• This week in Southeast Asian Archaeology: Prambanan gets some renewed attention, Phimai Black pottery surfaces at Mun Bon Dam, and I’m taking a short break next week.⠀
⠀
The featured stories look at the new Indonesia–India conservation project at Prambanan, focusing on the temple complex’s ruined perwara shrines, and a striking Late Prehistoric find in northeast Thailand: a remarkably complete Phimai Black vessel discovered as water levels fell at Mun Bon Dam.⠀
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Temples, pottery, reservoirs, and a little scheduled rest. Back again on 27 July.⠀
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Read this week’s newsletter: [link in bio]⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Prambanan #Thailand #Indonesia #Cambodia #Vietnam #CulturalHeritage #Substack
  • Gold rings, bronze drums, ancient burials, and better ethics in bioarchaeology — this week’s Southeast Asian Archaeology newsletter is a two-week catch-up edition.⠀
⠀
The lead story comes from Don Yai Thong in Phetchaburi, Thailand, where excavations have revealed gold ornaments, bronze drums, burials, beads, pottery and more. One newly reported gold signet ring bears Brahmi script, raising interesting questions about status, ritual and long-distance connections in the region.⠀
⠀
Also featured: a new paper on ethical collaboration when working with human remains in Southeast Asia — a timely reminder that care, respect, training, authorship and local authority are all part of good archaeological practice.⠀
⠀
Read the latest issue through the link in bio.
  • Cobbles, Caves and Committees 🪨⛰️📜⠀
⠀
This week’s Southeast Asian Archaeology newsletter moves from UNESCO heritage diplomacy to synchrotron science in Malaysia’s Nenggiri Valley, and then back into deep time with Early Palaeolithic cobble tools from Cambodia’s Mekong terraces.⠀
⠀
Cover image: Wat Phra Mahathat, Nakhon Si Thammarat — because temple towers do improve most things.⠀
⠀
Read the latest issue at the link in bio.⠀
⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Cambodia #Malaysia #UNESCO #WatPhraMahathat #NakhonSiThammarat #CulturalHeritage
  • This week in Southeast Asian Archaeology: broken pots, painted hands, and returning relics.⠀
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The main story is a new paper on Angkorian ceramics from Thala Borivat and Sambor, showing how Angkor’s eastern Mekong provinces were connected through roads, rivers, rapids and local choices — not one neat supply chain.⠀
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Also featured: Tham Pha Mue in Laos opens to visitors, a site I studied and helped document; Cambodia welcomes the return of three sculptures from the US; plus updates from Bujang Valley, Mỹ Sơn and Bagan.⠀
⠀
Read this week’s issue: https://bit.ly/3QjsdVO ⠀
⠀
#SoutheastAsianArchaeology #Angkor #Cambodia #Laos #RockArt #Archaeology #Heritage #Mekong
  • Boats, pots, and prehistoric know-how this week at Southeast Asian Archaeology.⠀
⠀
In the new newsletter:⠀
🛶 outrigger boat motifs in Sulawesi rock art⠀
🏺 new perspectives on pottery in Timor-Leste⠀
👑 the restored Nguyen Dynasty throne⠀
🎟️ falling ticket sales at Angkor⠀
⚖️ a new book on archaeology and Philippine law⠀
⠀
#Archaeology #SoutheastAsia #Heritage #RockArt #TimorLeste #Indonesia
  • Brunei’s archaeology does not get nearly enough attention.⠀
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For this bonus post, I’m looking at Kota Batu Archaeological Park, the site of Brunei’s old capital. It is not a spectacular ruin in the usual sense — no towering temples, no monumental gateways — but its fragments tell a fascinating story: tombs, ceramics, sandstone pillar bases, river defences, house posts, imported wares, and traces of a working port city.⠀
⠀
Kota Batu shows Brunei not as a quiet corner of Southeast Asian archaeology, but as part of the maritime world that linked Borneo with China, Vietnam, Thailand, the Philippines and beyond.
  • This week’s Southeast Asian Archaeology newsletter is about movement, adaptation, and why archaeology is rarely as tidy as we pretend.⠀
⠀
Inside:⠀
🏹 a new review of bow-and-arrow evidence from India to Oceania⠀
🪙 a study of how Roman materials were filtered and remade in Southeast Asia⠀
🌊 new work on maritime links between Angkor and China during the megadrought period⠀
⠀
Also this week: Angkor palace waterworks, the Cẩm An shipwreck, and the reopening of Phimai National Museum.⠀
⠀
Link in bio / https://bit.ly/4dV88wS ⠀
#SoutheastAsianArchaeology #Archaeology #Heritage #Angkor #Vietnam #Thailand #Cambodia #AncientTrade #MaritimeArchaeology
  • New this week in Southeast Asian Archaeology: the Plain of Jars, trade beads, burial rituals, Philippine obsidian, coastal watchtowers, public archaeology, and a museum rethink of the galleon trade.⠀
⠀
The lead story is a new paper from Laos, where one huge jar at Site 75 contained the remains of at least 37 people and hints at a long, careful mortuary tradition. From there, the issue moves across the region, with a particularly strong run of stories from the Philippines on exchange networks, local histories, and the stories archaeology tells in public.⠀
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Jars, beads, boats, and the occasional inconvenient fact. https://bit.ly/3RqKWyW ⠀
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#SoutheastAsianArchaeology #Archaeology #Heritage #Laos #Philippines #Museums #PublicHistory
  • This week: Đồng Dương, ancient Champa, broken bricks, border temples, Buddhist architecture on the move, and a reminder that archaeology is rarely just about the past.⠀
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Link in bio / read here: https://bit.ly/4ePHSpL ⠀
⠀
#SoutheastAsianArchaeology #DongDuong #Champa #Vietnam #Cambodia #Thailand #Myanmar #Archaeology #Heritage
  • This week in Southeast Asian Archaeology: a remarkable burial find in Phetchaburi, an old perahu under review in Kelantan, and the Po Nagar festival in Vietnam as a case of living heritage in action. ⠀
⠀
https://bit.ly/48PAeI5 ⠀
⠀
#archaeology #southeastAsia #southeastasianarchaeology
Wednesday, July 22, 2026
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Roxanna Brown and the art fraud mystery

