• This week on Southeast Asian Archaeology: rare bronze Mahoratuek drums surface in Thailand, gold-glazed terracotta helps redraw Vietnam’s Ho Citadel, and Aceh War “loot” gets a long-overdue digital reckoning.⠀
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https://bit.ly/46lX88H
  • Circuits, Ceramics, and Colonial Archives is out now 🏛️🌊📜 CNY/Tết (Year of the Horse) greetings + this week’s theme: heritage in a hurry—Angkor’s “high risk” Baksei Chamkrong, Sibonga church repairs post-Odette, and Indonesia’s 152-site revitalisation push. Read: https://bit.ly/3Mswq7G
  • Heritage isn’t just awe—it’s upkeep. This week: a historic building floor collapse at Siak Palace, Beng Mealea’s walkway repairs, Ponagar Tower’s arts show paused over losses.⠀
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https://bit.ly/4chkwIb⠀
  • Biases, Bones & Burāq — this week’s Southeast Asian Archaeology newsletter is all about how small corrections can change big histories.⠀
⠀
We’ve got four fresh research reads:⠀
 🐟 Neolithic expansion that looks a lot more “rice and fish” once recovery bias is taken seriously⠀
 📜 An illuminated Qur’an section from Java on dluwang (treebark paper), with clues that push it earlier than you might expect⠀
 🐀 Timor-Leste’s giant/large murids, measured in detail to track changing ecologies (and a late crash)⠀
 ⚱️ Ban Non Wat grave size and offerings, mapping a sharp spike—and then easing—of social distinction⠀
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And for a screen break: a small mention of PBS’s Angkor: Hidden Jungle Empire.⠀
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Read the full roundup here: https://bit.ly/45Gh2uN ⠀
 #Archaeology #SoutheastAsia #Heritage #Anthropology #Museums #History
  • This week in Southeast Asian Archaeology: Sulawesi just delivered a headline-grabbing ~67,800-year-old hand-stencil date, Huế’s Imperial Citadel restoration has revealed a trilingual astronomical mural, and Malaysia’s new Guar Kepah Archaeological Gallery opens with the “Penang Woman” at centre stage. Deep time, dynastic science, and fresh public heritage spaces—come catch up on the week’s stories.⠀
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https://bit.ly/3NG7WIg
  • New week, new reads: a “Southwestern Silk Road” model for amber into Han China, the biggest Austroasiatic genomic dataset yet (with Dvaravati/Angkor-era signals), plus rock art methods and fresh motifs from Malaysia and Laos. Molecules, motifs, and migration stories — all in one roundup.

Amber, Ancestry and Arty hands https://bit.ly/3LAK20c
  • New year, new (very full) newsletter From Java Man coming home to Jakarta to Khmer sculptures heading back to Cambodia and a bleak month on the Thai–Cambodian border, catch up on a whole month of Southeast Asian archaeology: https://bit.ly/4syuWJh
  • This week’s Southeast Asian Archaeology newsletter is all about the invisible infrastructure of knowledge — the stuff behind the sites. We look at Cambodia’s push to access the late Emma Bunker’s notebooks as a potential roadmap to looted Khmer art, a Thanh Hóa village communal house where 47 imperial edicts were quietly stashed in bamboo tubes for centuries, and Jingdezhen’s “ceramic gene bank” in China, where millions of sherds and glaze recipes are treated like DNA for porcelain. From roof beams to databases, it’s a reminder that archives, records and lab data shape what we think we know about the past just as much as temples and shipwrecks do. Plus the usual mix of regional news, grants, jobs and heritage politics — link in bio/newsletter below.

https://bit.ly/3XIeV5h
  • Genomes point to a 60,000-year “long chronology” for the first settlers of Sahul, while new DNA links China’s hanging coffins to the modern Bo people. #southeastasianarchaeology
 
Read here: https://bit.ly/4a64D6z
  • Southeast Asia’s past is on tour this week — from Bangkok’s royal treasures in Beijing’s Palace Museum to Cham sculptures in Đà Nẵng, Khmer–Chinese exchanges in Phnom Penh, and 14th-century Temasek sherds greeting commuters in a Singapore MRT station. 

