• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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[Opportunity] 15th International Training Course on Disaster Risk Management of Cultural Heritage in Japan

6 March 2020
in Uncategorised
Tags: disaster risk managementdisastersICCROMJapanscholarships and education
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via ICCROM: A three-week course on Disaster Risk Management in Japan. Deadline for applications is 6 April 2020. Course details in the link.

Cultural heritage is increasingly exposed to disasters caused by natural and human-induced hazards such as earthquakes, floods, fires, typhoons, terrorism, etc. Recent examples include fires in World Heritage Sites of Shuri Castle and the Notre-Dame of Paris in 2019, typhoon in Western Japan in 2018, earthquakes in Central Mexico in 2017, Kumamoto Japan, Central Italy, Myanmar in 2016, and Nepal in 2015, floods in the UK in 2015, in the Balkans in 2014, and ongoing conflicts in Iraq, Syria and Yemen. In addition, climate change is causing increase in the frequency and intensity of floods, drought, and bushfires that can create huge damage to both cultural heritage and the natural environment. These disasters not only affect immovable heritage such as monuments, archaeological sites, and historic urban areas, but also cause damage to movable heritage, including museum collections, heritage objects, religious and other artifacts that are of significance to local communities. In the aftermath of a disaster, many architectural fragments of damaged or collapsed buildings face loss or damage because of improper documentation, handling, and storage.

In recent years, fires have devastated a substantial number of heritage sites and museums. This is seen in the cases of the Notre Dame Cathedral, the Glasgow School of Arts, the Windsor Castle, part of historic cities (e.g. Valparaiso in Chile and Lijiang in China), national monuments (e.g. the Namdaemun in South Korea), religious structures (e.g. the Wangdue Phodrang in Bhutan), and tombs (e.g. the Kasubi Tombs), as well as museums such as National Museum of Brazil, Natural History in India and the Southwark Museum in the UK. Recent Forest fires in Australia have also inflicted huge damage to both natural and cultural heritage. These fires are caused by both natural and human-induced factors in cultural heritage site/museum or its surrounding. Therefore special theme for this year’s ITC will be ‘Towards the Integrated Protection of Immovable and Movable Cultural Heritage from Risk of Fire ‘

The course aims to provide interdisciplinary training on various aspects of disaster risk management of cultural heritage. Drawing upon Japan’s rich experience in this area, the course exposes the participants to specialized measures such as the establishment of a disaster risk management system, and methodologies for pre-disaster measures, disaster response, and post-disaster recovery and reconstruction.

Source: 15th International Training Course on Disaster Risk Management of Cultural Heritage in Japan | ICCROM

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