• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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The ancient town of Hoi An

12 November 2007
in Vietnam
Tags: Hoi An (city)Japanese bridge (Hoi An)Quang Nam (province)Unesco World Heritage
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The ancient town of Hoi An

11 November 2007 (Thanh Nien News) – Read about the UNESCO World Heritage site of Hoi An, a major Southeast Asian trading port since the 16th century.

Hoi An preserves the soul of age-old town
by Thu Thuy

The historic town of Hoi An in Quang Nam Province is known for its history and considered a precious gem of Vietnam’s central coastal region.

Hoi An’s history dates back more than 3,000 years.


Its prehistory belonged to the assemblage of pre-Sa Huynh and Sa Huynh culture, which is a late prehistoric metal age society from the first millennium BC.

From the late 16th to the early 19th century, Hoi An was a well-known international trading port for Vietnam and the region, known by a variety of monikers: FaiFo, HaiFo, Hoai Pho and Hoi An.

Together with local residents, many Japanese and Chinese traders came to Hoi An for settlement.

In addition, many merchant ships from Portugal, Spain, the Netherlands, France, England and India frequently docked at Hoi An Port to barter and buy goods.

UNESCO recognized Hoi An as a World Heritage Site on December 12, 1999, remarking that the ancient town is an exceptionally well-preserved example of a South-East Asian trading port dating from the 16th to the 19th century.

The town’s old houses and streets reflect the influences, both indigenous and foreign, which have combined to produce this unique heritage site.

Hoi An has a distinctly Chinese atmosphere with low, tile-roofed houses and narrow streets; the original structure of some of these streets still remains almost intact.

All the houses are made of rarewood, decorated with lacquered boards and panels engraved with Chinese characters.

The town’s old quarter also features a mix of Western, Japanese and Chinese cultures.

Nowhere is this better exemplified than at Chua Cau (Bridge Pagoda), a Japanese pagoda built 400 years ago across a stream flowing into the Hoi An River.

The 12-meter-long pagoda was erected in a very particular style with its roof covered with yin-yang tiles.

Both the pagoda and the bridge are made of wood, delicately carved and engraved, with the facade looking over the riverbank.

The two ends are adorned with wooden animal-figures, two dogs at one end and two monkeys at the other.

The pagoda is dedicated to the Northern Genie Tran Vo, the Protector, who is believed to grant joy and happiness to all.

Among other most-visited sites in Hoi An are the Old Quarter, Fukien Club House, Quan Cong Temple and the communal houses of Cam Pho, Son Phong and De Vong.

The town is also known for its famous pagodas such as Quan Am, Chuc Thanh, Phuc Lam, Van Duc and Vien Giac as well as the tombs of a beloved concubine of Emperor Quang Trung and the generals under the Tay Son reign.

Last but not least, Hoi An also offers tourists a chance to discover and enjoy its specialties including cao lau (rice noodle served with pork, shrimp, ground roasted peanuts, ricepaper and vegetables), mi Quang (Quang Nam-style noodles), hoanh thanh (wonton) and chi ma phu (black sesame sweet soup), banh u (small pyramidal glutinous rice cake), tofu, and rice paper sheets.

Hoi An also retains its rich with festivals, folk culture, artistic villages and the traditional craft villages of Kim Bong (carpentry), Tra Que (horticulture) and Thanh Ha (pottery).

Visitors to Hoi An can also discover relics of the Sa Huynh and Cham cultures and enjoy the beautiful scenery of the romantic Hoi An River, Cua Dai Beach, and Cham Island.

More attractions

The authority of Hoi An has carried out many programs in the past decade to make the town more popular among the tourist set.

Among the highlights is the “Hoi An Full Moon Night” program, which is held on the 15th day every lunar month.

On that day, the streets in the town are closed to all vehicles and are lit by either lanterns or antique electric lamps.

Only a certain number of traditional boats are allowed to move on the Bach Dang River to set aside space for flowered lantern lighting festival.

But even on other nights, multi-colored lanterns – previously made from paper, now made from silk – cast their colorful lights from restaurants and shops.

That may remind one of a scene in Zhang Yimou’s famous film Raise the Red Lantern.

In fact, the lanterns have become a trademark unique to Hoi An.

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