• This week on Southeast Asian Archaeology: fish traps, tidal flats and maritime memory.⠀
⠀
The main story looks at tambek, stone tidal fish weirs on Bawean Island in Indonesia. A new study records 54 of these structures and shows how they reflect local knowledge of tides, fish behaviour, construction, ownership and coastal life.⠀
⠀
Also in the highlights:⠀
⠀
Bronze and Iron Age layers beneath Korat’s historic city wall⠀
Nguyễn-era military posts at Hải Vân Pass⠀
A reminder that coastal archaeology is not always shipwrecks and trade ceramics⠀
Sometimes the quieter story is sitting in the tidal flats, waiting for the water to go out.⠀
⠀
Read the full issue: https://bit.ly/4wkInNI ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Indonesia #Bawean #MaritimeHeritage #CulturalHeritage #Thailand #Vietnam #HeritageConservation #IslandArchaeology
  • How do you catch fish without a net, hook or boat?⠀
⠀
On Bawean Island in Indonesia’s Java Sea, coastal communities developed tambek: stone walls built across the intertidal zone that use the movement of the tides to trap fish.⠀
⠀
A new study by Dwi Kurnia Sandy and colleagues documents these remarkable structures through archaeological survey, drone photography, interviews, historical sources and mapping. The researchers recorded different forms of tambek, from relatively simple U-shaped structures to more elaborate V-shaped systems directing fish into enclosed spaces. Their locations were carefully chosen around productive coastal environments, particularly extensive intertidal zones and mangroves.⠀
⠀
But tambek were more than fishing equipment. They were also part of Bawean’s social landscape. Individual structures could belong to particular families, with ownership remembered and passed down across generations. Tambek could even be traded, while customary rules governed who could fish around them at different stages of the tide.⠀
⠀
Today, new tambek are no longer being built and many surviving structures are little used or abandoned. The researchers link their decline to modern fishing technologies, damage to reefs and mangroves, and the gradual loss of knowledge about how the structures were used and maintained. Some have even been dismantled, with their stones reused for coastal infrastructure.⠀
⠀
The study highlights how archaeology can document not only things from the distant past, but also traditional technologies and knowledge systems that are disappearing within living memory.⠀
⠀
📖 Sandy, D. K., et al. 2026. “Tambek as Traditional Fish Trapping Techniques: The Role of Stone Tidal Fish Weirs in Bawean Island Indonesia’s Maritime Culture.” Journal of Island and Coastal Archaeology.⠀
 DOI: 10.1080/15564894.2026.2703955⠀
⠀
#Archaeology #SoutheastAsianArchaeology #Indonesia #Bawean #MaritimeArchaeology #UnderwaterArchaeology #FishingHeritage #MaritimeHeritage #TraditionalKnowledge
  • Tiger bones. Blood-bound pigments. Temple walls. Digital museums.⠀
⠀
This week’s newsletter leads with two fascinating studies: evidence for Ice Age tigers living on Palawan, and research into blood-bearing mineral binders used in the Huashan rock art of southern China.⠀
⠀
Also inside: UNESCO decisions, Angkor conservation, Chăm heritage digitisation and the archaeology of wartime railways.⠀
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Read Blood, Big Cats and Buffer Zones at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #RockArt #Palawan #CulturalHeritage #MuseumStudies #AsianArchaeology
  • New issue out now — and it’s a bumper one.⠀
⠀
This week:⠀
Wat Phra Mahathat Woramahawihan becomes Thailand’s newest World Heritage Site; Fort Cornwallis and the Penang State Museum reopen with fresh questions about how colonial and local histories are told; and at Don Yai Thong, archaeologists continue the careful work of lifting fragile burials, gold ornaments and all.⠀
⠀
Also featuring Muna rock art, Angkor conservation, Butuan boats, Cham exhibitions, Bagan finds, and archaeology’s awkward cameo in South China Sea claims.⠀
⠀
Read via the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #WorldHeritage #Museum #CulturalHeritage #Thailand #Malaysia #Penang #Indonesia #Cambodia #Vietnam
  • This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
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The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
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Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
⠀
Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
⠀
Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
⠀
This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
⠀
Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
⠀
Read the latest issue at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
⠀
The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
⠀
Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
⠀
Read this week’s issue: https://bit.ly/3QjsdVO ⠀
⠀
#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
⠀
#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
Thursday, August 13, 2026
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The mystery of the Vietnamese mummies

