• Can inscriptions help reconstruct how a kingdom expanded across a landscape?

King Citrasena (Chitrasen, later known as Mahendravarman) ruled Chenla in the late 6th to early 7th centuries, during a period when Chenla’s influence was extending across parts of what are now Cambodia, Laos and northeastern Thailand. His reign is known partly through inscriptions recording religious foundations, royal achievements and other acts of authority. 

Pailoplee and Khatshima map 21 inscriptions from at least 19 locations associated with Citrasena, and asked if people were moving between these places, which routes would they have taken? To explore this, they use Least Cost Path (LCP) modelling in a GIS. LCP calculates routes that minimise the “cost” of movement across terrain.

In archaeology, this can help identify plausible corridors shaped by features such as slopes, river valleys and mountain barriers. These models show how movement could have been structured by the landscape under the assumptions of the model.

Across several scenarios, the reconstructed paths repeatedly concentrate around major river systems—especially the Mun River—and particular passes through the Phnom Dong Rek (Dangrek) mountain range. The authors also compare the modelled network with archaeological sites attributed to Citrasena’s period, many of which fall along these reconstructed corridors.

Where river navigation would have been difficult (such as the Khone Phapheng Falls), the authors propose that Citrasena’s forces may instead have moved overland along riverbanks, using waterways as natural guides through the landscape.

The placement of several inscriptions near river confluences also suggests that these locations may have been important for controlling movement, communication and exchange, not simply access to water.

Reference
Pailoplee, S. & Khatshima, K. 2026. “The role of King Chitrasen (Mahendravarman) in the expansion of the Chenla Kingdom: A study of inscriptions and historical geography.” Social Sciences & Humanities Open 14, 103503.
10.1016/j.ssaho.2026.103503

#SoutheastAsianArchaeology #Cambodia #Thailand #Laos #Chenla
  • Sometimes the biggest archaeological questions depend on evidence we cannot see during excavation.

Microarchaeology investigates archaeological deposits at microscopic and microstratigraphic scales. In Southeast Asia, this can be especially valuable because monsoonal wetness, tropical weathering, intensive land use and complex depositional histories can affect how archaeological evidence survives. 

Researchers can examine the surrounding sediment for traces of past activity and later disturbance. Methods discussed in this new paper include sediment micromorphology, laboratory micro-excavation, high-resolution imaging, FTIR microscopy and SEM-EDS. Depending on the context, microscopic evidence can help identify burning, trampling, plant processing, sediment movement and environmental change. 

The importance of that context is illustrated by work in northern Laos. At Tam Ngu Hao 2, microstratigraphy was used alongside lithological observations and dating to establish the stratigraphic context of Denisovan fossil evidence. At Tam Pà Ling, it has shown potential for investigating environmental seasonality and possible patterns of early modern human presence. These methods help archaeologists understand what happened to a deposit before drawing conclusions from what it contains.
 
The paper also introduces the Australian Microarchaeology and Palaeosciences Facility (AusMAP) and argues for greater collaboration, training and locally based microarchaeological expertise across Southeast Asia. 

Reference:
Hernandez et al. 2026. Scaling down to look further back: Southeast Asia, deep-time science and microarchaeology. SPAFA Journal 10.
10.26721/spafajournal.651369a4y8 

#SoutheastAsianArchaeology #Archaeology #Microarchaeology #Geoarchaeology #ArchaeologicalScience
  • This week on Southeast Asian Archaeology: claims, contexts and careful reading.⠀
⠀
With Malaysia’s National Day, Vietnam’s National Day, Timor-Leste’s Popular Consultation Day, and International Literacy Day all close together, I’m thinking about literacy not just as reading words, but reading evidence: museum labels, old spellings, dates, maps, artefacts, archives, and the occasional viral post with a raised eyebrow.⠀
⠀
The catalyst this week is the recent controversy over historical claims in Malaysia, alongside a timely RSIS piece on how historians, archaeologists, archivists, librarians and curators can help push back against disinformation. Not by attacking people, but by helping everyone ask better questions of the past.⠀
⠀
Also in this week’s issue: Penang’s historical Malay spellings, Cambodia’s new artefact database grant, Singapore’s revised History Gallery, UNESCO’s maritime museum project, new research on Sundadonty, Roti Island, Chenla inscriptions, ancient Myanmar, and more.⠀
⠀
Link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #InformationLiteracy
  • How old are the rock paintings of Mainland Southeast Asia? 🎨🪨

A new study from Mangguan in Yunnan, southwestern China, provides another important piece of the puzzle.

