• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
⠀
https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
 ⠀
https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
⠀
And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
⠀
https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
Saturday, March 7, 2026
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Freer and Sacker Galleries go online in January

23 December 2014
in Southeast Asia
Tags: archiveepigraphyFreer and Sackler Galleries (museum)museumsSmithsonian (museum)websites
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Starting next year, the collections of the Freer and Sackler Galleries of the Smithsonian museums will go online – the public will be able to examine over 40,000 artworks from the galleries, including 1,200 pieces from South and Southeast Asia. It’s a massive undertaking, but this is technology making museum collection open to the public at its best!

Freer and Sackler Galleries to Release Complete Digitized Collection Jan. 1, 2015
More than 40,000 Masterpieces of Asian and American Art Available for Free Public Use

The Freer Gallery of Art and Arthur M. Sackler Gallery, the Smithsonian’s museums of Asian art, will
release their entire collections online Jan. 1, 2015, providing unprecedented access to one of the world’s most important holdings of Asian and American art. The vast majority of the 40,000 artworks have never before been seen by the public, and more than 90 percent of the images will be in high resolution and without copyright restrictions for noncommercial use.

The Freer and Sackler galleries are the first Smithsonian and the only Asian art museums to digitize and release their entire collections, and in so doing join just a handful of museums in the U.S.

“We’re poised at a digital tipping point, and the nature of what it means to be a museum is changing,” said Julian Raby, the Dame Jillian Sackler Director of the Arthur M. Sackler Gallery and Freer Gallery of Art. “We strive to promote the love and study of Asian art, and the best way we can do so is to free our unmatched resources to inspire appreciation, academic study and artistic creation.”

In the initial release, each work will be represented by one or more stunningly detailed images at the highest possible resolution, with complex items such as albums and manuscripts showing the most important pages. In addition, some of the most popular images will also be available for download as free computer, smartphone and social media backgrounds. Future iterations plan to offer additional functionality like sharing, curation and community-based research.

“The depth of the data we’re releasing illuminates each object’s unique history, from its original creator to how it arrived at the Smithsonian,” said Courtney O’Callaghan, director of digital media and technology at the Freer and Sackler galleries. “Now, a new generation can not only appreciate these works on their own terms, but remix this content in ways we have yet to imagine.” Read more from

The museum’s masterpieces range in time from the Neolithic to the present day, featuring especially fine groupings of Chinese jades and bronzes, Islamic art, Chinese paintings and masterworks from ancient Persia. Currently, the collection boasts 1,806 American art objects, 1,176 ancient Egyptian objects, 2,076 ancient Near Eastern objects, 10,424 Chinese objects, 2,683 Islamic objects, 1,213 South and Southeast Asian objects and smaller groupings of Korean, Armenian, Byzantine, Greek and Roman works. In addition, the Freer Study Collection–more than 10,000 objects used by scholars around the world for scientific research and reference–will be viewable for the first time.

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Comments 1

  1. Pamela Miller says:
    11 years ago

    Please see that we receive notification of your subjects from time to time. Many thanks for this unparalleled educational opportunity.

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