In the latest Southeast Asian Archaeology newsletter, a look at how exhibitions are carrying the region’s history into train platforms, diplomatic halls and hands-on museum workshops, plus what this means for soft power, heritage policy and public archaeology. US readers will also spot a small Thanksgiving note of gratitude to the people and institutions who keep these stories alive.

Read the full issue and subscribe here: https://bit.ly/4oeZz2S 

#SoutheastAsia #Archaeology #Museums #Heritage #Thailand #Cambodia #Vietnam #Singapore #Beijing #PalaceMuseum
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Museum of Sa Huynh and Champa Culture

11 May 2012
in Vietnam
Tags: Austronesian (peoples)burial jarChampa (kingdoms)lingling-oMuseum of Sa Huynh and Champa CulturemuseumsQuang Nam (province)roof tilesSa Huynh (culture)Trà Kiệu (site)
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Museum of Sa Huynh and Champa Culture

Museum of Sa Huynh and Champa Culture

On the way to My Son from Da Nang is the town of Tra Kieu, known during Champa times as Simhapura (‘Lion City’). It is thought that Simhapura was a political capital for Champa, while My Son was a spiritual capital of sorts. I was searching for the archaeological remains of Simhapura – reportedly the rectangular remains of a stone building or ramparts – but was unsuccessful. Nobody seemed to know where it was. But I did stumble upon this:

Museum of Sa Huynh and Champa Culture
Museum of Sa Huynh and Champa Culture

The Museum of Sa Huynh and Champa Culture is a fairly large building. I was the only visitor at the time, and the attendant seemed quite surprised that there were visitors at all. Stepping through the entrance, one is greeted with a linga depicting the Trimurti and a long bas-relief.

Tubular Tile Caps Tra Kieu Quang Nam Province Duy Xuyen District 2-3rd century Pottery

The actual collection is housed on the entire second floor. The lights were switched off, and the attendant followed me around, switching on the lights to the different parts of the museum as we walked through.

Museum of Sa Huynh and Champa Culture

The Sa Huynh is a prehistoric culture found largely in the coastal areas of central and southern Vietnam. They share many similarities with prehistoric coastal cultures in Southeast Asia, particularly the islands and it is believed that the Su Huynh people spoke an Austronesian language.

Burial Jar Collection
Burial Jar Collection
Ling-ling-o
Ling-ling-o
Bicephalous ling-ling-o
Bicephalous ling-ling-o

The areas where Sa Huynh culture is found is often followed by remains from Champa, so it is thought that the two cultures are related. The Champa artifacts are not as impressive as the Museum in Da Nang – in fact, most of the sculptures are in fact replicas found on other museums.

Champa sculpture at the Museum of Sa Huynh and Champa Culture
Champa sculpture at the Museum of Sa Huynh and Champa Culture

Over at the My Son display, I saw something that I had not seen in the other museums and sites. These ceramics are thought to be roof tiles, perhaps the ends of tubes. What’s unique about them is that they have faces embossed on them, each of them unique!

Museum of Sa Huynh and Champa Culture

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Comments 3

  1. Mel gray-Thompson says:
    12 years ago

    Thanks for your recommendation. What an under-utilised facility. We went yesterday, a staff of three sitting about, we were the only patrons and enjoyed the quality personal presentation in good English particularly the sa huynh information. The grounds looked over grown, the car park had weeds but the displays were first class.i have not been to the Cham museum in dancing to compare unfortunately and will not have time this trip.

  2. major of Trade, Catholic University of Daegu, Korea says:
    9 years ago

    subject : request for a Tu Hung Stone Arts museum visit
    1. I wish you all the best in the history of the museum.
    2. Ask for a visit to the museum. Details are below.
    3. visit time : 2017. 6. 26 ~ 2017. 7. 1
    4. the number of people : 10 People(Adults)
    5. purpose : visit
    Please contact me as soon as possible.
    I don’t care if your reply is not English.

  3. Trương Hoàng Dũng says:
    6 years ago

    Hi,
    I, a senior tour guide, traveling throughout the country, for many years, and I’m still interested in all details of the old Champa history and each of the artefacts collected first by the French archaeologists, then by many other internationals and the locals. Truthfully speaking, the only, unique Museum of Cham Sculptures in Danang, and others like the My Son complex, that I love the most. Of course, each of the old places, which are now open to visitors and tourists, is granted by the local government for access permission and quite new and not authentic; that I wouldn’t know!

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