• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
⠀
https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Roxanna Brown and the art fraud mystery

31 October 2008
in Southeast Asia
Tags: Roxanna Brown (person)
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What kind of royal screw-up led to Roxanna Brown’s death? Details of the ill-fated detention of the esteemed Dr Brown is recounted in the Seattle Times, with disturbing and sad revelations over how she was denied medical care and attention which led to her untimely and unnecessary death. (Thanks to Black Rose Press for the link)

Was Roxanna Brown an Art-World Fraud?
Seattle Times, 29 October 2008

Brown slid the chair like a walker as she moved across the floor of the hulking eight-story prison. Then, as inmates remember it, she stumbled and fell in front of a corrections officer.

“The officer watched this happen and simply gave her dirty looks,” Bowler recalls. She and another inmate came to Brown’s aid, Bowler says, lifting the respected scholar and dragging her into the showers. They were worried about her survival, Bowler says.

At least someone was. Brown was brought into the detention center on one leg and five days later carried out foot first. The American-born, Bangkok-based museum director had survived Vietnam as a war correspondent, hanging with the likes of David Halberstam and Ted Koppel, and had been close to death after losing her right leg in the wake of a motorbike crash in Thailand in the ’80s. But it was from a modern American prison that the globetrotting Southeast Asian art historian would emerge in a body bag on May 14, 2008. Twelve days earlier, she had turned 62.

In dire need of emergency care, Brown died about seven hours after inmates say she collapsed in front of the officer. Inmates say they, not the detention center staff, went to her aid in her final hours—they had to support Brown’s head the way you “support an infant’s,” Bowler says, to feed her antacid. Federal officials dispute the prisoners’ versions, and contend that Brown, who was apparently the first inmate known to die unexpectedly at the 10-year-old detention center, had showed initial signs only of a minor gastrointestinal “bug.”

To be fair, the report also highlights how she may have gotten herself arrested in the first place: by freely letting her name be used in art appraisals, similar to blank cheques. It turns out some of these subsequent appraisals were fraudulent to get higher tax breaks.

The investigation pushed on. The feds found new documents during the January raids that caused them to believe that Brown not only was in on the fraud scheme but had herself smuggled Burmese art into the U.S. They claimed there was evidence that six years earlier she had sold some antiquities to a man investigators believe was a smuggler. Additionally, gallery owner Markell had asked Brown in 2007 to sign a half-dozen blank appraisal forms for his future use. Markell, in an e-mail, “stated that he would be sending her $300 for using her, ‘as it were’, as the appraiser,” since, due to recent federal rule changes, he couldn’t sign an appraisal himself.

“If you are nervous about doing this,” he wrote, “please realize that Republicans are still in office, the IRS does not have enough personnel to review small-time appraisals, and the appraisals are very well written and will never be challenged even if they do.”

“No problem!” Brown responded. “I am delighted to be your partner in this.”

The feds suspected Brown knew Markell allegedly inflated his valuations, thus lending her signature made her party to the scam. Brown’s family says she was just doing a favor for the Markells, who were friends and who even witnessed Brown’s 2001 will, according to records in King County Superior Court. (The will is now in probate. No value is given for Brown’s estate, but her brother says she was poor.)

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