• This week: a human-faced megalith spotted in Lore Lindu—right in an illegal gold-mining zone—and Korea & Vietnam’s first joint underwater survey in Quảng Ngãi, chasing shipwrecks + Chinese ceramics across old sea lanes
 
https://bit.ly/4btzR7E
  • This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
⠀
https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
⠀
Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
Tuesday, March 17, 2026
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Last chance to catch Sumatra: Isle of Gold

2 November 2010
in Indonesia, Singapore
Tags: ArtAsian Civilisations MuseumbeadsbronzeearringexhibitionsgoldjewelleryKota Kapur Inscriptionlingling-omuseumsPasemah (region)Srivijaya (kingdom)
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Sumatra Isle of Gold Exhibition

Sumatra Isle of Gold Exhibition

Sumatra: Isle of Gold has been exhibiting at the Asian Civilisations Museum in Singapore since the end of July, but I hadn’t had the chance to take a visit because of some reason or another. But finally, I had the chance to catch the exhibition this morning, and lucky thing too – the exhibition is going to close this Sunday!

Sumatra Isle of Gold Exhibition
Sumatra Isle of Gold Exhibition


Sumatra is the western gateway for the maritime journey to Southeast Asia, and given that we know of Indic influences from the early centuries CE, it’s not surprising that we see many signs of cultural exchange. It’s this theme of cultural exchange and influences from external forces that shapes the exhibition. The exhibition is the first international travelling exhibition on Sumatran culture, and features exhibits from the collections of the ACM, the National Museum of Indonesia and the National Museum of Ethnology in Leiden.

The earliest exhibits show influences from the west, north and east in the form of some carnelian beads, a bronze vessel, and bronze earrings reminiscent of ling-ling-o.

Carnelian beads from Pasemah, South Sumatra. Probably of Indian origin.
Carnelian beads from Pasemah, South Sumatra. Probably of Indian origin.

Bronze Vessel found in Kerinci, Jambi Province

Bronze earrings from Sumatra, looking very similar to linglingo found across Southeast Asia, and probably originating east and north of Sumatra.
Bronze earrings from Sumatra, looking very similar to linglingo found across Southeast Asia, and probably originating east and north of Sumatra.

The visitor is invited to view each of the cultural influences in turn; from a central hub, the visitor can enter smaller galleries featuring the Indian, Chinese, Islamic, Regional and European influences found in Sumatra.

Sumatra Isle of Gold Exhibition
Sumatra Isle of Gold Exhibition

In the Indian influences gallery, among the featured artefacts are statues and bronzes from the Srivijayan period, and the original Bangka Inscription on loan from the National Museum of Indonesia. I had featured the Bangka inscription in an earlier post.

Sculpture showing Indian influences from the Sumatra: Isle of Gold exhibition
Sculpture showing Indian influences from the Sumatra: Isle of Gold exhibition
This wall relief is described as a dancer wearing an elephant mask. Does anyone know why this is identified as a dancer and not Ganesha?
This wall relief is described as a dancer wearing an elephant mask. Does anyone know why this is identified as a dancer and not Ganesha?
Kota Kapur Incsription from Bangka Island
Kota Kapur Incsription from Bangka Island

The exhibition also features some of the royal regalia and bling from the Sultanates of Aceh, Siak and Riau-Lingga.

Royal artefacts from the Sultanate of Riau-Lingga
Royal artefacts from the Sultanate of Riau-Lingga
Gold seal from the Sultan of Aceh
Gold seal from the Sultan of Aceh

While the exhibition talks a lot about the outside influences, we mustn’t forget that Sumatra also already holds a tremendous amount of diversity within its native peoples – the home to groups such as the Bataks, the Minangkabau and the Nias islanders.

Batak carvings featuring the singa motif
Batak carvings featuring the singa motif
Ancestor figure from Toba, north Sumatra
Ancestor figure from Toba, north Sumatra

Sumatra: Isle of Gold is exhibiting at the Asian Civilisations Museum until Nov 7, which is the end of the week. If you’re in Singapore, catch it while you still can! We also remember that Sumatra was last week struck by a tsunami that had claimed hundreds of lives and destroyed as many as 10 villages. At the same time, Indonesia is also dealing with the destruction following the eruption of Mt Merapi in Java. Please consider donating to the Indonesian Red Cross to help with the aid efforts – they accept both local and US dollar donations.

Special thanks to the Asian Civilisations Museum and Binjin for permission to photograph in the gallery.

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