• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
⠀
https://bit.ly/3QomnlM
Friday, June 5, 2026
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Lashed and Whipped To Investigate Singapore’s Forbidden Art of Kuda Kepang

6 September 2022
in Singapore
Tags: danceIntangible Cultural Heritageperforming arts
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Source: Rice Media 20220902

Source: Rice Media 20220902

via Rice Media, 2 September 2022: Kuda Kepang is a Javanese dance form that is practiced in Singapore containing elements of trance. Despite its origin and practice among Malays in Singapore it is disavowed as against the tenets of Islam.

Kuda Kepang, also known as Kuda Lumping, is a traditional Javanese dance art form that originated from Kediri, Indonesia. It has been practised in Singapore by Javanese immigrants as early as 1948—the year a Kuda Kepang performance was first documented here.

The dance was adapted and localised when it arrived in Singapore, performed at Malay Weddings and functions.

According to Iswandiarjo, a Kuda Kepang troupe has about 50 to 60 people, and one performance accommodates nine performers. In its heyday, a Kuda Kepang troupe could perform at weddings or functions multiple times daily.

Since knowledge about the art form is passed down from senior members of different groups, the Kuda Kepang dance has various forms depending on the troupe. Despite these subtle differences, the dance somehow always manages to capture the same intensity and regalness that has come to be associated with Kuda Kepang.

…

Centre to the controversy and misinformation about Kuda Kepang is the impression of bodily harm—some self-induced. The most visual aspect of this spiritual masochism is the three-metre-long whip used.

“The whip has two purposes. As a calling to get the performer’s attention and a warning to discipline them. Sometimes the ‘inner person’ is very fierce,” Iswandiarjo explains as we walk back to his flat, whips and horse puppets in hand.

The ‘inner person’, Iswandiarjo tells me, is the unseen spirit that enters the performer’s body while in the trance state. The same state allows them to perform grand feats of endurance and strength.

Source: Lashed and Whipped To Investigate Singapore’s Forbidden Art of Kuda Kepang

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