Using uranium-thorium dating, researchers analysed tiny calcite deposits that had formed over the paintings. Because the calcite must be younger than the pigment underneath, the dates provide a minimum age for the art. One deposit covering a human figure shows that the painting was already there at least 4,220 years ago.

Mangguan is particularly interesting because it lies only about 15 km from the better-known Cangyuan rock art complex. The two have stylistic similarities and overlapping dates, suggesting they formed part of a broader regional rock art tradition, a comparison can be taken farther south.

The rock paintings at Pha Taem in Luang Prabang, Laos, have previously been compared with Cangyuan, raising intriguing questions about relationships between the rock art traditions of southwestern China and Mainland Southeast Asia.

Most rock art in Mainland Southeast Asia remains poorly dated, so dates like those from Mangguan give us increasingly useful chronological anchors for thinking about these connections.

References:
Wu, Y. et al. 2026. U-Th dating of rock paintings in southwestern China: minimum age of ~4.2 ka BP at the Mangguan site. Journal of Archaeological Science: Reports 74, 105987. DOI: 10.1016/j.jasrep.2026.105987.

Bo, X. 2020. On the relationship between the Cangyuan rock art in Yunnan, China, and the Pha Taem rock art in Laos. Rock Art Research 37(2).

Tan, N.H. 2018. The Cliff Paintings of Pha Taem, Luang Prabang, Lao PDR. Rock Art Research 35(1).

#RockArt #SoutheastAsianArchaeology #Yunnan #China
  • Extraordinary claims about the past can be exciting. But how do we tell an exciting new hypothesis from pseudoarchaeology?

Recent controversy in Malaysia over claims that ancient Malays taught the Romans shipbuilding provides a useful case study. Rather than piling on the person behind the claims, I think there is a more useful question to ask: how would we actually test an idea like this?

Archaeology gives us some simple tools.

Do the dates work? What is the primary evidence? Does the evidence actually demonstrate the connection being claimed? Are there better explanations? And perhaps most importantly: what evidence would make us reject the hypothesis?

Ancient Southeast Asians really were sophisticated seafarers. Srivijaya really was one of Asia’s great maritime powers. Sungai Batu really does preserve remarkable evidence for early iron production.

None of those achievements needs embellishment to make Southeast Asian archaeology extraordinary.

Swipe through for five questions you can use the next time you encounter an astonishing claim about the ancient past.

🚩 Remember: possibility is not evidence, similarity does not necessarily mean transmission, and extraordinary claims still have to survive ordinary archaeological scrutiny.

Read more about the archaeology behind these claims in this week’s Southeast Asian Archaeology Newsletter.

#SoutheastAsianArchaeology #Pseudoarchaeology #Malaysia #MaritimeArchaeology #MediaLiteracy
  • A 4,000-year-old painted stone from Wetar Island may change how we understand the Austronesian story.⠀
⠀
Archaeologists excavating Huknaur 1 in Southeast Indonesia found a painted plaque with a red sun-ray motif linked to the Austronesian Painting Tradition — a wider visual tradition known from eastern Indonesia and nearby islands.⠀
⠀
What makes this find so important is that the plaque appears to be older than the first pottery at the site. That means a shared symbolic tradition may have been present before the full Neolithic package usually associated with Austronesian expansion. This discovery suggests that ideas, symbols, and identity may have travelled ahead of pottery.⠀
⠀
It is a reminder that the spread of people goes beyond tools, crops, or ceramics, and may also have been about belief, belonging, and a shared visual language carried across the sea.⠀
⠀
Swipe through to see why this small object has such big implications.⠀
⠀
Reference:⠀
O’Connor, S., Kealy, S., Kaharudin, H.A.F., et al. (2026). 4000-year-old painted plaque from Southeast Indonesia reveals Austronesian Painting Tradition preceded Neolithic pottery. PNAS 123(34): e2611580123.⠀
⠀
#SoutheastAsianArchaeology #RockArt #Austronesian #Indonesia #Wetar #SoutheastAsia #IslandSoutheastAsia #AustronesianPaintingTradition
  • Plaques, Ponds and Provenance⠀
⠀
This week’s newsletter begins with a 4,000-year-old painted plaque from Wetar Island — a small object with a big story.⠀
⠀
The plaque carries a red sun-like motif linked to the Austronesian Painting Tradition, and it appears before pottery at the site. That suggests visual symbols and shared ideas may have moved through maritime Southeast Asia before some of the usual archaeological markers we associate with Austronesian expansion.⠀
⠀
Also this week: archaeology beneath Angkor’s Sras Srang, suspected Ban Chiang artefacts offered for return from Switzerland, and more heritage news from across the region.⠀
⠀
Link in bio.
  • How do you make a 3-metre stone stand upright for centuries?

