• Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
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Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
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Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
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Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
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Link in bio / read here: https://bit.ly/4ePHSpL ⠀
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#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
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https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

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  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
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https://bit.ly/3QomnlM
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Museum of Sa Huynh and Champa Culture

11 May 2012
in Vietnam
Tags: Austronesian (peoples)burial jarChampa (kingdoms)lingling-oMuseum of Sa Huynh and Champa CulturemuseumsQuang Nam (province)roof tilesSa Huynh (culture)Trà Kiệu (site)
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Museum of Sa Huynh and Champa Culture

Museum of Sa Huynh and Champa Culture

On the way to My Son from Da Nang is the town of Tra Kieu, known during Champa times as Simhapura (‘Lion City’). It is thought that Simhapura was a political capital for Champa, while My Son was a spiritual capital of sorts. I was searching for the archaeological remains of Simhapura – reportedly the rectangular remains of a stone building or ramparts – but was unsuccessful. Nobody seemed to know where it was. But I did stumble upon this:

Museum of Sa Huynh and Champa Culture
Museum of Sa Huynh and Champa Culture

The Museum of Sa Huynh and Champa Culture is a fairly large building. I was the only visitor at the time, and the attendant seemed quite surprised that there were visitors at all. Stepping through the entrance, one is greeted with a linga depicting the Trimurti and a long bas-relief.

Tubular Tile Caps Tra Kieu Quang Nam Province Duy Xuyen District 2-3rd century Pottery

The actual collection is housed on the entire second floor. The lights were switched off, and the attendant followed me around, switching on the lights to the different parts of the museum as we walked through.

Museum of Sa Huynh and Champa Culture

The Sa Huynh is a prehistoric culture found largely in the coastal areas of central and southern Vietnam. They share many similarities with prehistoric coastal cultures in Southeast Asia, particularly the islands and it is believed that the Su Huynh people spoke an Austronesian language.

Burial Jar Collection
Burial Jar Collection
Ling-ling-o
Ling-ling-o
Bicephalous ling-ling-o
Bicephalous ling-ling-o

The areas where Sa Huynh culture is found is often followed by remains from Champa, so it is thought that the two cultures are related. The Champa artifacts are not as impressive as the Museum in Da Nang – in fact, most of the sculptures are in fact replicas found on other museums.

Champa sculpture at the Museum of Sa Huynh and Champa Culture
Champa sculpture at the Museum of Sa Huynh and Champa Culture

Over at the My Son display, I saw something that I had not seen in the other museums and sites. These ceramics are thought to be roof tiles, perhaps the ends of tubes. What’s unique about them is that they have faces embossed on them, each of them unique!

Museum of Sa Huynh and Champa Culture

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Comments 3

  1. Mel gray-Thompson says:
    12 years ago

    Thanks for your recommendation. What an under-utilised facility. We went yesterday, a staff of three sitting about, we were the only patrons and enjoyed the quality personal presentation in good English particularly the sa huynh information. The grounds looked over grown, the car park had weeds but the displays were first class.i have not been to the Cham museum in dancing to compare unfortunately and will not have time this trip.

  2. major of Trade, Catholic University of Daegu, Korea says:
    9 years ago

    subject : request for a Tu Hung Stone Arts museum visit
    1. I wish you all the best in the history of the museum.
    2. Ask for a visit to the museum. Details are below.
    3. visit time : 2017. 6. 26 ~ 2017. 7. 1
    4. the number of people : 10 People(Adults)
    5. purpose : visit
    Please contact me as soon as possible.
    I don’t care if your reply is not English.

  3. Trương Hoàng Dũng says:
    6 years ago

    Hi,
    I, a senior tour guide, traveling throughout the country, for many years, and I’m still interested in all details of the old Champa history and each of the artefacts collected first by the French archaeologists, then by many other internationals and the locals. Truthfully speaking, the only, unique Museum of Cham Sculptures in Danang, and others like the My Son complex, that I love the most. Of course, each of the old places, which are now open to visitors and tourists, is granted by the local government for access permission and quite new and not authentic; that I wouldn’t know!

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