• Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
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Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
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Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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A rare photograph of Fort Tanjong Katong

12 July 2007
in Singapore
Tags: archivefortFort Tanjong Katonghistorical archaeologyLim Chen Sian (person)moatWellcome Trust
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Last month, The Wellcome Trust released their image archives for non-commercial use under a Creative Commons license in a new website, Wellcome Images. While this online picture library primarily specialises in medical history and the biomedical sciences, there are also a few gems from its historical collection, such as this, a picture of Fort Tanjong Katong, highlighted to me by acroamatic.

This is quite an exciting find because until now, there hasn’t been a photograph of Fort Tanjong Katong available, particularly since the site was excavated a few years ago.

Fort Tanjong Katong was built in Singapore in 1879 as a response to perceived gap in the defence grid on the eastern part of Singapore Town. By erecting a battery at the mouth of the Kallang River, Fort Tanjong Katong placated the fears of the local merchant community fearful of an enemy ship sailing into the Kallang River and lobbying shells into the city.

Initially armed with three 7-inch cannons, these were soon rendered obsolete because of improvements in ship armour. Later in 1886, the fort was refitted with two 8-inch breach-loading guns, better than its predecessors, but far below the two 9-inch and one 10-inch cannon that were initially requested for the upgrade. Worse still, the land on which the fort was built was sandy and unstable, making it necessary for the gunners to reclibrate their weapons after every shot. Needless to say, the fort was not effective as a weapons platform as much as it was a psychological placation to the local community. In the early 1900s, it was decided that the fort was to be abandoned, presumably razed, and the site was converted into a public park.

In 2002, the fort was “rediscovered” by a local who lived opposite the park who noticed a difference in the colour of grass, showing the outline of a structure underneath. Excavations of the fort in 2004 and 2005 revealed portions of the moat, fortification wall, drawbridge structure and bastions. (You can download a copy of the Fort Tanjong Katong site report here.) Excavations were aided by copies of the fort’s 1886 plan that were available at the Public Records Office in the UK, but were hampered by the a lack of any photograph of what the fort looked like when it was sanding. In fact, most modern artists impressions of the fort looked like this:

NParks artist’s impression

Which brings us back to the Wellcome Trust picture, which was taken by John Edmund Taylor in 1880. The picture throws up more questions than answers:

What part of the fort is shown in the picture?
According to the Wellcome Trust, the picture was taken in 1880, which was a year after the fort was erected and would be armed with the three 7-inch guns. Judging from the walls, it would look like this picture was taken from the interior of the fort which would lead us to question 2…

Which angle was the picture taken from?
While the prospect of the cannons resting atop the two “hills” are tantalisingly intriguing, the lack of cannons and the palm trees in the background would seem to imply that we are facing inland. The bent wall structure also betrays no clues about which part of the fort this could be – it does not match any of the shape of the walls that were unearthed during the 2004-2005 excavation.

So what did Fort Tanjong Katong really look like?
Taylor’s picture certainly throws an interesting light to what (part of) the fort looked like in its heyday and it has thrown some assumptions out of the window. Perhaps it is too early to say “we’ll never know…” and some other photographic archive might shed some more light to this issue.

13 July 2007 update: After speaking with archaeologist Lim Chen Sian, he agrees that the layout looks like the interior of the fort, with the doorway to the left probably leading to the shell store, while the other door leading to the artillery store. He believes that the sand ramp in the middle of the two “hills” leads to the gun emplacement, which would mean that this picture was taken facing the sea, although it still doesn’t explain the coconut trees in the background.

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