At Hintang in northern Laos, archaeologists are beginning to answer that question.

In 2025, a Lao-Australian team excavated Site 7A — the first excavation at a Hintang standing-stone site in around 90 years. Beneath the surface, they found that the stones had been set deeply into pits, with smaller rocks packed around their bases to stabilise them. Roughly one-third of each standing stone was buried underground.

One big question remains, though — how old are the Hintang stones?

Samples were collected for dating, but those results are still being analysed. So, for now, we understand a little more about how these monuments were built.

📖 Shewan, L., O’Reilly, D., Armstrong, B. & Butphachit, A. (2026). “Surveys of Hintang standing stone sites and excavations at Site 7A, Houaphanh, Lao PDR.” Antiquity.
doi: 10.15184/aqy.2026.10408

#Archaeology #SoutheastAsianArchaeology #Laos #Megaliths #Hintang #AncientTechnology #ArchaeologicalResearch #Heritage #NewResearch
  • Angkor’s water system is famous for its scale: enormous reservoirs, long canals, and monumental engineering.⠀
⠀
New research by archaeologist Sarah Klassen highlights how Angkor’s agricultural system also depended on more than 1,000 local temple communities spread across the Greater Angkor Region. These communities helped organise labour, manage local water systems, and coordinate rice production - and suggests that Angkor’s success was built through a combination of top-down and bottom-up management.⠀
⠀
The state created the large hydraulic framework. Local communities adapted to it, expanded around it, and helped make the wider agricultural landscape function.⠀
⠀
Over time, however, this balance changed. Land and resources became increasingly concentrated, the system became more centralised, and some of the flexibility that had helped Angkor cope with earlier environmental stress may have been lost.⠀
⠀
Beyond its temples and kings, Angkor
  • New Evidence from the Southeast Asian Borderlands⠀
⠀
This week in Southeast Asian Archaeology: new dates, new methods, and some wonderfully untidy timelines.⠀
⠀
🪨 Uranium-thorium dating pushes the Mangguan rock paintings in Yunnan back to at least 4,220 years ago⠀
 🥁 AI-assisted restoration takes on damaged imagery on Guangxi bronze drums⠀
 🌾 New work at Angkor asks how infrastructure, local communities and water management shaped resilience⠀
 🗿 Lao-Australian fieldwork maps and excavates the enigmatic Hintang standing stones⠀
⠀
Plus archaeology and heritage news from across Southeast Asia, new research, opportunities, and more.⠀
⠀
I’ve also started experimenting with short visual explainers of new archaeology papers here on Instagram — so follow along if you like your archaeology with fewer footnotes and more pixels.⠀
⠀
Read the latest SEAArch newsletter via the link in bio.⠀
⠀
#Archaeology #SoutheastAsianArchaeology #SoutheastAsia #RockArt #Angkor #Laos #Yunnan #Heritage #ArchaeologicalResearch #DigitalHeritage
Sunday, September 6, 2026
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Nayong Pilipino and Tuklas Host Umpukan sa Nayon: Archaeology and Cultural Education in Changing Times Online Discussion

26 May 2020
in Southeast Asia
Tags: Covid-19Nayong Pilipino Foundationtalks / presentationsTuklas Pilipinas
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[Seminar]  Umpukan sa Nayon: A discussion on Archaeology and Cultural Education in Changing Times

via Tuklas Pilipinas, 25 May 2020: Last week I participated in a discussion with several cultural heritage practitioners in the region hosted by Tuklas Pilipinas and Nayong Pilipino foundation. The impression I got from my fellow discussants was that we were still trying to make sense of the new normal, now that most if not all field operations have been suspended for the foreseeable future. The upside is that a lot of us now have time to spend writing and processing data! The following is the media release from Tuklas Pilipinas – thanks to Nayong Pilipino and Tuklas for the opportunity!

Nayong Pilipino and Tuklas Host Umpukan sa Nayon: Archaeology and Cultural Education in Changing Times Online Discussion

“How can archaeology and cultural education adapt to a “new normal” in these changing times?” This question was answered in the online discussion “Umpukan sa Nayon: Archaeology and Cultural Education in Changing Times”, last Tuesday, May 19, sponsored by the Nayong Pilipino Foundation (NP), in partnership with Tuklas Pilipinas Society Inc.


