• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
⠀
https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
⠀
Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Vlogger withdraws online course of Philippine tattoo tradition amidst accusations of improper prior consent

10 August 2021
in Philippines
Tags: anthropologyindigenous peoplesKalinga (province)National Commission on Indigenous Peoplestattoo
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Source: CNN 20210804

Source: CNN 20210804

This drama has been playing out in the Philippine media over the last week; the short version is that vlogger Nas Daily recently launched an online course featuring Whang Od, the 104-year-old keeper of the Kalinga tattooing tradition which was met with public backlash for cultural appropriation and exploitation. The vlogger claims he had gotten permission (floating a video with the elderly woman affixing her thumbprint on a contract), but others including the National Commission for Indigenous Peoples point several other problems: that the tradition does not belong to just Whang Od alone, that permission needed to be sought from the entire community and the legal authorities, that the principles of prior and informed consent were not sought and that sacred knowledge should not be commodified (or at the very least, not his to commodify). The online course has since been taken down (although it seems they are trying to get the appropriate permissions to get it back up). Here is a selection of news stories and social media posts explaining the situation in chronological order.

How It Started
04 August 2021: A social media post from Whang Od’s granddaughter, calling the online course a scam and that Whang Od did not know what she was getting herself into when the Nas Daily team came to film. (She appears to have since deactivated her Facebook).

Official Responses
05 August 2021: Nas Daily issues a statement, saying “…So we pitched her family the idea of creating Whang-Od Academy. Her and her family present both loved this idea, and have worked WITH US to build it, with Whang-Od teaching herself. As a matter of fact, Whang-Od’s trusted niece, Estella Palangdao, was present and translated the content of the contract prior to Whang-Od affixing her thumbprint, signifying her full consent to the project. This is the clearest evidence that it is not a scam and achieved the consent of her and her immediate family.”

06 August 2021: The National Council on Indigenous Peoples issues a statement entitled “Bandying a contract on social media is not a proof of compliance”

https://www.facebook.com/NCIPportal/posts/3450433005183057

08 August 2021: Nas Daily issues a statement saying they are working with the NCIP to resolve the issue. The course was taken down from their website a few days prior.

https://www.facebook.com/nasdailyphilippines/posts/648872769838630

News stories

  • Nas Daily takes down ‘Whang-od Academy’ course amid backlash | CNN Philippines, 04 August 2021
  • Nas Academy maintains Whang-Od ‘consented’ to tattoo masterclass | CNN Philippines, 05 August 2021
  • Nas Academy issues statement on Whang-Od controversy | Manila Bulletin, 05 August 2021
  • Whang-Od’s alleged contract with Nas Academy to be reviewed | ABS CBN News, 06 August 2021
  • Nas Academy denies profiting off beloved Filipino tattoo artist Whang-Od Oggay | Yahoo News, 06 August 2021
  • Popular vlogger Nas Daily under fire for ‘exploiting’ PH culture | MSN, 06 August 2021
  • Nas Daily cheapens Whang-od | Manila Bulletin, 07 August 2021
  • More Than an Unfollow, the Nas Daily-Whang Od Issue Is About Protecting Our Culture | Spot.Ph, 07 August 2021
  • Anthropologist Weighs In on What Went Wrong with Nas Daily and Whang-Od | Candy, 07 August 2021
  • On Whang-Ud’s tattoo ‘master class’: Where do you draw the line? | Inquirer.net, 08 August 2021

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