26 November 2007
in Vietnam
Tags: Dau Pagoda (temple)Ha Tay (former province)Hanoi (city)monksmummyNguyen Lan Cuong (person)Vietnam Institute of Archaeology
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The mystery of the Vietnamese mummies

24 November 2007 (Vietnam Net Bridge) – The Vietnam Archaeology Institute take on the conservation of two 300-year-old preserved bodies of monks. The two mummies are regarded as sacred objects and how they came to be mummified (embalmed, really) is a mystery.

The mummies return
Duc Hanh heads to Dau pagoda where where two mysterious mummies have lived in silence for 300 years Past a lake and a number of paddy fields, the Dau pagoda sits in isolation near the outskirts of Gia Phuc village in Ha Tay province.

Although originally built in the 11th century under the Ly Dynasty, the pagoda bears the hallmarks of Le-Nguyen dynasty in the 17th century as a number of renovations occurred at that time. Dau pagoda is officially named Thanh Dao Tu or Phap Vu Tu and is dedicated to the Goddess of Rain.

But I’m here to meet two monks, who are shrouded in mystery. At first glance you’d be forgiven for thinking these monks were just statues. But in actual fact these are a pair of monks, Vu Khac Minh and monk Vu Khac Truong, who lived in the pagoda more than 300 years ago, were embalmed and preserved after their death.


These figures are called ‘xa loi Phat’ in Vietnamese, which means, basically, the valuable remains of Buddha that cannot be burnt with fire, dissolved in water or damaged by the passing of time or inclement weather. In other words, the monks are mummies.

When I enter, the pagoda is rather quiet. A few pilgrims are around but the head monk is absent.
On the altar, the mummified monks sit cross-legged in a permanent state of Zen as sweet smelling incense wafts through the air.

Before passing away, Vu Khac Minh confined himself to a room to meditate in the tradition of Zen Buddhism. Legend has it he took one jar of water and one jar of oil inside and informed his disciples to only open the door 100 days after no sound had been heard from inside.

“If my body is undamaged, cover it with tree resin. If it’s smelly, bury it in the room,” his final message read.

After 100 days the room was opened and his dead body was covered with wax-tree resin using traditional lacquer techniques. How exactly he was embalmed is somewhat of a mystery.

According to Professor Nguyen Lan Cuong from the Vietnam Archeology Institute, two monks were embalmed using different techniques.

“In most cases, people have to pull out the body’s internal organs and soak the body with chemicals before embalming, but I believe nothing has been drawn from the monks’ bodies. There is no sign of any chemicals except the waxy tree resin that was used and the statues have been displayed in open-air for 300 years,” says Cuong.

“Their bodies are well preserved thanks to the multi-layered coat of tree resin, cloth and paper. We know of traditional lacquer’s durability after finding lacquered cups in ancient tombs in Chau Can (Ha Tay province) which are 2,000 years old.”

Lacquer artist Dao Ngoc Han claims that not only is the lacquer coat an incredible feat, but the unknown craftsmen’s artistic sensibilities show real talent.

The two statues have been through the wars, quite literally, and survived some bad spells of weather.

“Two French soldiers smashed the knees of Vu Khac Minh to examine inside and both monks were damaged during heavy floods in 1893,” says Lai, a 78-year-old devout Buddhist. “The Vu Khac Truong mummy is clearly damaged with a lot of visible cracks and decay.”

This despite the fact that in 2003 a team from Vietnam Archaeology Institute and Vietnam History museum led by professor Nguyen Lan Cuong repaired the two statues. As I leave Lai is reciting Buddhist scriptures by the monks, and while a watchful eye is necessary, further and regular preservation is also required to ensure these precious and mysterious mummies continue to stand the test of time.

Getting there to Dau Pagoda

Dau pagoda is in Gia Phuc village, Nguyen Trai commune, Thuong Tin district, Ha Tay province, about 30km south of Hanoi. From the city centre, take the Giai Phong road for 15km, then turn right and after 13km you will come to a dyke, turn left there and you’ll find the pagoda on your righthand side 2km further along – you can’t miss it!

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