• This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
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Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
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Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
⠀
Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
⠀
This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
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Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
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Read the latest issue at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
⠀
The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
⠀
Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
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Read this week’s issue: https://bit.ly/3QjsdVO ⠀
⠀
#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
⠀
#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
⠀
Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
⠀
Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
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#archaeology #southeastAsia #southeastasianarchaeology
Wednesday, July 22, 2026
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Over 100 antiquities from Latchford’s collection to return home, courtesy of his daughter

1 February 2021
in Cambodia
Tags: Angkor (kingdom)Douglas Latchford (person)lootingMinistry of Culture and Fine Arts (Cambodia)Phoeurng Sackona (person)repatriationsculpturesmuggling
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Sculpture from Latchford Collection. Source: New York Times, 20210129

Sculpture from Latchford Collection. Source: New York Times, 20210129

via New York Times, 29 January 2021: In a new turn of events to the Douglas Latchford story, the daughter of Latchford is returning the collection of antiquities to Cambodia, where they will be housed in a museum. More stories linked below, along with the press release from the Ministry of Culture and Fine Arts.

Douglas Latchford, a scholar of Khmer antiquities who was accused of trafficking in looted artifacts, bequeathed his world-class collection to his daughter. She has returned it to Cambodia.

…

Ms. Kriangsak said the collection, dazzling and unique and valued by some at more than $50 million, loomed as an enormous burden to curate and maintain. So in a gesture that Cambodian officials embrace as supremely generous, she decided to return all of her father’s Khmer objects to that country, where they can be studied by Khmer scholars and shown in a new museum to be built in Phnom Penh.

It is a stunning turn of events for Cambodians who saw so many of their country’s ancient artifacts disappear during the reign of Pol Pot and the surrounding years of civil war. Officials say the objects had been revered for generations and never perceived as sources of wealth or profit.

“Happiness is not enough to sum up my emotions,” said Cambodia’s minister of culture and fine arts, Phoeurng Sackona. “It’s a magical feeling to know they are coming back.”

…

The Cambodian government never accused him of illicit ownership and in fact showered him with honors each time he donated an item, as he did multiple times over the years. In 2008, for example, he was awarded the Grand Cross of the Royal Order of Monisaraphon, the equivalent of a knighthood, for “his unique contribution to scholarship and understanding of Khmer culture.”

Cambodian officials said the newly donated items would be carried at the museum as “The Latchford Collection.”

Mr. Latchford also made gifts to many American museums, including the Metropolitan Museum of Art in New York, which in 2012 returned two massive items, known as the “Kneeling Attendants,” to Cambodia after determining they had been looted. Mr. Latchford had donated parts of the statues, which had been broken, to the museum, though he was never accused of any wrongdoing.

But events like that helped to buttress concerns that Mr. Latchford’s collecting methods during the years of Cambodia’s civil war (approximately 1965 to 1979) were dubious. In 2019, federal prosecutors in New York charged him with trafficking in looted Cambodian relics and falsifying documents, and said he had “built a career out of the smuggling and illicit sale of priceless Cambodian antiquities, often straight from archaeological sites.”

Source: With a Gift of Art, a Daughter Honors, if Not Absolves, Her Father – The New York Times

See also:

  • Late antique collector’s family to return ancient artefacts | Khmer Times, 1 Feb 2021
  • Ancient statues to be returned to Kingdom | Phnom Penh Post, 1 Feb 2021
  • U.S. family of late antiques collector returns over 100 ancient objects to Cambodia | Xinhua, 30 January 2021
  • The Daughter of a Collector Charged With Trafficking Looted Antiquities Has Returned Her Father’s $50 Million Hoard to Cambodia | ArtNet News, 01 Feb 2021
  • Restitution d’antiquités khmères pour une valeur de 50 millions de $ | Le Petit Journal, 02 Feb 2021
  • Collection of Antiquities Dealer Accused of Looting Will Return to Cambodia | Smithsonian, 02 Feb 2021
  • $50m worth of ancient Cambodian artefacts to be returned following death of controversial art dealer | The Telegraph, 03 Feb 2021
https://www.facebook.com/KhmerCultureMinistry/posts/3662573733825081
https://www.facebook.com/KhmerCultureMinistry/posts/3662581143824340

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