• This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
⠀
Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
⠀
Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
⠀
Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
⠀
This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
⠀
Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
⠀
Read the latest issue at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
⠀
The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
⠀
Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
⠀
Read this week’s issue: https://bit.ly/3QjsdVO ⠀
⠀
#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
⠀
#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
⠀
For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
Wednesday, July 22, 2026
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Call for Papers – IPPA 2022 Chiang Mai

4 November 2021
in Peripheral Southeast Asia, Southeast Asia
Tags: call for papersChiang Mai (city)Chiang Mai (province)conferencesIndo-Pacific Prehistory Association (IPPA)
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The Indo-Pacific Prehistory Association is inviting paper and poster contributions for the 22nd Congress to be held in Chiang Mai, Thailand from the 7th to 12th of November 2022.

The deadline for submission of abstracts is 15th August 2022.

KEY INFORMATION

§   We accept abstracts in English. If it helps to reach a wider readership, a translated version of the abstract in the author’s preferred language can be included later, once the abstract has been accepted.

§   Authors must be registered and be included in the IPPA mailing list to ensure receipt of all updates concerning the conference. Visit the Contact Us page to update your details.

§   An author can present a maximum of two papers. This only applies to lead authors and panel chairs, e.g., as a panel chair and one paper, as a chair to two panels (but no paper presentation), or as lead author for a poster plus another paper presentation. 

§   In submitting the abstract, the author also grants the IPPA Secretariat and the organising committee the right to publish abstracts in the conference program, both online and in print format. The author also agrees to abide by the presentation criteria and other guidelines set by the IPPA 2022 organising committee and the session panel chair (such as time limits, structure, etc.).

§   Accepted abstracts may be edited, if necessary, but it is the author’s responsibility to ensure the lack of errors in its final format.

§   The IPPA 2022 organising committee reserves the right to reject any abstract if it does not meet these criteria.

§   All papers are to be presented in person at the IPPA22 Congress. IPPA cannot guarantee that facilities will be available for remote presentation during the conference.

PRESENTATION FORMATS

§   INDIVIDUAL PAPERS: 15 minutes, including questions. To find a session, please take a look at the updated list of session titles submitted so far:

https://www.ippasecretariat.org/22nd-ippa-congress/sessions

§   POSTERS: Research presented in poster/printed format to be displayed at a designated area during the conference

IPPA 2022 PRIZES

We encourage all presenters to consider submitting for the IPPA prizes.

§ STUDENT PRIZE: All student presenters currently enrolled in any tertiary institution (undergraduate and postgraduate degrees).

https://www.ippasecretariat.org/22nd-ippa-congress/student-prize

§ PROFESSIONAL PRIZE: All presenters who are not employed (as their main institutional affiliation) to any academic institution.

https://www.ippasecretariat.org/22nd-ippa-congress/professional-prize

§ POSTER PRIZE: All IPPA members presenting their research in poster format.

ABSTRACT SUBMISSION FORM

Please use the ABSTRACT SUBMISSION FORM  to submit your paper. When you complete the form there is a drop down box where you can choose which session you would like to present in. Once the abstract is submitted we will then forward the abstract to the session organiser for consideration. There is also an option entitled ‘General Session’. You can also indicate that you have not found a session yet, and we will assist in finding a suitable session for you. 

Even if you have agreed to participate in a particular session, please make sure you complete the abstract submission form, and we will forward the abstracts. This will enable the committee to keep up to speed on what has been proposed for which sessions. 

Please note that you do not need a Gmail or Google account to complete and send the form. 

The link to the ABSTRACT SUBMISSION FORM: 

https://docs.google.com/forms/d/e/1FAIpQLSfSKPijOm04OH0W_xcsXFMUUJWDavxeEZ7-C2a6DA_9OJGHGw/viewform?usp=sf_link

VISIT THE IPPA WEBSITE FOR MORE INFORMATION:
https://www.ippasecretariat.org/22nd-ippa-congress
For any other questions, contact the IPPA Secretariat: secgen@ippasecretariat.org.

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