surviving manuscripts were written in various languages and scripts, including Arabic, Malay, Javanese, Sundanese, Sasak, Balinese and the Wolio language of Buton Island.

“Since the paper is hundreds of years old and very fragile, its physical condition is very poor,” Oman said. “They will be destroyed if we don’t preserve them.”


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Comments 1

  1. Raman Jain says:
    17 years ago

    We hv a similar project underway for the past 9 yrs where we have been digitizing approx 700-800 yrs old ancient manuscripts in sanskrit/prakrut language. We used/developed suitable fonts/software and hv done so far about 12000 A4 size pages. Constant upgradation of hardware/media (CD/flashdrives etc)has put tremendous pressure upon us as over a period of 10-20-30 yrs none perhaps will be able to retrieve information from computers or CDs, etc. We are therefore now printing 1000 copies each and will send all these printed manuscripts to various libraries for preservation.
    Incidentally these are religious manuscripts hence we will not put on internet because of sacredness.

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