• Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
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Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
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Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
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Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
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#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
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https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
  • The Ayala Museum’s Gold of Ancestors exhibition showcases over a thousand gold objects, many originating from Butuan and the Surigao Treasure and generally dated to the 10th–13th centuries CE. These pieces demonstrate the Philippines’ participation in extensive regional trade networks and the high level of craftsmanship achieved before Spanish colonisation.

#southeastasianarchaeology #philippines #ayalamuseum #surigao #butuan
  • A quick visit to the National Museum of the Philippines earlier this week, particularly to the National Museum of Anthropology. Here are my 5 highlights.

Have you been to the National Museum in Manila? What are your favourite pieces?

#manila #philippines #nationalmuseum #archaeology #southeastasianarchaeology
  • From Angkor wall repairs and Óc Eo museum plans to Preah Vihear restoration politics and Sulawesi cliff burials, this week’s newsletter rounds up Southeast Asian archaeology with context. Subscribe for the stories behind the headlines.

https://bit.ly/4w8870M
  • 20 years ago I started Southeast Asian Archaeology with a few blog posts.⠀
It somehow turned into a weekly newsletter read around the world.⠀
Reflections, AMA, and what readers want next: ⠀
https://bit.ly/4cNZVKi⠀
  • New finds lead this week’s Southeast Asian Archaeology newsletter: possible Khmer temple remains in Mondulkiri and Korat, a prehistoric settlement in Lào Cai dating to around 2000–1500 BCE, and wooden stakes in Hoa Lư that may yet reshape how we think about the Trần-era landscape.⠀
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https://bit.ly/3QomnlM
Friday, June 5, 2026
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Missing the boat on shipwreck treasures

12 July 2007
in Malaysia
Tags: ceramicsIslamic Arts Museum MalaysiaRoxanna Brown (person)shipwrecksSten Sjostrand (person)underwater archaeologyunderwater cultural heritage
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12 July 2007 (New Straits Times) – Lucien de Guise, curator of the Malaysian Museum of Islamic Arts, writes a column about the sale of shipwreck treasures in Malaysia.

Missing the boat on shipwreck treasures

JUST in case anyone thought that the last discussion about fakes was the end of the series, it was actually the beginning.
My email inbox is once again filling up with opportunities to detect the bad boys in a ceramics collection.

A short time after Peter Lam came from Hong Kong at the request of the Southeast Asian Ceramic Society to talk about “Detecting the Fakes”, we now have Roxanna Brown of the Southeast Asian Ceramics Museum of Bangkok giving her expertise on ceramic dates. In addition, there is Sten Sjostrand on the subject of “How to Identify Real Antiques from Fakes”.

It’s no wonder Malaysia is so interested in fakes. The nation is Public Enemy Number One in the all-round piracy league table, after China of course. On a per-capita basis, Malaysia is a clear winner.

It seems that the word “fake” has an irresistible attraction. If the talks were called “Kiln Technology of the 16th Century”, the turnout would be comparatively small. Issue a proper challenge, such as identifying fakes, and the people will beat a path to your lecture hall.
A bigger challenge is getting collectors to take an interest in the things that are being faked, including shipwreck ceramics. Nobody has tried harder than Sten Sjostrand. Facing the angry seas, he has recovered countless sunken cargoes and the barnacles that come with them. He has lectured endlessly on the subject, staged exhibitions and recently co-written a book.

Taking things to another level, Sten has introduced a subliminal message. Sharp-eyed visitors to Aquaria at KLCC will notice that there is more to look at than the fish. There are fragments of old Chinese ceramics littering the floors of the Aquaria tanks.

There can’t be many fish tanks in the world that use genuine shipwreck parts from half a millennium ago. Malaysia is the last place you would expect to find anything so authentic. Some of the fish may look like they are dead or clockwork, but the bits of broken pottery are the real thing. They are also for sale, or at least some closely related items are. You don’t need to be so sharp-eyed to spot the stall selling these wares on your way out.

…

Read the full editorial, Missing the boat on shipwreck treasures.

Books about shipwrecks and ancient maritime trade in Southeast Asia:
– Shipwrecks and Sunken Treasure in Southeast Asia by T. Wells
– Oriental trade ceramics in Southeast Asia, 10th to 16th century: Selected from Australian collections, including the Art Gallery of South Australia and the Bodor Collection by J. Guy

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