Five archaeologists and cultural workers from Southeast Asia highlighted creative strategies and insights on how archaeologists, museum curators and other heritage workers can adapt to cope with difficulties brought about by the Covid-19 pandemic. Given the nature of archaeology as a field, laboratory and community-based activity, the speakers all recommended practical approaches to adapt to changing times brought about by the Covid-19 pandemic.
Common problems in all countries represented include, but are not limited to, the inability to travel to archaeological sites to conduct archaeological excavations; the cancellation of local and international conferences; the closing of museums and heritage sites, and the inaccessibility of labs and archaeological materials for analysis.

Dr. Noel Hidalgo-Tan, the web administrator for the website “Southeast Asian Archaeology” reported that because all pending programs were postponed for 2021, he has been collating links to archaeology-related updates online lectures, virtual tours, coloring pages and other news related to cultural heritage in Southeast Asia that are shared on his website. He also stated that there are opportunities for increased online learning, data consolidation, writing and online collaborations during this time. Hidalgo-Tan is also Senior Specialist in Archaeology at the Southeast Asian Regional Centre for Archaeology and Fine Arts (SEAMEO-SPAFA) based in Thailand.


Thippawan Wongadsapaiboon, an archaeologist under the Fine Arts Department of Thailand, reported that although archaeological excavations in Thailand are not totally banned, projects with more than five participants have been canceled. As an effect, ongoing archaeological projects must manage to excavate without hiring local laborers. Other archaeological surveys and data gathering must be finished within one day, or else they will be canceled. Data obtained from recent projects and other updates must also be published online as soon as possible. She also suggested that local volunteers to protect archaeological sites can be done post-lockdown to aid archaeologists in monitoring areas that they cannot access.

In Indonesia, Agni Mochtar, a researcher at Balai Arkeologi in Yogyakarta, shared that archaeologists have adopted the work-from-home setup. The cancellation of archaeological excavations had allowed them to catch up on report- writing, and to engage an audience on social media through more frequent postings and promotions of archaeological photos and previous archaeological publications. The need for conducting archaeology by Southeast Asians was also emphasized. This could be done by creating opportunities for consolidation, cooperation and contemplation, especially during the current pandemic.

In the Philippines, J.C. Salon, the Officer-in-Charge of the Cagayan de Oro (CDO) Museum in Mindanao, emphasized that the CDO Museum is focused on ensuring that accurate information is disseminated. At present, the museum continues to operate with only one staff member, who accessions collections. He proposed the digitization of museum collections.

John Peterson, the President of the International Scientific Committee on Archaeological heritage Management and a Professor of Anthropology at the University of San Carlos in Cebu City, Visayas, Philippines presented tools that may aid archaeologists, anthropologists and other cultural heritage practitioners can explore for research opportunities. He proposed the creation of Geographic Information System (GIS) storyboards through interactive maps, surveys, and photos. “More authentic knowledge comes from community participation—making the community involved,” he said.

In reaction to the panel, Ms. Patricia Panganiban of NPF posed the question “is there a need to rethink how we do archaeology?” In response to this, Hidalgo-Tan suggested that in disseminating information at this time, archaeologists should match accessibility to what is available to the people. Other topics that were discussed during the open forum was the accessibility of archaeological information to far-flung areas that do not have internet access.

It was also suggested that traditional communication platforms such as television may also be revisited. Through audience participation, it was also conveyed that activities such as digitization, collections management, the planning of future exhibits and the translation of existing archaeological reports may also be done at this time.

Ms. Kate Lim, Tuklas PIlipinas’ President, ended with a call for collaborations among archaeologists, cultural heritage practitioners from private and public sectors. She emphasized that there is a need to be connected, and while there is uncertainty in these changing times, it is also crucial to work on both personal well-being and the welfare of society.

This online discussion was the fourth installment of NPF’s “Umpukan sa Nayon” series, which are discussions on topics related to National Cultural Heritage to celebrate National Heritage Month this May. It was moderated by Ms. Natasha Kintanar, Tuklas Pilipinas’ Executive Director.
The NPF is a government foundation created by Philippine Law (Presidential Decree No. 37) in 1972. It is mandated to promote, encourage and initiate research and development projects and activities in social sciences, humanities, social and amelioration and similar fields.

Tuklas Pilipinas is a Non-Government Organization that centers on archaeology as a basis for strengthening heritage literacy in the Philippines. It is composed of archaeologists and heritage advocates that apply community education, exploration and engagement approaches to communicate archaeological data to the general public, most especially the youth. (Report by Kathleen Tantuico)

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