31 October 2008
in Southeast Asia
Tags: Roxanna Brown (person)
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What kind of royal screw-up led to Roxanna Brown’s death? Details of the ill-fated detention of the esteemed Dr Brown is recounted in the Seattle Times, with disturbing and sad revelations over how she was denied medical care and attention which led to her untimely and unnecessary death. (Thanks to Black Rose Press for the link)

Was Roxanna Brown an Art-World Fraud?
Seattle Times, 29 October 2008

Brown slid the chair like a walker as she moved across the floor of the hulking eight-story prison. Then, as inmates remember it, she stumbled and fell in front of a corrections officer.

“The officer watched this happen and simply gave her dirty looks,” Bowler recalls. She and another inmate came to Brown’s aid, Bowler says, lifting the respected scholar and dragging her into the showers. They were worried about her survival, Bowler says.

At least someone was. Brown was brought into the detention center on one leg and five days later carried out foot first. The American-born, Bangkok-based museum director had survived Vietnam as a war correspondent, hanging with the likes of David Halberstam and Ted Koppel, and had been close to death after losing her right leg in the wake of a motorbike crash in Thailand in the ’80s. But it was from a modern American prison that the globetrotting Southeast Asian art historian would emerge in a body bag on May 14, 2008. Twelve days earlier, she had turned 62.

In dire need of emergency care, Brown died about seven hours after inmates say she collapsed in front of the officer. Inmates say they, not the detention center staff, went to her aid in her final hours—they had to support Brown’s head the way you “support an infant’s,” Bowler says, to feed her antacid. Federal officials dispute the prisoners’ versions, and contend that Brown, who was apparently the first inmate known to die unexpectedly at the 10-year-old detention center, had showed initial signs only of a minor gastrointestinal “bug.”

To be fair, the report also highlights how she may have gotten herself arrested in the first place: by freely letting her name be used in art appraisals, similar to blank cheques. It turns out some of these subsequent appraisals were fraudulent to get higher tax breaks.

The investigation pushed on. The feds found new documents during the January raids that caused them to believe that Brown not only was in on the fraud scheme but had herself smuggled Burmese art into the U.S. They claimed there was evidence that six years earlier she had sold some antiquities to a man investigators believe was a smuggler. Additionally, gallery owner Markell had asked Brown in 2007 to sign a half-dozen blank appraisal forms for his future use. Markell, in an e-mail, “stated that he would be sending her $300 for using her, ‘as it were’, as the appraiser,” since, due to recent federal rule changes, he couldn’t sign an appraisal himself.

“If you are nervous about doing this,” he wrote, “please realize that Republicans are still in office, the IRS does not have enough personnel to review small-time appraisals, and the appraisals are very well written and will never be challenged even if they do.”

“No problem!” Brown responded. “I am delighted to be your partner in this.”

The feds suspected Brown knew Markell allegedly inflated his valuations, thus lending her signature made her party to the scam. Brown’s family says she was just doing a favor for the Markells, who were friends and who even witnessed Brown’s 2001 will, according to records in King County Superior Court. (The will is now in probate. No value is given for Brown’s estate, but her brother says she was poor.)

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